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The Abbot replied with reticence, couldn't say. If a murder, anybody might have done it. Burglary or pocket-picking wanted 'prenticeship. Not so, murder. We were all of us up to that. Had seen scores of people come to identify, and never saw one person struck in that particular way. Might, however, have been Stomach and not Mind. If so, rum stomach. But to be sure there were rum everythings. Pity there was not a word of truth in that superstition about bodies bleeding when touched by the hand of the right person; you never got a sign out of bodies. You got row enough out of such as her — she was good for all night now (referring here to the banging demands for the liver), 'but you got nothing out of bodies if it was ever so.'

There being nothing more to be done until the Inquest was held next day, the friends went away together, and Gaffer Hexam and his son went their separate way. But, arriving at the last corner, Gaffer bade his boy go home while he turned into a red-curtained tavern, that stood dropsically bulging over the causeway, 'for a half-a-pint.'

The boy lifted the latch he had lifted before, and found his sister again seated before the fire at her work. Who raised her head upon his coming in and asking:

'Where did you go, Liz?'

'I went out in the dark.'

'There was no necessity for that. It was all right enough.'

'One of the gentlemen, the one who didn't speak while I was there, looked hard at me. And I was afraid he might know what my face meant. But there! Don't mind me, Charley! I was all in a tremble of another sort when you owned to father you could write a little.'

'Ah! But I made believe I wrote so badly, as that it was odds if any one could read it. And when I wrote slowest and smeared but with my finger most, father was best pleased, as he stood looking over me.'

The girl put aside her work, and drawing her seat close to his seat by the fire, laid her arm gently on his shoulder.

'You'll make the most of your time, Charley; won't you?'

'Won't I? Come! I like that. Don't I?'

'Yes, Charley, yes. You work hard at your learning, I know. And I work a little, Charley, and plan and contrive a little (wake out of my sleep contriving sometimes), how to get together a shilling now, and a shilling then, that shall make father believe you are beginning to earn a stray living along shore.'

'You are father's favourite, and can make him believe anything.'

'I wish I could, Charley! For if I could make him believe that learning was a good thing, and that we might lead better lives, I should be a'most content to die.'

'Don't talk stuff about dying, Liz.'

She placed her hands in one another on his shoulder, and laying her rich brown cheek against them as she looked down at the fire, went on thoughtfully:

'Of an evening, Charley, when you are at the school, and father's — '

'At the Six Jolly Fellowship Porters,' the boy struck in, with a backward nod of his head towards the public-house.

'Yes. Then as I sit a-looking at the fire, I seem to see in the burning coal — like where that glow is now — '

'That's gas, that is,' said the boy, 'coming out of a bit of a forest that's been under the mud that was under the water in the days of Noah's Ark. Look here! When I take the poker — so — and give it a dig — '

'Don't disturb it, Charley, or it'll be all in a blaze. It's that dull glow near it, coming and going, that I mean. When I look at it of an evening, it comes like pictures to me, Charley.'

'Show us a picture,' said the boy. 'Tell us where to look.'

'Ah! It wants my eyes, Charley.'

'Cut away then, and tell us what your eyes make of it.'

'Why, there are you and me, Charley, when you were quite a baby that never knew a mother — '

'Don't go saying I never knew a mother,' interposed the boy, 'for I knew a little sister that was sister and mother both.'

The girl laughed delightedly, and here eyes filled with pleasant tears, as he put both his arms round her waist and so held her.

'There are you and me, Charley, when father was away at work and locked us out, for fear we should set ourselves afire or fall out of window, sitting on the door-sill, sitting on other door-steps, sitting on the bank of the river, wandering about to get through the time. You are rather heavy to carry, Charley, and I am often obliged to rest. Sometimes we are sleepy and fall asleep together in a corner, sometimes we are very hungry, sometimes we are a little frightened, but what is oftenest hard upon us is the cold. You remember, Charley?'

'I remember,' said the boy, pressing her to him twice or thrice, 'that I snuggled under a little shawl, and it was warm there.'

'Sometimes it rains, and we creep under a boat or the like of that: sometimes it's dark, and we get among the gaslights, sitting watching the people as they go along the streets. At last, up comes father and takes us home. And home seems such a shelter after out of doors! And father pulls my shoes off, and dries my feet at the fire, and has me to sit by him while he smokes his pipe long after you are abed, and I notice that father's is a large hand but never a heavy one when it touches me, and that father's is a rough voice but never an angry one when it speaks to me. So, I grow up, and little by little father trusts me, and makes me his companion, and, let him be put out as he may, never once strikes me.'

The listening boy gave a grunt here, as much as to say 'But he strikes ME though!'

'Those are some of the pictures of what is past, Charley.'

'Cut away again,' said the boy, 'and give us a fortune-telling one; a future one.'

'Well! There am I, continuing with father and holding to father, because father loves me and I love father. I can't so much as read a book, because, if I had learned, father would have thought I was deserting him, and I should have lost my influence. I have not the influence I want to have, I cannot stop some dreadful things I try to stop, but I go on in the hope and trust that the time will come. In the meanwhile I know that I am in some things a stay to father, and that if I was not faithful to him he would — in revenge-like, or in disappointment, or both — go wild and bad.'

'Give us a touch of the fortune-telling pictures about me.'

'I was passing on to them, Charley,' said the girl, who had not changed her attitude since she began, and who now mournfully shook her head; 'the others were all leading up. There are you — '

'Where am I, Liz?'

'Still in the hollow down by the flare.'

'There seems to be the deuce-and-all in the hollow down by the flare,' said the boy, glancing from her eyes to the brazier, which had a grisly skeleton look on its long thin legs.

'There are you, Charley, working your way, in secret from father, at the school; and you get prizes; and you go on better and better; and you come to be a — what was it you called it when you told me about that?'

'Ha, ha! Fortune-telling not know the name!' cried the boy, seeming to be rather relieved by this default on the part of the hollow down by the flare. 'Pupil-teacher.'

'You come to be a pupil-teacher, and you still go on better and better, and you rise to be a master full of learning and respect. But the secret has come to father's knowledge long before, and it has divided you from father, and from me.'

'No it hasn't!'

'Yes it has, Charley. I see, as plain as plain can be, that your way is not ours, and that even if father could be got to forgive your taking it (which he never could be), that way of yours would be darkened by our way. But I see too, Charley — '

'Still as plain as plain can be, Liz?' asked the boy playfully.

'Ah! Still. That it is a great work to have cut you away from father's life, and to have made a new and good beginning. So there am I, Charley, left alone with father, keeping him as straight as I can, watching for more influence than I have, and hoping that through some fortunate chance, or when he is ill, or when — I don't know what — I may turn him to wish to do better things.'