Gallard stood up to leave. A great sadness touched his face, shaded his eyes, etched his facial lines. "Why did you tell me this? I know you. I saw you murder women and children for fun, for stupid amusement. Why tell me?" He had begun to understand his use in my world, and wasn't so sure he liked it; but he had wanted to know. "Why me?" He turned away, his shoulders shaking. "You stink of death, Krummel, evil murder and death and…"
"Don't overwrite, man. The story's just begun, doctor; only begun, not near finished."
He left quickly, without a word. I knew he would be back. Unfair, you say, to use him like that? Who else could I talk to? Who else would listen? Only those whose fear is deep enough and whose pride is great enough to conceive me in their souls; a hidden, hesitant conception, true, but a real birth.
(All is not darkness, though. A letter came today. Cagle and Novotny are alive, not dead as I had thought. Cagle lost an arm and Novotny is deaf, but they are alive and back in the States already, waiting for discharge to start a bar in Fresno with their disability money. Cagle writes, "Look, ma, one hand clapping [no pun intended: there is no clap in the U.S.A.]." Novotny writes, "Great not to have to listen to the little bastard anymore." God, I miss them.)
5. (Notes for an Unfinished Narrative)
History, memory, or whatever you will call this foolish desire of mine to diddle the past, does present certain problems of relativity. It would be easier if I could, as authors of novels often pretend to do, be that objective, original, imaginative, righteous voice of God, but alas I am not. Nor am I able, as that other great multitude of confessors are, to act as if I have quietly moved, probably because of the deep understanding and perception I must have of my sins, to some distant point in the vacuum of space, disturbed only by occasional satellites, cosmic dust, and God, and there rest in peace as I recount my many and varied adventures. But again, alas, this is not so. For you see, I am still strapped to this bed in a traction cast, the sky over Baguio is still a sexual blue, the grass sensual green, Abigail Light lovely, lovely, and Doctor Gallard concerned. Life continually intrudes. I will neither deny this, as so many have, nor, though, will I make any other point about it than this intrusion. I see no reason why you should get off any lighter than me, for it was at this point in time – that is, the time of writing the narrative rather than the time of the narrative itself, different as it is from the time of the events being narrated – that Gallard brought me these sheets of yellow paper and this old typewriter, which so often seems to loom high over the bed like a great cathedral organ. Gallard brought them without explanation, but he and I both knew what he meant, what he wanted.
I found myself intrigued with the idea of a mechanical confession and began, as they say great writers must, to conceive my theory of aesthetics before I began to write. I quickly discovered that history was more interesting than art, and so instead developed the Blueberry Bush Theory of History, that is to say that Martin Luther King had as great a hand in causing the Reformation and the Thirty Years' War as Martin Luther. You may despair at this idea that no one and no thing is at the wheel of the ship of the cosmos, that there is neither wheel nor ship, but you would be smarter to laugh (and probably are if you did). Perhaps you may chide me for making elaborate jokes; point, if you will, your irritation elsewhere.
If, as they say, the writer's duty is to force order on the chaos, then the historian must force chaos wherever he finds order.
Perhaps this is all a personal reaction to the fact that I never did find out who broke all those damned Coke bottles, and I'm merely hesitating in my narrative because I hate to go on with that kind of loose thread bleeding behind me. If it bothers you, then say I did it because I was punished for it and must be guilty. Nothing worth having is easy to get.
So despair then because history is no thread to be cut, no chain to rattle, no string to be wrapped in a ball. Eat your blueberries; keep the toilet paper close at hand.
My ill-temper must have rubbed off on the men, particularly on Morning who acted as if I had stolen his thunder, his lightning and tears. I didn't find it easy in the weeks between the end of my tour of punishment and the beginning of football season to keep the self-disgust I felt out of my face. There were several bad scenes. Novotny finally received the long-feared Dear John from his girl back in Wyoming. He stayed sick and drunk for a long time – through a set of days, the Break, then a set of swings – then during the Break he and Morning nearly came to blows, as they regularly did, over the presence of Toni, Morning's queer friend, at the apartment. Morning felt sorry for him, as everyone did. Poor Toni, half in, half out of drag, short hair and make-up, high heels and levis, painted fingernails and a sport shirt, always waiting for a chance to seduce Novotny, Novotny always ready to kill him if he tried, and Morning, it seemed, also waiting for the explosion. I often felt that Morning wanted to see this double-humiliation so he could feel superior (not afraid?). He and I hassled when I told him this, for in my mood I bluntly told him, and we tangled another time when Quinn wanted to stay in town AWOL from work. Morning said it was only Quinn's business, but I made it mine. Then Dottlinger began his campaign to get Morning who, of course, was more than willing to be a martyr to this sort of injustice. And I… always with my crooked nose strained out of joint to get between the back and the whip…
On the way to the beginning of a set of mids, I found Tetrick sitting in the chow hall waiting for me. As I ate, he told me that Dottlinger knew that Morning had organized the Great Coke Bottle Mutiny.
"How do you know?" I asked. This could be bad, I thought. Capt. Saunders still wasn't back from the States.
"I know, that's all. But the lieutenant ain't going to do anything right now. He's waiting. Make sure Morning don't get out of line, not even a little bit," Tetrick said.
"How?"
"You tell me," he said, shaking his head over a cup of coffee. "You tell me. These kids are driving me to drink. You know Hendricks, that little blond kid on Trick Four?"
"I think so. Why?"
"He's in the stockade – excuse me, confinement facility, that is," Tetrick snorted.
"How come?"
"How come? He's a lover. That's why. Girls in Town aren't good enough for him. No, he's got to have a captain's wife. He got caught, then she screamed rape like they always do when an enlisted man gets between their legs. She screams rape from the middle of her bed and Hendricks crashes out the window carrying his clothes. It's bad enough to run off, but then the Air Police catch him over behind the Kelly Theatre, and what's he do? Pulls a knife, yes, cuts two APs, which is bad enough, but now when he can get away, what's he do? Yeah, he climbs a telephone pole. They have to cut the pole down to get him. Smart kid. Now the least he'll get is five years and a DD. A real lover." Tetrick couldn't have looked more unhappy, he couldn't have had more wrinkles running back across his forehead up his tan scalp if he were the one on his way to Leavenworth.
I remembered Hendricks. A small, quiet boy from Kansas who worked part-time out at the riding stables, the kind of kid who preferred horses to people. "Damn, you wouldn't think he would be the type, do you? Can he beat any of the charges?"
Tetrick sneered at me, but then he paused, chuckled to himself, and said, "Speaking of people who don't look like it. Listen, keep this to yourself; don't make me more trouble. Guess who's shacking up with Sgt. Reid's wife?" Reid was chief of Trick One, a pale, thin, thirtyish guy who looked more like a shoe clerk than a soldier.
"Who," I said, "Dottlinger?" A joke.