Idabel gave him the worm bucket to carry. Crossing a cane field, climbing a thread of path, passing a Negro house where in the yard there was a naked child fondling a little black goat, they passed into the woods through an avenue of bitter wild cherry trees. "We get drunk as a coot on those," she said, meaning cherries. "Greedy old wildcats get so drunk they scream all night: you ought to hear them… hollering crazy with the moon and cherry juice." Invisible birds prowling in leaves rustled, sang; beneath the still facade of forest restless feet trampled plushlike moss where limelike light sifted to stain the natural dark. Idabel's bamboo pole scraped low limbs, and the hound, eager and suspicious, careened through nets of blackberry bush. Henry, the sentry; Idabel, the guide; Joel, the captive: three explorers on a solemn trek over earth sloping steadily downward. Black, orange-trimmed butterflies wheeled over wheel-sized ponds of stagnant rain water, the glide of their wings traced on green reflecting surfaces; a rattlesnake's cellophane-like sheddings littered the trail, and broken silver spiderweb covered like cauls dead fallen branches. They passed a little human grave: on its splintered head-cross was printed a legend: Toby, Killed by the Cat. Sunken, a stretch of sycamore root growing from its depth, it was, you could tell, an old grave.
"What's that mean," said Joel, "killed by the cat?"
"It happened before I was born," said Idabel, as if this explained everything. She turned off the path into an area deep with last winter's leaves: a skunk skittered in the distance, and Henry boomed forward. "This Toby, you see, she was a nigger baby, and her mama worked for old Mrs. Skully like Zoo does now. She was Jesus Fever's wife, and Toby was their baby. Old Mrs Skully had a big fine Persian cat, and one day when Toby was asleep the cat sneaked in and put its mouth against Toby's mouth and sucked away all her breath."
Joel said he didn't believe it; but if it was true, it was certainly the most horrible tale he'd ever heard. "I didn't know Jesus Fever had ever been married."
"There's lots you don't know. All kinds of strange things… mostly they happened before we were born: that makes them seem to me so much more real."
Before birth; yes, what time was it then? A time like now, and when they were dead, it would be still like now: these trees, that sky, this earth, those acorn seeds, sun and wind, all the same, while they, with dust-turned hearts, change only. Now at thirteen Joel was nearer a knowledge of death than in any year to come: a flower was blooming inside him, and soon, when all tight leaves unfurled, when the noon of youth burned whitest, he would turn and look, as others had, for the opening of another door. In the woods they walked, the tireless singings of larks had sounded a century, and more, and floods of frogs had galloped in moonlight bands; stars had fallen here, and Indian arrows, too; prancing blacks had played guitars, sung ballads of bandit-buried gold, sung songs grieving and ghostly, ballads of long ago: before birth.
"Not for me: that makes it not so real," said Joel, and stopped, struck still by the truth of this: Amy, Randolph, his father, they were all outside time, all circling the present like spirits: was this why. they seemed to him so like a dream? Idabel reached back and jerked his hand. "Wake up," she said. He looked at her, his eyes wide with alarm. "But I can't. I can't."
"Can't what?" she said sourly. "Oh, nothing." Early voyagers, they descended together.
"Take my colored glasses," Idabel offered. "Everything looks a lot prettier."
The grass-colored lenses tinted the creek where nervous minnow schools stitched the water like needles; occasionally, in deeper pools, a chance shaft of sunlight illuminated bigger game: fat clumsy perch moving slowly, blackly below the surface. Idabel's fishline quivered in the midstream current, but now, after an hour, she'd had not even a nibble, so, rooting the pole firmly between two stumps, she leaned back, pillowing her head on a clump of moss. "O. K., give 'em back," she demanded.
"Where did you get them?" he said, wishing he had a pair.
"At the travelin-show," she said. "Travelin-show comes every year in August; it's not such a big one, but they've got a flying jinny, and a ferris wheel. And they've got a two-headed baby inside a bottle, too. The way I got these glasses was I won them; I used to wear them all the time, even nighttime, but Papa, he said I was going to put out my eyes. Want a cigarette?"
There was only one, a crumpled Wing; dividing it, she struck a match. "Look," she said, "I can blow one smoke ring through another." The rings mounted in the air, blue and perfect; it was so still, yet all around there was the feeling of movement, subtle, secret, shifting: dragonflies skidded on the water, some sudden unseen motion loosened snowdrop bells brown now all withered and scentless.
Joel said, "I don't think we're going to catch anything."
"I never expect to," said Idabel. "I just like to come here and think about my worries; nobody ever comes hunting for me here. It's a nice place… just to lie and take your ease."
"What kind of worries do you worry about?" he asked.
'That's my business. And you know something… you're an awful poke-nose. You don't ever catch me prying, hell, no. Anybody else in the country, why, they'd eat you alive, you being a stranger, and living at the Landing and all. Look at Florabel. What a snoop she is."
"I think she's very pretty," said Joel, just to be aggravating.
Idabel made no comment. She flipped away her cigarette, and, forking her fingers between her lips, whistled boylike: Henry, padding along the creek's shallow edge, scrambled up the bank, his coat shining soggy wet. "Pretty on the outside, sure, but it's what's on the inside that counts," she said, hugging the hound. "She keeps telling Papa he ought to do away with Henry, says he's got a mortal disease: that's what she's like on the inside."
The white face of afternoon took shape in the sky; his enemy, Joel thought, was there, just behind those glasslike, smokelike clouds; whoever, whatever this enemy was, his was the face imaged there brightly blank. And in this respect Idabel could be envied; she at least knew her enemies: you and you, she could say, such and such and so and so. "Were you ever afraid of losing your mind?"
"Never thought about it," she said, and laughed. "To hearthem tell it, I haven't got a mind no ways."
Joel said: "You're not being serious. Here's what I mean: do you ever see things, like people, like whole houses, see them and feel them and know for certain they're real… only…"
"Only they're not," said Idabel. "The time that snake bit me, I lived a week in a terrible place where everything was crawling, the floors and walls, everything. Now all that was plain foolishness. But then it was a peculiar thing, because last summer I went with Uncle August (he's the one that's so afraid of girls he won't look at one; he says I'm not a girl; I do love my Uncle August: we're like brothers)… we went down to Pearl River… and one day we were rowing in this dark place and came on an island of snakes; it was real little, just one tree, but alive with old copperheads: they were even hanging off the branches. I tell you it was right spooky. And when folks talk about dreams-come-true, I guess I know what they mean."
"That's not like what I was saying," said Joel, his voice small, bewildered. "Dreams are different, dreams you can lose. But if you see something… a lady, say, and you see her where nobody should be, then she follows you around inside your head. I mean like this: the other night Zoo was scared; she'd heard a dog howl, and she said it was her husband come back, and she went to the window: 'I see him. she said, 'he's squatting under the fig tree, she said, 'and his eyes are all yellow in the dark. But then when I looked there was nothing but nothing."