“After all, honey,” she drawled from the bed, “you told me something this mo’ning I didn’t know about before, that stuff about how Daddy stood up and shouted the state motto and all? I oughta do the same thing for you now, shouldn’t I?” And she winked at me. Winked! What a woman!
I was certainly very confused. How, how had I lost control of the situation like this?
Then I remembered: it was the ecstasy and the hysteria — or rather, it was my having reached the point halfway between the two. After that, everything had gone haywire for me. Rochelle had taken complete control of the conversation, and of me, until there I was fetching her a drink in exchange for a tale I hadn’t even particularly wanted to hear anymore, and to make matters worse, I was doing it in a swoon. How would I ever be able to remember the tale, let alone determine its importance to my own tale? Oh, reader, dear reader, remember this, and let it be an example to you. In the book of your life, never permit yourself to invent a woman or a man who is capable of bewildering you while he or she seduces you. You will lose the thread of your argument, you will find your story line impossibly tangled, your plot utterly overthrown, and your faith in your powers of observation and analysis sliced to limp ribbons of insecurity. Call it love, call it whatever you will, but know the risk. If you must, as I must, think of your life as a novel and of the creatures therein as “characters,” then unless you keep yourself from falling in love with one of those creatures, you will have to give up the idea of control. You will have to become not an inspired author, but one who is simply not in control of his own novel. It happens, it happens frequently.
“I’m sorry,” I said, my voice hushed with contrition. “You’re right, you’re quite right, of course.” I handed her drink to her, and holding on to my own as if it were a kitten, I sat down next to her on the bed. “Please. Please tell me how Hamilton, how your father almost went to college. It’s a chapter in his life I know nothing about. I’d even forgotten it existed, that you had mentioned its existence that day after your graduation ceremonies, until you mentioned it again tonight, I mean this morning.”
“Yes, this morning. It’s late,” she yawned, stretching her long white arms in the milky light, and once again I found myself having to deal with my own tumescence.
“Tired?” I asked.
“Yes,” she answered. “But still, I want you to hear this. It might help you to know important things about him. It’s a short story, I can tell it to you in a few minutes, and tomorrow, later today, I mean, I’ll let you have the chapter from my novel that describes the adventure. As a matter of fact,” she went on, “I’ve been thinking of turning the entire manuscript, even my notes and tapes, over to you, to let you use in any way that pleases you.” She yawned again, as if with disinterest in my response.
I was shocked. “What? What do you mean?” Her novel, the obsession-driven activity of her last four years? Give it up, just like that?
“Yes. I’ve made a decision. I think it’s a waste of my time to be writing a novel about the man — I mean that kind of self-consciousness, that kind of objectification. It all seems to run counter to what I’m to learn from the man. From what I am learning. It’s hard to describe. You write the novel. If you can. I can’t. And even if I could, I’d never bring myself to publish it,” she added with a wry smile.
I was twice shocked. She sat there, looking straight ahead into space, apparently close to emotionless, as if she had once witnessed a glory or a horror that I hadn’t, announcing as she was to me in a passionless voice that she was canceling out the work of four years of her young life, hard, diligent work, boring research, arduous travel, careful visioning and revisioning, until she had nearly perfected a style and had mastered the content. I, her most confirmed admirer, could not believe that she would cancel this enterprise, that she, simply and practically without feelings, would turn the manuscript over to me for my grimy use. (Relatively speaking, of course. I can’t pretend to be that self-deprecating.)
“Listen,” I said to her, “I love your novel!”
“Do you?”
“Yes!” I exclaimed. “It’s so … so … realistic!”
She said, “Well, you’ve still got a lot to learn, I’m afraid. But I can’t teach you. I’m still an initiate myself, you know. Here, here’s the story,” she began, and leaning back against the pillows, as the new day’s sunlight spilled into the room for the first time, she took a sip from her drink and told me the story of how Hamilton Stark almost went to college.
SHE WAS RIGHT. It wasn’t much more than a short story (she told it at one sitting), and, to fully understand the event, its subtler aspects, I did need the manuscript, which she delivered to me late that same afternoon. It was entitled “Fighting It, Giving Up,” Chapter Four, from The Plumber’s Apprentice. I’ve included it here, rather than try to summarize it or provide my own version, for the usual reasons: her handling of the material seems so much superior to what I could accomplish that only an insensitive egoist would proffer his own version instead. The name changes are the same as indicated earlier, when other portions of Rochelle’s novel were quoted. There is, however, one additional character here, the youth called Feeney, and though he appeared briefly in a chapter quoted in my Chapter Four, Addendum C, Rochelle’s Chapter Eight, “Return and Depart,” at that time I said that no one corresponded to Feeney in Hamilton’s, A’s, life. It now appears that I was wrong. Rochelle, through diligent, wily research, has uncovered the prototype for Feeney, a man named F., who now works as a machine operator in a tannery in Penacook. He and A. rarely see each other these days, and then only by accident.
Chapter 4
FIGHTING IT, GIVING UP
It positively amazed Alvin that he could get in his car and drive it over the hills for four hours roughly north and west, stop the car, get out, walk into a bar, order a drink, and be served legally. Well, not quite legally, even here in New York State, because he was only seventeen, but even so, it was still enough to astound him when he and Feeney strode through the door of the Valley Café in Ausable Chasm, New York, and each ordered a Seven-and-Seven, that the bartender merely served them and took their money.
It was a Friday in November, Alvin’s senior year in high school. He was a football star and a good student, “especially in math.” Everyone said so. He had driven to Ausable Chasm this day for an interview with the dean of admissions of the little-known engineering institute located at the edge of the small town. Feeney had gone along to keep him company and “for laughs,” he’d said, and while Alvin was being interviewed, he’d taken the car and had driven around the town looking for a bar that he thought, from its appearance, would serve them without asking for IDs. “I got a sixth sense for these things,” he had explained as he drove off in Alvin’s Ford.
It was a raw, rainy day, blustery and dark, and Alvin wore only a lightweight cloth raincoat over his charcoal gray flannel suit, and he carried no umbrella, so by the time he had located and entered the brick, armorylike administration building, his clothes, hair and shoes were soaked through. Miserably uncomfortable and smelling like a wet, long-haired animal, he sat through a painful fifteen-minute interview with a blond crew-cut young man who never once smiled as he asked Alvin questions about the size of Pittsfield High School, the percentage of the graduating seniors who went on to college, and the range of courses offered there. “We’ve never had an applicant from your school before,” the somber young man explained.