All the same, it will be as well if Jones does not worship the sun and moon. If he does, there is a tendency for him to imitate them; to say, that because the sun burns insects alive, he may burn insects alive. He thinks that because the sun gives people sun-stroke, he may give his neighbour measles. He thinks that because the moon is said to drive men mad, he may drive his wife mad. This ugly side of mere external optimism had also shown itself in the ancient world. About the time when the Stoic idealism had begun to show the weaknesses of pessimism, the old nature worship of the ancients had begun to show the enormous weaknesses of optimism. Nature worship is natural enough while the society is young, or, in other words, Pantheism is all right as long as it is the worship of Pan. But Nature has another side which experience and sin are not slow in finding out, and it is no flippancy to say of the god Pan that he soon showed the cloven hoof. The only objection to Natural Religion is that somehow it always becomes unnatural. A man loves Nature in the morning for her innocence and amiability, and at nightfall, if he is loving her still, it is for her darkness and her cruelty. He washes at dawn in clear water as did the Wise Man of the Stoics, yet, somehow at the dark end of the day, he is bathing in hot bull's blood, as did Julian the Apostate. The mere pursuit of health always leads to something unhealthy. Physical nature must not be made the direct object of obedience; it must be enjoyed, not worshipped. Stars and mountains must not be taken seriously. If they are, we end where the pagan nature worship ended. Because the earth is kind, we can imitate all her cruelties. Because sexuality is sane, we can all go mad about sexuality. Mere optimism had reached its insane and appropriate termination. The theory that everything was good had become an orgy of everything that was bad.
On the other side our idealist pessimists were represented by the old remnant of the Stoics. Marcus Aurelius and his friends had really given up the idea of any god in the universe and looked only to the god within. They had no hope of any virtue in nature, and hardly any hope of any virtue in society. They had not enough interest in the outer world really to wreck or revolutionise it. They did not love the city enough to set fire to it. Thus the ancient world was exactly in our own desolate dilemma. The only people who really enjoyed this world were busy breaking it up; and the virtuous people did not care enough about them to knock them down. In this dilemma (the same as ours) Christianity suddenly stepped in and offered a singular answer, which the world eventually accepted as the answer. It was the answer then, and I think it is the answer now.
This answer was like the slash of a sword; it sundered; it did not in any sense sentimentally unite. Briefly, it divided God from the cosmos. That transcendence and distinctness of the deity which some Christians now want to remove from Christianity, was really the only reason why any one wanted to be a Christian. It was the whole point of the Christian answer to the unhappy pessimist and the still more unhappy optimist. As I am here only concerned with their particular problem I shall indicate only briefly this great metaphysical suggestion. All descriptions of the creating or sustaining principle in things must be metaphorical, because they must be verbal. Thus the pantheist is forced to speak of God in all things as if he were in a box. Thus the evolutionist has, in his very name, the idea of being unrolled like a carpet. All terms, religious and irreligious, are open to this charge. The only question is whether all terms are useless, or whether one can, with such a phrase, cover a distinct idea about the origin of things. I think one can, and so evidently does the evolutionist, or he would not talk about evolution. And the root phrase for all Christian theism was this, that God was a creator, as an artist is a creator. A poet is so separate from his poem that he himself speaks of it as a little thing he has "thrown off." Even in giving it forth he has flung it away. This principle that all creation and procreation is a breaking off is at least as consistent through the cosmos as the evolutionary principle that all growth is a branching out. A woman loses a child even in having a child. All creation is separation. Birth is as solemn a parting as death.
It was the prime philosophic principle of Christianity that this divorce in the divine act of making (such as severs the poet from the poem or the mother from the new-born child) was the true description of the act whereby the absolute energy made the world. According to most philosophers, God in making the world enslaved it. According to Christianity, in making it, He set it free. God had written, not so much a poem, but rather a play; a play he had planned as perfect, but which had necessarily been left to human actors and stage-managers, who had since made a great mess of it. I will discuss the truth of this theorem later. Here I have only to point out with what a startling smoothness it passed the dilemma we have discussed in this chapter. In this way at least one could be both happy and indignant without degrading one's self to be either a pessimist or an optimist. On this system one could fight all the forces of existence without deserting the flag of existence. One could be at peace with the universe and yet be at war with the world. St. George could still fight the dragon, however big the monster bulked in the cosmos, though he were bigger than the mighty cities or bigger than the everlasting hills. If he were as big as the world he could yet be killed in the name of the world. St. George had not to consider any obvious odds or proportions in the scale of things, but only the original secret of their design. He can shake his sword at the dragon, even if it is everything; even if the empty heavens over his head are only the huge arch of its open jaws.
And then followed an experience impossible to describe. It was as if I had been blundering about since my birth with two huge and unmanageable machines, of different shapes and without apparent connection—the world and the Christian tradition. I had found this hole in the world: the fact that one must somehow find a way of loving the world without trusting it; somehow one must love the world without being worldly. I found this projecting feature of Christian theology, like a sort of hard spike, the dogmatic insistence that God was personal, and had made a world separate from Himself. The spike of dogma fitted exactly into the hole in the world—it had evidently been meant to go there—and then the strange thing began to happen. When once these two parts of the two machines had come together, one after another, all the other parts fitted and fell in with an eerie exactitude. I could hear bolt after bolt over all the machinery falling into its place with a kind of click of relief. Having got one part right, all the other parts were repeating that rectitude, as clock after clock strikes noon. Instinct after instinct was answered by doctrine after doctrine. Or, to vary the metaphor, I was like one who had advanced into a hostile country to take one high fortress. And when that fort had fallen the whole country surrendered and turned solid behind me. The whole land was lit up, as it were, back to the first fields of my childhood. All those blind fancies of boyhood which in the fourth chapter I have tried in vain to trace on the darkness, became suddenly transparent and sane. I was right when I felt that roses were red by some sort of choice: it was the divine choice. I was right when I felt that I would almost rather say that grass was the wrong colour than say that it must by necessity have been that colour: it might verily have been any other. My sense that happiness hung on the crazy thread of a condition did mean something when all was said: it meant the whole doctrine of the Fall. Even those dim and shapeless monsters of notions which I have not been able to describe, much less defend, stepped quietly into their places like colossal caryatides of the creed. The fancy that the cosmos was not vast and void, but small and cosy, had a fulfilled significance now, for anything that is a work of art must be small in the sight of the artist; to God the stars might be only small and dear, like diamonds. And my haunting instinct that somehow good was not merely a tool to be used, but a relic to be guarded, like the goods from Crusoe's ship—even that had been the wild whisper of something originally wise, for, according to Christianity, we were indeed the survivors of a wreck, the crew of a golden ship that had gone down before the beginning of the world.