Our kind of traitor

'Back to my rooms.'

'Do you have a mobile telephone?'

'Of course I bloody do.'

'Write the number down for me here, please' – handing him a piece of paper – 'I never commit anything to memory, it's insecure. You have a satisfactory signal for your mobile telephone in your rooms, I trust? The walls are not too thick or anything?'

'I get a perfectly good signal, thank you.'

'Take your Little Red Book. Go back to your rooms and you will receive a call from somebody calling himself or herself Adam. A Mr or Ms Adam. I shall need a soundbite.'

'Need what?'

'Something to make them horny. I can't just say, "I've got a Bollinger Bolshevik on my hands who thinks he's stumbled on a world conspiracy." I've got to tell them what it's about.'

Swallowing his outrage, Perry made his first conscious effort to produce a cover story.

'Tell them it's about a crooked Russian banker who calls himself Dima,' he said, after other routes had mysteriously failed him. 'He wants to cut a deal with them. It's short for Dmitri, in case they don't know.'

'Sounds irresistible,' said Flynn sarcastically, picking up a pencil and scribbling on the same piece of paper.

Perry had been back in his room only an hour before his mobile was ringing, and he was listening to the same skittish, slightly husky male voice that had this minute addressed him here in the basement room.

'Perry Makepiece? Marvellous. Name of Adam. Just got your message. Mind if I ask you a couple of quickie questions to make sure we're both worrying at the same bone? No need to mention our chum's name. Just need to make sure he's the same chum. Does he have a wife by any chance?'

'He does.'

'Fat, blonde party? Barmaid sort of type?'

'Dark-haired and emaciated.'

'And the precise circumstances of your bumping into our chum? The when and how?'

'Antigua. On a tennis court.'

'Who won?'

'I did.'

'Marvellous. Third quickie coming up. How soon can you get up to London on our tab, and how soon can we get our hands on this dodgy dossier of yours?'

'Door to door, about two hours, I suppose. There's also a small package. I've pasted it inside the dossier.'

'Firmly?'

'I think so.'

'Well make sure you have. Write ADAM on the outside cover in large black letters – use a laundry marker or something. Then wave it around at reception till somebody notices you.'

Laundry marker? The voice of an old bachelor? Or a sly reference to Dima's dubious financial practices?

*

Enlivened by the presence of Hector lounging four feet from him, Perry was speaking swiftly and intensely, not into the middle air where academics find their traditional refuge, but straight into Hector's eagle-eyed face; and less directly to dapper Luke, seated to attention at Hector's side.

With no Gail to restrain him, he felt free to relate to both men. He was confessing himself to them as Dima had confessed himself to Perry: man to man and face to face. He was creating a synergy of confession. He was retrieving dialogue with the accuracy with which he retrieved all writing, good or bad, not pausing to correct himself.

Unlike Gail, who loved nothing better than to take off people's voices, he either couldn't, or some foolish pride wouldn't let him. But in his memory he still heard Dima's clotted Russian accents; and in his inner eye saw the sweated face so close to his own that, any nearer, the two of them would have been banging foreheads. He was smelling, even as he described them, the fumes of vodka on Dima's rasping breath. He was watching him refill his glass, glower at it, then pounce and empty it at a swallow. He was feeling himself slide into involuntary kinship with him: the swift and necessary bonding that comes of emergency on the cliff face.

'But not what we'd call rat-arsed?' suggested Hector, taking a sip of his malt. 'More your social drinker at the top of his form, you'd say?'

Absolutely, Perry agreed: not muddled, maudlin, slurred, just comfortable:

'If we'd been playing tennis next morning, I'll bet he'd have played his usual game. He's got a huge engine and it runs on alcohol. He's proud of that.'

Perry sounded as if he was proud of it too.

'Or if we misquote the Master' – Hector, it turned out, was a fellow devotee of P. G. Wodehouse – 'the kind of chap who was born a couple of drinks below par?'

'Precisely, Bertie,' Perry agreed in his best Wodehousian, and they found time for a quick laugh, supported by B-list Luke who with Hector's arrival had otherwise assumed the role of silent partner.

*

'Mind if I interject a question here regarding the immaculate Gail?' Hector inquired. 'Not a tough one. Medium soft.'

Tough, medium soft – Perry was on his guard.

'When you two arrived back in England from Antigua,' Hector began – 'Gatwick, wasn't it?'

Gatwick it was, Perry agreed.

'You parted company. Am I right? Gail to her legal responsibilities and her flat in Primrose Hill, and you to your rooms in Oxford, there to pen your immortal prose.'

Also correct, Perry conceded.

'So what sort of deal had the two of you struck between you at this point – understanding is a prettier word – as regards the way forward?'

'Forward to what?'

'Well, to us, as it turns out.'

Not knowing the purpose of the question, Perry hesitated. 'There wasn't any actual understanding,' he replied cautiously. 'Not an explicit one. Gail had done her part. Now I would do mine.'

'In your separate stations?'

'Yes.'

'Without communicating?'

'We communicated. Just not about the Dimas.'

'And the reason for that was…?'

'She hadn't heard what I'd heard at Three Chimneys.'

'And was therefore still in Arcadia?'

'Effectively. Yes.'

'Where, so far as you're aware, she remains. For as long as you can keep her there.'

'Yes.'

'Do you regret that we asked that she attend this evening's meeting?'

'You said you needed both of us. I told her you needed both of us. She agreed to come along,' Perry replied, as his face began to darken in irritation.

'But she wanted to come along, presumably. Otherwise she would have refused. She's a woman of spirit. Not someone who obeys blindly.'

'No. She's not,' Perry agreed, and was relieved to be met by Hector's beatific smile.

*

Perry is describing the tiny space where Dima had taken him to talk: a crow's-nest, he calls it, six by eight, stuck on the top of a ship's staircase leading up from a corner of the dining room; a gimcrack turret of wood and glass built on the half-hexagon overlooking the bay, with the sea wind rattling the clapboards and the windows shrieking.

'It must have been the noisiest place in the house. That's why he chose it, I suppose. I can't believe there's a microphone in the world that could have heard us over that din.' And in a voice that is acquiring the mystified tone of a man describing a dream: 'It was a really talkative house. Three chimneys and three winds. And this box we were sitting in, head to head.'

Dima's face no more than a hand's width from mine, he repeats, and leans across the table to Hector as if to demonstrate just how close.

'For an age we just sat and stared at each other. I think he was doubting himself. And doubting me. Doubting whether he could go through with it all. Whether he'd chosen the right man. And me wanting him to believe he had, does that make sense?'

To Hector, all the sense in the world apparently.

'He was trying to overcome an immense obstacle in his mind, which I suppose is what confession's all about. Then finally he rapped out a question, although it sounded more like a demand: "You are spy, Professor? English spy?" I thought at first it was an accusation. Then I realized he was assuming, even hoping, I'd say yes. So I said no, sorry, I'm not a spy, never have been, never will be. I'm just a teacher, that's all I am. But that wasn't good enough for him: