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Vonnith’s home was much older than Fyres’s place, and, without doubt, had been built for an Orca. The gentle curves of roof and front were the trademark of the way they had liked their homes in the late Fifteenth and early Sixteenth Cycles—perhaps because it reminded them of their ships, but more likely because it reminded them of the sea. The late Fifteenth and early Sixteenth Cycles, incidentally, were also one of the periods when the richest of them made a point of living as far inland as duty and fortune would permit, which was a further indication, as we were several leagues from the shore and there wasn’t even a river in sight.

There was a high, ivy-covered stone wall running along one side of the grounds. It was recent enough that it had to be Vonnith who had it put in. It certainly wasn’t for security, or it would have gone around all the grounds, and it wasn’t attractive enough to have been put in for aesthetic reasons, so it was probably done to hide whatever was on the other side of it, which a quick glance told me was more of the same gentle, grass-covered hill Vonnith’s house was built on. Conclusion: she wanted to mark her boundaries. Second conclusion: she spent a great deal of time in that room on the second floor whose window looked out that way, with additional evidence provided by a not-unattractive stone monument midway between house and wall.

The monument was of a person, probably an ancestor, most likely the person who had had the house built, yet it seemed new enough that Vonnith had had it put up herself. This was starting to look like she had increased the family fortunes, in which case there should be signs of additions and improvements on the house. And, looking for them, there they were—a bit on the far side that, however well it blended in, had to have been added, and, yes, all the dormers, and even some stonework running up alongside the doors.

She seemed to have quite a fixation on stonework—maybe it had something to do with being an Orca and knowing that stone sinks, or maybe it had to do with being rich and wanting to do something that lasted. At a guess, the latter seemed most likely.

Well, her bank hadn’t lasted.

I wondered how she’d taken that. Was she one of those who would shrug it off and make excuses for it, even to herself? Would it destroy her? Would she mourn for a while, or would it inspire her to try again? Fyres was the last sort, I knew—every time his schemes had fallen apart, he’d started over again. I had to admire that.

There were four guards out in the open, and after a few minutes I found another four concealed—one of them close enough to make me uncomfortable, even though I was doing nothing illegal. I continued watching, noticing the glass on the windows, just like Fyres’s place, and the inlay work on the stones around the front door, the carriage posts for guests’ conveyances, and the glint that came off the door clapper. Yes. She, too, had her ostentatious side, although it was nothing like Vlad had described Endra’s house.

Come to that, though, I hadn’t seen what the inside looked like. Still, all this time, I was only barely aware that my subconscious was putting together a layout of the house. It wasn’t that I expected to need one, it’s just how my mind works. I am, quite frankly, very good at it, and maybe that’s where the real pleasure comes in—just the joy of doing something you do well. There are worse reasons for doing things; maybe there aren’t any better ones.

I was doing something I was good at now, too: I was wearing makeup, to which I was unaccustomed, but I was being a good enough Orca to fool an Orca. Or so I hoped.

I walked up to the front door and pulled the clapper. You know it’s a well-built house when you pull the clapper and you don’t even hear the faintest echoes of it from outside—that is, either it’s a well-built house or else the clapper’s broken.

Evidently the clapper was working. The man who opened the door was at once recognizable as an Issola, and a fine specimen he was—old, perhaps a shade tall, well groomed, graceful in movements, plainly delighted to see me even though he had no idea who I was or what I was doing there. He said, “Welcome to the home of my lady Side-Captain Vonnith, Countess of Licotta and Baroness of T’rae. My name is Hub. What may we do to please you?”

I said, “Good morning, Hub. I am Third-Chart-Master Areik, from Adrilankha, with a message for the Side-Captain. If you wish, Sir Hub, I will wait outside; please tell her I’m from her friend in the Ministry of the Treasury and there may be some small difficulty with the arrangements.”

He said, “There is no need for you to wait outside, Third-Chart-Master; please follow me.” I did so, and he left me in a parlor while he went to deliver the message.

Vonnith had gone for the big, roomy look: I had the impression, even in the entryway, of lots of space. I was prepared for it because I’d been able to see the dimensions and the height of the ceilings from the outside, but it was different actually feeling it. It occurred to me for the first time that there was something strange about an Orca wanting to live in a big, spacious, airy house—and a house, looking around, that had no hint or pieces of shipboard life anywhere. One explanation was that, if they’re used to life on a ship, that’s the last thing they want to be reminded of when they’re ashore. But I suspect the real explanation is that, just as most Jhereg have nothing to do with criminal activity, most Orca live out their whole lives on land, channeling their mercantile instincts into other pursuits—running banks, for example.

Hub returned. “The Side-Captain awaits you in West Room.”

There were no hallways on this floor—it just flowed from one room to another, which meant all of them were big and open. From the parlor, where I’d been waiting, we passed into a dining room with a very long lacquered table, and from there we entered a spacious room with dark paneling and traces of something tangy-sweet—maybe incense, maybe something else. The chairs in this room were all stuffed and comfortable-looking, and set in clumps of three or four, as if to turn the one large room into several smaller ones without the benefit of walls. There was very little that seemed worth stealing, except some of the contents of the buffet, and I dislike stealing things that break easily.

I bowed to the woman before me and said, “Side-Captain Vonnith?”

She nodded and pointed to a chair. I sat. She looked at Hub and nodded, and he poured me a glass of wine. She already had one. I said, “Thank you.” We both drank some. It was the sort of wine that Vlad calls brandy, and it was quite good. She nodded to Hub again. He bowed and left the room.

She said, “I wasn’t aware that I had a friend in the Ministry of the Treasury. In fact, I don’t believe I know anyone at all who works there.”

I drank some more wine to give me time to think. She had invited me in, and she had given me wine, and now she was denying knowing what I was talking about. So, okay, she was playing a game, but was I supposed to play along with it, or convince her it was unnecessary?

“I understand,” I said. “But if you did ...”

“Yes? If I did?”

Okay, sometimes luck will out.

“You would probably be interested in knowing that the fire is getting hotter.”

“I beg your pardon?”

“Questions are being asked.”

“And are the answers forthcoming?”

“No.” And I added, “Not yet.”

Her lips tightened. “Some,” she said, “might interpret that as a threat.”

“No, no,” I said. “Not a threat. But you know Lord Shortisle.”

“Do I?” she said. “What makes you think so?”

“I mean, you know how he works.”

“I thought I did,” she said. “But now you say he’s not threatening me, and yet—”