Out of Hounds is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.
Copyright © 2021 by American Artists, Inc.
Illustrations © 2021 by Lee Gildea, Jr.
All rights reserved.
Published in the United States by Ballantine Books, an imprint of Random House, a division of Penguin Random House LLC, New York.
Ballantine and the House colophon are registered trademarks of Penguin Random House LLC.
library of congress cataloging-in-publication data
Names: Brown, Rita Mae, author. | Gildea, Lee, Jr., illustrator.
Title: Out of hounds: a novel / Rita Mae Brown; illustrated by Lee Gildea.
Description: First edition. | New York: Ballantine Books, [2021] | Series: Sister Jane; 13 |
Identifiers: LCCN 2020027150 (print) | LCCN 2020027151 (ebook) | ISBN 9780593130063 (hardcover; acid-free paper) | ISBN 9780593130070 (ebook)
Subjects: LCSH: Arnold, Jane (Fictitious character)—Fiction. | Murder—Investigation—Fiction. | Fox hunting—Fiction. | GSAFD: Mystery fiction.
Classification: LCC PS3552.R698 O96 2020 (print) | LCC PS3552.R698 (ebook) | DDC 813/.54—dc23
LC record available at https://lccn.loc.gov/2020027150
LC ebook record available at https://lccn.loc.gov/2020027151
Ebook ISBN 9780593130070
Cover design: Victoria Allen
Cover illustration: © 2021 by Peter Malone
ep_prh_5.6.1_c0_r0
Contents
Cover
Title Page
Copyright
Cast of Characters
Some Useful Terms
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Afterword
Author's Note
Dedication
Acknowledgments
Other Titles
About the Author
CAST OF CHARACTERS
THE HUMANS
Jane Arnold, MFH, “Sister,” runs the Jefferson Hunt. MFH stands for “Master of Foxhounds,” the individual who runs the hunt, deals with every crisis both on and off the field. She is strong, bold, loves her horses and her hounds. In 1974, her fourteen-year-old son was killed in a tractor accident. That loss deepened her, taught her to cherish every minute. She’s had lots of minutes, as she’s in her early seventies, but she has no concept of age.
Shaker Crown, the huntsman, suffered a bad accident last season. He is hoping to recover, has seen specialists, but while he can ride he can’t risk another fall.
Gray Lorillard isn’t cautious in the hunt field, but he is cautious off it, as he was a partner in one of the most prestigious accounting firms in D.C. He knows how the world really works and, although retired, is often asked to solve problems at his former firm. He is smart, handsome, in his early sixties, and is African American.
Crawford Howard is best described by Aunt Daniella, who commented, “There’s a great deal to be said about new money and Crawford means to say it all.” He started an outlaw pack of hounds when Sister did not ask him to be her joint master. Slowly, he is realizing you can’t push people around in this part of the world. Fundamentally, he is a decent and generous man.
Sam Lorillard is Gray’s younger brother. He works at Crawford’s stables. Crawford hired Sam when no one else would, so Sam is loyal. He blew a full scholarship to Harvard thanks to the bottle. He’s good with horses. His brother saved him and he’s clean, but so many people feel bad about what might have been. He focuses on the future.
Daniella Laprade is Gray and Sam’s aunt. She is an extremely healthy nonagenarian who isn’t above shaving a year or two off her age. She may even be older than her stated ninety-four. Her past is dotted with three husbands and numerous affairs, all carried out with discretion.
Wesley Blackford, “Weevil”—he’s just tipped over thirty, is divinely handsome, loves hounds. He fills in for the injured Shaker Crown, whom he respects. Weevil has brilliance and the foundation of ballast.
Anne Harris, “Tootie,” left Princeton in her freshman year, as she missed foxhunting in Virginia so very much. Her father had a cow, cut her out of his will. She takes classes at the University of Virginia and is now twenty-four and shockingly beautiful. She is African American.
Yvonne Harris, Tootie’s mother, is a former model who has fled Chicago and her marriage. She divorced Victor Harris, a hard-driving businessman who built an African American media empire. She built it with him. She is trying to understand Tootie, feels she was not so much a bad mother as an absent one. Her experience has been different from her daughter’s, and Tootie’s freedoms were won by Yvonne’s generation and those prior. Yvonne doesn’t understand that Tootie doesn’t get this.
Margaret DuCharme, M.D., is Alfred’s daughter and she’s acted as a go-between for her father and uncle since childhood. Her cousin, Binky’s son Arthur, also acts as a go-between and both the cousins are just fed up with it. They are in their early forties, Margaret being more successful than Arthur, but he’s happy enough.
Walter Lungrun, M.D., JT-MFH, is a cardiologist who has hunted with Sister since his boyhood. He is the late Raymond Arnold’s son, which Sister knows. No one talks about it and Walter’s father always acted as though he were Walter’s father. It’s the way things are done around here. Let sleeping dogs lie.
Betty Franklin is an honorary whipper-in, which means she doesn’t get paid. Whippers-in emit a glamorous sheen to other foxhunters and it is a daring task. One must know a great deal and be able to ride hard, jump high, think in a split second. She is Sister’s best friend and in her mid-fifties. Everyone loves Betty.
Bobby Franklin especially loves Betty, as he is her husband. He leads Second Flight, those riders who may take modest jumps but not the big ones. He and Betty own a small printing press and nearly lost their shirts when computers started printing out stuff. But people have returned to true printing, fine papers, etc. They’re doing okay.