Miller, the rash and intemperate, woke from acid dreams crying “Mercy!” and wallowing in peanut butter and bread crumbs, half strangled by the phone cord. He lay there, trying to recall who and where he was — then Jones’ phone call came to mind and he leapt from the bed, phone, crumbs, and all. Dressing, he telephoned his front-office chief Annie Pompa — their Girl Fried Egg, as Jones called her when he wasn’t calling her worse — and asked her to go down and open up the office, put the backshop force on alert.
In the front seat of the Chevy he found Wanda Cravens’ woolly cap, authenticating his folly. He pushed it into one of his trenchcoat pockets. Word was out and the mine road was alive with traffic. Fog gone, Miller pushed the Chevy up to ninety and stayed in the left lane. Twice, other cars lurched out in front of him to pass creepers, and, braking, he nearly spun to the ditch. He swore, lay on the horn, and gunned past them when they ducked sheepishly back in line. He was past caring.
He swung into the yard, parked in the restricted area, leaped out, speedgraphic in hand, locked the car. Checked his pockets, on the run, for film, notebooks, pencils, felt the woolly cap there. Grisly vision of Wanda Cravens throwing herself, sobbing, into his arms in front of all the popping shutters, haggard husband, fresh from the pits, staring incredulously on. Miller supposed Jones would be up at the Salvation Army tent, but didn’t want to face the man cold. Maybe it was all over. He paused to get a photo or two as he crossed the yard — gray sooty day: perfect tone — and exchanged words with those who waved or called out to him. He learned: Not there yet, but hope was gone. They had driven pipes through to the different rooms behind the fall, and had got no response. Miller calmed, photographed. Children keeping vigil. The dark stoic mother of a boy named Rosselli whose first night it had been to work in the mine. Tuck Filbert’s old father, refusing to give up hope, fighting to get on every rescue crew. He saw Wanda Cravens. She seemed undone by the news: in spite of the renewed attention given her, she had faded back into the baggy cotton print and run-down loafers. He stayed clear.
Circling wide to avoid her, Miller came across a prayer meeting. A clique of West Condon Nazarenes, powered by a squat ebullient man with thick red-maned head, and including several women widowed overnight, had seized the temporary Red Cross shelter pitched near the portal for the miners’ families, and from it now issued hymned plaints, remorseful cries, and bristling execrations upon the community’s sinful damned. Miller floated experimentally at their outer edge, but sensed his presence bedeviling them; even those who knew him seemed to resent his curiosity, or, at best, stared back at him apathetically. The jowly man leading them, he learned, was Abner Baxter, a faceboss who had led his section out Thursday night standing up. Though men prayed among them, most of his group were women, pale lumpy sorts with sacklike bodies draped blackly, kneeling in cinders and ashes. Baxter lacked eloquence and subtlety, but he had a compact bullying style of his own and a volcanic delivery. “Serve the Lord with fear!” he cried. “With trembling kiss his feet!” Their prayers defined the disaster as a judgment upon West Condon and a trial for God’s faithful. What massed them up and charged them, apparently, was the expectation that Ely Collins — their man of tested faith — would emerge with messages, and it was with no small awe that they now awaited him. Miller knew of Collins. A seasoned mechanic within the mine, he was a locally celebrated evangelist without. He’d run the guy’s photo a few times. Mrs. Collins was not among the group, he learned, but her daughter was: a plain gangly girl — pubescent gangliness — named Elaine. She wouldn’t speak to him. Then Baxter suddenly interrupted the meeting, roared at Miller to kneel with them or be damned. Miller rose and, holding Baxter’s raging gaze, slowly lifted the speedgraphic before his face and popped a photo, exiting casually before Baxter could get his wind back.
He saw Jones bulge out of the Salvation Army canteen up to his left, hulking face expressionless except for the eyes, falling away with their familiar as-though-pained squint. Miller waved; Jones nodded. Miller stopped to shake a miner’s hand, wish him luck, offer a smoke — and caught sight of something off to his right. Stared a moment, strangely moved, then thought to get a photo.
Up at the canteen, Jones stood waiting, looking like a great stone Buddha that had just stood up for the first time in eighteen thousand years and felt like hell for doing so. “What do you think?” Jones asked. “Gonna put the old bitch to work tonight?” Jones had a professional greed for special editions.
“Maybe. If something happens.” Miller, feeling guilt for having turned out so late, meant that remark to imply coming any sooner would have been a waste of time. “I’ve alerted Carl and the boys, put Annie to the task of digging up what bios she can on the six.”
Jones grunted, sipped coffee, thin brows arching up away from the brown heat. “We’ll know soon. Chigi’s team is down there. Is twenty-five bucks okay?”
“For what?” Miller’s mind was on doughnuts and coffee and the girl he’d seen. He reached in his trenchcoat pocket for a pack of smokes, absently pulled the woolly cap out instead. Looked at it, blanched, stuffed it back.
Jones, fighting back a grin, drank down his coffee, spat out the last mouthful, crushed the paper cup in his squabby hand and pitched it at a scrap barrel, missing it by a yard. “I offered it to Chigi for a firsthand story, if there’s one worth telling.”
“Sure, cheap at twice the price.” Miller lit a cigarette, dropped the match to his feet, stood on it. “Who’s the girl with the shawl?”
“The one you been taking pictures off?” Jones shook his head and sighed, grinned. “Hang tight.” He padded a few yards away, hands rammed into his broad misshapen topcoat, conferred briefly with a miner, padded back. “The name is Bruno. She had a brother on this shift. One of the rubber bag cases the FBI had to identify. But, apparently, she doesn’t buy it.”
“Bruno,” Miller repeated mechanically. He stared off toward where the girl stood, darkly turned into herself, yet somehow radiant, some distance away from anyone else, a young girl, probably not much more than nineteen or twenty, under an olive-colored shawl — well, not a shawl, of course: a blanket.
The watertower—“DEEP” is what she reads of the familiar eponym — beats its silvery breast against the lightening sky like a proud but headless colossus. The cast of the sky is constant, immaculate, innocent of any raincloud blemishes: sober homochrome white, except for the singular phosphorescent eye of the sun, a cutout cemented to this side of the sky. It is a soft sky, a papyrus sky, on which, at this moment, a single black bird, a crow, inscribes silent indecipherable messages, erasing them as he goes, flapping his ragged wings in an occasional fury of punctuation. Thin efforts of gray soot struggle upwards from dying slag heaps — the earth striving to keep back light — but they disappear into the vastness of the arching overwhite. The infinite absorbing the finite, and, mercifully, without ridicule. Below: all is gray. The color of: transition. Marcella watches the woman running toward her, clutching her broad skirts with one hand, waving wildly the other, watches the multitude of expanding faces pivot toward her as though a button has been pressed, watches the sudden crushing mass against the portal, watches them fall back as the door swings open, watches the woman gasp for breath — yes! how she wishes to tell! “It’s your brother!” the woman cries when she is able. “Yes, I know,” says Marcella.