“What with the Tossington Tots and the frightful woman in charge of them, and that ghastly formation team hogging more than half the rehearsal time, and now this snooty lot, the only thing I’m thankful for is that we haven’t had the combined school choirs hanging about all the evening. Goodness knows what they’d have been up to by now,” she said. “Oh, well, there’s nothing to come but The Merry Wives. I suppose they’re still in their dressing-room. I’d better go and rout them out and tell them to get cracking. Twenty minutes dead, and not a second more, can they have.”
She went back-stage and returned with a typescript, which she turned over discontentedly.
“What’s this?” asked Laura.
“They say they may need a prompter, and don’t possess one.”
“Oh, Lord! That bodes no good. Can’t they prompt each other? I thought amateurs usually did.”
“I don’t know! Here, Dog, be an angel and do the prompting for me. You’ve a much quicker eye for words than I have. Anyway, there looks a lot more than twenty minutes here. If there is, they’ll have to cut it.”
Laura took the script. It was dog-eared and not too clean, and appeared to be the property of Falstaff, since his were the only stage directions pencilled in. There was a delay while the company put up the simple scenery which was to decorate their stage, and the hiatus lasted long enough for Kitty to go back-stage again and exhort them to be as quick as possible. The stage-manager, who was also taking one of the parts, snarled at her, and Falstaff’s small page Robin chose this moment to catch his foot in a piece of scenery and bring it down.
Kitty bit back an unladylike expression which she had picked up in her workrooms, but the stage-manager was less self-restrained, and cursed the child roundly. However, all was in position at last, and Kitty made a mental note of the arrangements and suggested that on the morrow she should get a couple of Council workmen to put up the scenery, so that the company might reserve all their energies for the actual play. This helpful notion received curt thanks, the curtain went up, and an excerpt from The Merry Wives of Windsor took the boards.
Laura, following the script and only looking up as often as it seemed safe to do so—the play was not one with which she was particularly familiar—could not help wondering why the drama club had chosen it. Mistress Ford and Mistress Page lacked any of the sparkle necessary to their parts, Falstaff ranted unbecomingly and was the reverse of a figure of fun, the jealous Ford was merely a clod, and Laura formed the impression that Page, Evans and Caius had been given parts for the simple reason that there was nobody else available. Little Robin, the page, was attractive to look at, but recited his lines without expression. Obviously he understood very little of what he or anyone else was saying. In one respect only did the company shine. They did not require any prompting, but gabbled away as though they knew they were pressed for time.
Kitty, accustomed, in her own workrooms and salon, to keeping her ear to the ground, soon realised that other matters, apart from shortage of time and talent, were in operation. There was an undercurrent of exasperation and disillusionment. Nobody was prepared to be prompted for fear of suffering loss of face and of promoting the ill-concealed joy of rivals, for rivalry was certainly in the air. There was no team spirit among the players. Their aim and object, it began to be apparent, was to outplay and discredit one another, so much so that a most uncomfortable and supercharged atmosphere prevailed.
Mistress Ford and Mistress Page did not merely lack sparkle. One was sullen; the other giggled nervously. Falstaff was ranting because he also was nervous—not only nervous about his acting, Kitty deduced, but full of darker fears. What he was afraid of she did not know. He seemed a harmless little man who was hardly likely to have offended anybody except inadvertently, but she thought that, in both the mental and physical sense, he was too much of a light-weight for the part in which he had been cast.
She wondered who had been responsible for the casting. No producer had been forthcoming and, in the absence of this central authority, there might have been bickering, backbiting and general ill-feeling over the allotment of the parts. Page, Evans and Caius, almost more than the others, gave the impression of being anxious to get the scene over and done with as soon as possible, and Kitty came to the conclusion that the oafish Ford was even more disgruntled than the rest of the cast. She noticed that, although Page was wearing a sword as part of his costume, Ford was without one. She wondered whether the one sword had been a bone of contention and silently cursed the firm from which the club had hired the costumes. Players, she knew, were touchy concerning the props and accessories, especially where these were non-existent.
“We could do without most of this,” she muttered to Laura. “However much more is there of it?” She applauded loudly when the gentlemen followed Falstaff and the clothes-basket off the stage, only to find that, after a very short exchange of speeches between Mistress Ford and Mistress Page, the gentlemen came on again and remained until the end of the scene, after which they took a couple of curtain calls.
“Oh, well, I suppose they want to rehearse the curtains as much as themselves,” said Kitty. She applauded vigorously until she discovered from Laura that there was more to come. There also was an ominous amount of thumping behind the curtain.
“I think they must be changing the scenery,” Laura observed. “The next bit I’ve got here indicates a room in the Garter Inn.”
“Oh, Lord! They can’t do any more! There isn’t time!” cried Kitty. She disappeared behind the scenes again, leaving the chairman to confide to Laura that the caretaker had been standing in the doorway for the past five minutes and must be allowed to lock up and go home.
After a short time, Kitty re-appeared with the stage manager, who was still in costume, presented him before the chairman and said wearily, “Would you mind speaking to Mr Collis? He refuses to listen to me when I tell him they must go home.”
“Look here, old man,” said Topson awkwardly, “sorry and all that, but, honestly, you really must pack up now. We’ve only got the hall until ten, and it’s well past that already.”
“But we’ve only done half of it! It isn’t our fault the other rehearsals hogged so much of the time! I demand to be allowed to do the rest of our item,” said the stage-manager.
“Well, you’ll have to do it in the dark, then, and behind locked doors until the caretaker lets you out tomorrow morning,” said Councillor Topson. “I know it’s bad luck on your mob, but it’s just one of those things.”
At this moment Mistress Page took the floor, and so did the caretaker, meaningly jingling his keys.
“Yes, yes, O.K., John,” said Topson hastily. “The drama club are just about to pack up.”
“Of course we are,” said Mistress Page, fixing the stage-manager with a stony eye. “I’ve got to get young Tony home. It’s ever so long past his bedtime. His mother will be having a fit.”
Assailed thus on all sides, the stage-manager gave way.
“Oh, all right,” he sullenly agreed. “If it wasn’t for disappointing the public, I’d withdraw my lot from the bally show altogether.”