The terrifying cataclysms anticipated as a prelude to the Last Judgment actually did not take place. No explanation was given; perhaps they were merely overlooked in the press of last-minute details. Whatever the reason for it, however, their absence helped provoke a universal apathy to the event which even the prospect of sensational personal revelations failed to dissipate. It improved tempers only slightly that the affair, held in April, was moved from Jerusalem to West Condon, which, sitting like a mote on the fat belly of the great American prairie, was properly thought to be, like God Himself, utterly remote from anything human.
• • •
No one had anticipated that the Judgment would prove such a complex business, least of all the Organizers Themselves. After one frustrating day of hearing the petty petitions of the condemned, the Supreme Judge was heard to mutter: We shoulda pulled this goddamn thing off a long time ago. It began to appear that the process might prove interminable, but finally a stopgap solution to the increased cramming of the judicial calendar was found in condemning all politicians, welfare workers, postal employees, physicians, and journalists forthwith. Not without bitter protest, of course: Someone has to keep the world going, they wept. Therein, replied their Judge, lies the seed of your damnation….
“But you aren’t listening to me, Reverend Edwards,” Tommy interrupts. Kit Cavanaugh is at his best when playing their own game with preachers and teachers. He is famous for it. Not that he doesn’t respect them. He does. But it’s so easy to string them along, he can’t resist it. Snickers, like those he hears now, are his best reward. “I asked you if the Last Judgment could happen here and happen now, and you said it was not impossible, and so I asked you, then what would it be like? I don’t think it’s gonna happen either, I mean, I agree with you, Reverend Edwards, but what I’m saying is if it happened, what would happen?”
“I’m sure I don’t know, Tommy. And God would probably consider the question an impertinent one.” The minister is a little bit riled.
“Like here in the Bible, see, it talks about all kinds of dragons and tremendous beasts and things. Would we get to see some of that?”
“I don’t think I would interpret all that too—”
“And what about that poor, uh, prostitute? Boy, she really gets it! That must be something to see!” Rolling in the aisles.
“The harlot is an image of a city, Tommy, of a literal historic enemy, and, ultimately, of all the enemies of Christ.”
“And all that blood everywhere—whoo!” Tommy shudders visibly and gets a new rise in the suppressed hysterics.
“But now you’re not listening to me. The Book of Revelation teaches us simply that Christ will have the final victory over all forms of evil. Instead of worrying about dragons, young man, which is an idea that no longer has much meaning for modern man, you should be worrying more about the salvation of your own soul. That’s what this story is trying to tell you. That each man, to find salvation, must, in a sense, pass first through a kind of terror—”
“Oh yeah?” Tommy nods studiously, gazing down at his open Bible, reading not it, however, but what he has concealed there. “I see what you mean.” A pause for effect. “Is that what happened to you, Reverend Edwards?”
The minister blushes before the ducked snorting heads of the boys’ Sunday School class. “Something like it,” he replies bluntly, glancing at his watch.
“All I can say is I get the feeling here that God really hates us. Man, it’s really murder!”
“He hates evil, Tommy.” The minister relaxes slightly. “And He no doubt hates impudence.” Freed, the boys laugh openly. “I see you’ve read Revelation well. Have you bothered to read the rest of the Bible?” More laughter.
“Nope. This was enough to scare me!” The bell rings. The minister leaves hastily to dress for the main service. The class erupts into horselaughs. Tommy preens on them a moment, then ducks out. Must see Sally Elliott, make a date. An eight-page comicbook, concealed in his Bible, has told him at last all he wants to know.
Sunday night, March fifteenth, is a sad night, and everybody is very depressed. Just one week ago, on the eighth, when they thought it was the End, there were so many folks. Gideon Diggs was here, and the Calvin Smiths, and Tess Lawson came and Wanda Cravens and two high school girls and Mary Harlowe, so many. And now they’re just about back where they started. Only Wanda, Mary, and Tess have stayed on, and now there’s Ben Wosznik with them. Betty Wilson knows how bad the others are feeling, and she’d like to cheer them up somehow, but she feels as awful as they do. Besides that, Clara and Mrs. Norton aren’t getting along tonight. Clara insists now the end is coming on April 8, and Mrs. Norton is saying, no, it will be next Saturday, March 21, but nobody really knowing. Trouble is, as Betty knows well enough, Sister Clara talks too loud. And then Sister Tess Lawson gets angry with both of them and calls them both spooky and just walks right out of there. Somehow that kind of frightens them.
Then, as if things aren’t bad enough, they start getting the phonecalls again. Seems like it’s always worse on Sunday nights. That poor child, the Bruno girl, that she should have to suffer such abuse! Clara says they ought to just take the phone out, but Mrs. Norton says, no, you never know in what manner or by what means enlightenment is to be received. One night, after midnight, for example, they all sat for an hour watching “snow” on the TV because Mrs. Norton was convinced some message was going to appear there. Trouble is, Mrs. Norton has too many different ideas at once. But now even their old friend Brother Gideon calls and asks them to forget their foolish ways, and then Cal Smith calls saying the same. Mrs. Norton tries to receive an explanation in her book, but the phonecalls make it impossible. And Giovanni Bruno isn’t any kind of help either. He seems kind of sick. Maybe he’s been getting up too much.
Finally, Clara takes the phone off the hook and says flatly the sources will just have to get through some other way tonight, and Mrs. Norton pinches her mouth in, but she doesn’t argue. Sometimes you can see when it’s best not to argue with Clara. And then, just as everybody is feeling so awful and nobody is talking for fear of making somebody mad or something, why, like a miracle, Ben Wosznik starts to sing. His soft vibrant baritone floats out over their despair like an embrace from Jesus and they all listen. Betty closes her eyes.
“Ama-azi-i-ing Grace, ha-ow sweet the-e saound,
Tha-at saved a-a-a wretch la-ike me!
I–I wu-unce wa-a-as lost, bu-ut naow I am faound,
Wa-as blind, bu-u-ut naow I–I see!”
As he sings, he touches them, touches her. Tears come. The great hymn and the great voice pierce to the very core of her being, where now she sits, withdrawn, in the dark, for her eyes are closed, in the saddest joy she’s ever known. Her childhood, her mother, church camps and revivals, damp spring nights and cold winters by a coal-stove, snow on her father’s mining boots, Eddie and the war and the mines, all her dear friends, her children scattered over the world, trees lit for Christmas and the pink frock she danced in, prayer and love and Ely and Jesus, all her life seems like a beautiful instant, miraculously captured in the divine moment of this song, this man’s voice. Slowly, as though under its own power, out of the dark core, her own voice emerges, gentle, tempered, truer than she’s ever heard it, to harmonize in a tender humming plaint behind his radiant refrains: