“No.”
“What I know of the event, I don’t see what you could have done differently,” she said.
I didn’t answer.
“So,” she said, “the, ah, deceased is, in a sense, your client.”
“You could say so, I suppose.”
“What do you need from me?” she said.
“I’d love to know who’s working on it from your end,” I said.
“Me,” she said.
“Bingo,” I said. “First at bat. What can you tell me?”
“Nothing,” she said. “Except there is a lot here you do not understand and cannot find out. You did the best you could. It was not enough. Were I you, I would leave it and move on.”
“Can’t do that,” I said.
She nodded.
“Were you ever a police officer?” she said.
“Yes.”
“Did you clear every case?”
“No,” I said.
“Was that always because there wasn’t enough evidence?”
“No.”
“Occasionally, was it because too many important people did not want the case cleared?”
“Yes.”
She was still leaning back in her chair with her arms folded. She nodded slowly. And kept nodding for a while.
“You ever a cop?” I said.
“I was with the Bureau for a while. Before that I was with the Secret Service.”
“Protection?” I said.
“Yes.”
“Why are you here?”
“I have children,” she said.
“Husband?” I said.
“No,” she said.
I nodded again.
“This job is regular hours,” she said. “Better pay, and good benefits.”
“And fun as hell,” I said.
“When you have children and you are a single parent, fun is not part of the equation.”
“Too bad,” I said. “Can you tell me anything about any important people who might not want this case cleared?”
“No,” she said.
I nodded.
“Point me in any direction?”
“No.”
“You going to settle the claim?” I said.
“Too early to say.”
We sat and looked at each other. She knew I wasn’t going to take her advice. I knew she wasn’t going to tell me anything.
“Your first name is Winifred?” I said.
“Yes.”
“You don’t look like a Winifred to me,” I said.
“Nor to me,” she said. “But which nickname would you prefer: Winnie or Fred?”
I smiled.
“Good-bye, Winifred,” I said.
“Good-bye.”
“Thanks for the advice.”
“Which you won’t take,” she said.
“No.”
She stood and came around the desk. She was wearing a skirt. Her legs were great. I stood. She put out her hand. I took it.
“Be careful,” she said.
“Within reason,” I said.
“Most of us, I suppose, do what we must, more than what we should,” she said.
“Sometimes they overlap,” I said.
“Perhaps,” she said.
We shook hands, and I left. I was glad her legs were great.
9
It was raining and very windy. I had swiveled my chair around so I could look out my office window and watch the weather. As I was watching, there was a sort of self-effacing little tap on my office door. I swiveled around and said, “Come in.”
The door opened about halfway, and a woman peeked in with her head tilted sideways. She had gray-brown hair, and she was wearing glasses with metal frames that looked sort of government-issue.
“Mr. Spenser?”
“Yes.”
“May I come in?”
“Sure.”
“I don’t have an appointment,” she said.
I smiled.
“I can squeeze you in,” I said.
“I could come back,” she said.
I stood up.
“Come in,” I said. “Talk to me. I’m lonely.”
She opened the door all the way and sort of darted through it, as if she didn’t want to waste my time. I gestured for her to sit in a chair in front of my desk. She scooted to it and sat down. She was carrying a green rain poncho.
“May I put this on the floor?” she said. “I don’t want to get your furniture wet.”
“Sure.”
She was kind of thin, and seemed to be flat-chested, although the bulky brown sweater she was wearing didn’t allow a definitive judgment. Her face was small. Her skin was pale. I saw no evidence of makeup. She put the poncho on the floor and perched on the front edge of the chair with her knees together. She smoothed her ankle-length tan skirt down over them. She folded her hands in her lap for a moment, then unfolded them and rested them on the arms of her chair. Then she refolded them in her lap and sat forward.
“Sometimes I think loneliness describes the human condition,” she said.
“Actually,” I said, “I’m not lonely. I was just being, ah, lighthearted.”
She nodded. We sat. Now that she had settled on what to do with her hands, she was motionless. I smiled. She looked down at her hands.
“I’m Rosalind Wellington,” she said. “Ashton Prince . . . was my husband.”
“I’m sorry for your loss,” I said.
She nodded and looked at her hands some more.
“They told me you were with him when he died,” she said.
“Yes,” I said.
She was silent. I waited. I could hear the rain splattering on my window behind me.
“I have to know everything,” she said.
“About?” I said.
“I am an artist, a poet. Images are how I think. Perhaps even how I exist. I have to see every image of his death before I can internalize it.”
“Oh,” I said.
“I have to be able to imagine everything,” she said.
“What do you know?” I said.
“He is dead,” she said. “Can I say it? Murdered! With a bomb.”
“What else do you want to know,” I said.
“Everything. I need to know what the sky looked like. I need the smell of the roadside, the song of the bomb. Did it startle the birds and make them fly up? Did insects react in the grass? Was there any reaction from the universe, or did the ship sail calmly on? I need to know. I need to see and hear and smell in order to feel. I need to feel in order to make something of this. To create something that will rise above.”
All this time she had not looked up from her hands.
“He never knew what hit him,” I said. “He didn’t suffer.”
“Thank you,” she said. “But give me details. I need images. The police tried to spare me. And I suppose in their earthbound way, they were trying to be kind. But they don’t understand. Was he badly disfigured?”
I took in a deep breath and said, “He was blown into small bits unrecognizable as anything except blood spatters.”
She hunched her shoulders and put her hands to her face and kept them there while she breathed deeply.
Finally she said through her muffling hands, “Please go on.”
I told her everything I could. I didn’t like it. I didn’t know if she was heroic or crazy. But it wasn’t a judgment I needed to make. People grieve in their own ways, and she had the right to get what she thought she needed. She listened with her face in her hands until I was done.
“That’s all there is,” I said.
She raised her face, dry-eyed, and nodded.
“If I can make a great poem out of Ash’s death,” she said, “then perhaps he can, in his way, live on in the poem, and perhaps I can, too.”
“I hope so,” I said.
She nodded sort of absently. Then she stood without another word and left.
10
It was very odd,” I said to Susan.
We were sitting on her couch with our feet up on her coffee table. She was drinking some pink champagne I had brought. I was drinking some scotch and soda that she kept for me. We had conspired on a lamb stew for supper, and it was simmering in a handsome pot on Susan’s stove. Pearl was in the bedroom, asleep on Susan’s bed, which made it easier to sit with my arm around Susan. I was pretty sure that when supper was served, Pearl would present herself.