And inevitably, if he remained there, he remembered two other things, both of which caused him discomfort that was extreme and similar in feeling to the discomfort caused by the first memory. Like the one, the other memories were of events that had taken place in the front room. In one of them, he is with Ginger. She is about ten, and he is only six, and they are looking at each other’s genitals, touching them with fingertips, prodding, pulling tissue back, scrutinizing with excruciatingly gentle curiosity their respectively tiny organs.
They were not found out. No one burst in on them and pointed a huge finger and called them disgusting little sex fiends. Yet the memory gave Ham terrible discomfort, a deep sense of shame, and always, if at that moment he did not leave the front room, he would remember the other event that had taken place there. He would remember one spring morning, a Sunday before church, going into the front room from his parents’ bedroom, taking a short cut to the stairs, and as he runs through the room, he glimpses a tiny mouse huddled on the fireplace hearthstone, a brown mouse the size of a man’s thumb caught in a brick-walled corner. Ham stops and tiptoes over to the mouse, which cannot escape its corner and, as a final ruse, is stilled, trembling, waiting. The boy leans to his left and with his two hands removes a brick from the stack of a dozen or so that his father placed there, probably for some intended chimney repair, and the boy drops the brick onto the mouse, crushing its body but not killing it, so that it squeaks wetly, like an orange being squeezed for juice, and the boy must retrieve the brick, hold it up to his chin and drop it a second time, and then a third, and finally a fourth, when the mouse is dead.
HAM SLOWLY GOT to his feet and walked from the front room to the kitchen, on his way passing through his parents’ bedroom, where the new baby slept in her white, gauze-shrouded basinette. His mother was resting. She was seated at the kitchen table looking at her fingernails. When he came into the room, she smiled and said hello to him and asked him to come stand next to her.
While she stroked his hair back with her hands, he asked her one more time if he had to play in the front room. She relented and said no, he didn’t have to.
But she wanted to know why he hated that room, when he used to love it so.
He was going to tell her about the mouse, but when he opened his mouth to speak, he remembered that she already knew about it. It had never been a secret. He had run proudly from the front room to the kitchen and had brought both parents back to see the dead animal. They had been pleased and amazed. His father had patted him on the head and had said, “Good boy,” and his mother had said, “I never would’ve been able to do that. I just would’ve run for the cat and let him do it!”
So he said nothing to his mother, nothing of the mouse and of course nothing about his cousins. He shrugged his shoulders and looked at his feet.
“You’re a strange one, Ham,” she told him, smiling. “But if you want to be here with me and the baby, I guess I’ll just have to give in and let you.”
After that he forgot about the mouse and did not remember it even when, now and then, because of some errand or helping his mother or father, he could not avoid going into the front room. And when he had forgotten about the mouse, he no longer remembered staring and poking at his cousin’s body, or her hands on his. And eventually he forgot the day she pulled up her own blouse and exposed her breasts to him.
IF IT SEEMS strange that the daughter of a man like Hamilton Stark should treasure and retell in literary form these three tales of his childhood, the reader might remember that it’s only in the light of these stories that she is able to justify her love for the man. Otherwise, she might be forced to regard her love for him as perverse, lost, tangled in ropes of ritualized grief and reenacted trauma, possibly for the rest of her life, and certainly his.
And if it seems strange that a hero’s childhood should be described in this manner, please remember that my hero is both controversial and enormous, and therefore whoever would attempt to describe him objectively (excluding from his description the narrator’s personal sympathies and antipathies for the subject) runs the risk of being dominated by the subject. That is the reason for the mask, the format of the tales, the realism, the lack of realism.
There will be other masks, other formats, other castings of reality. You may continue to call this one Rochelle, if you wish, and of course she will continue to play a major role in the events being described. She is, after all, Hamilton Stark’s only child, and despite her having been deserted by him, she is crucial to our understanding of him. Actually, her absence from his life, because it was willed by him, is more revealing than her presence would be. I hope you like her. I do. She’s twenty-six years old, a long-boned, precisely featured, red-haired young woman with green eyes and clear white skin that’s almost translucent. She moves quickly but with grace and elegance. True elegance. If I were a younger man, I would court her. I would pursue her ceaselessly. For though she’s the kind of young woman who tends to draw organized, purposeful, self-centered men into changing their lives suddenly, radically, and, very often, disastrously, she’s also the kind of woman who’s astonished when it actually happens — though, to one not so affected by her charms, it’s never clear that she did not secretly desire the disaster.
But, to continue:
CHAPTER 4 Her Mother Speaks to Her of a Man She Calls “Your Father”
NO, REALLY, DEAR, I mean it. It’s time everyone stopped all this dancing around the few trivial facts of the man and got right down to where you can stick your nose up against them, so to speak. Forgive me for saying it this way, but the man, your father, is a despicable man. Always was. Despicable, pure and simple, and everyone who’s ever had the misfortune to know him knows at least that much about him, and especially everyone who’s ever been married to him, among whom I count myself the first, as you know.
But you’re his only child, dear, you’ve never been married to him, of course, so that’s probably why you keep going through all this hero-worshiping nonsense with the man. But only child or not, don’t forget the facts you have to ignore. Life’s like that, it’ll let you keep on ignoring the facts, practically forever, if you want to go that far, but eventually it’ll make you pay for it — or your children, or your wife or husband, or maybe even your grandchildren. Anyhow, somebody ends up paying, and I don’t plan on being that somebody for you. No, you’re practically grown now, old enough to know the truth about your father. You think now that he’s somebody to imitate, someone to admire and recommend to all your friends, someone who’ll defend you against your enemies, a confidant, an advisor, a teacher, a chum. When I get through, dear, you’ll know better than to imitate him. You’ll know not to expect him to defend you against anything. Hah, you’ll need someone to defend you against him! A chum. Some chum.
YOU’RE PROBABLY WONDERING why I’m telling you all this now, why I waited so long to turn you against him. Well, blood is thicker than water, that’s how I always reasoned about the matter, and besides, I never wanted him coming back at me that I turned you against him, you his only child, the one he probably claims to love so much, but of course, only later, when you’re practically all grown up and it’s easy to love you, easy to be your father now — not that you weren’t a lovable child, no, of course not, you were a wonderful, cuddly, curly-haired little thing, everyone loved you, especially me, and I didn’t want your father claiming that I had turned you against him by only telling you the bad things about him, or only telling you things in a light that would make you think badly of the man your father. Let the child find out for herself, that’s what I always said, when people asked me if you knew what kind of a man your father was, and believe me, they asked, oh God, did they ever ask. They couldn’t believe it when you talked about him the way you did, when you bragged about his being a pipefitter, when you told people what a big shot he was, how he built the U.S. Air Force Academy all by himself, that place in Colorado, as if that weren’t one big lie. Brother, the things that man could tell a child. I remember my eyes filling with tears when I would hear you out on the back steps telling your little friends how your father had been a champion boxer. And when you told them he was a champion runner. And when you described his cars. His ability to play the saxophone. His enormous bicep. His black and thick hair. The curly mat of black hair on his chest. The broad shoulders, the hard-muscled back. The rocky thigh.