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Then the door of the house opened and one of the women from the troupe emerged, leading a blind man. He was wearing a long shirt, an overcoat, and dark glasses and carried a zitherlike qanun[9] under his arm. The woman climbed into the cart and took the qanun. She grasped the blind man’s hand while the driver helped him from the other side till he reached the woman. They sat next to each other at the front of the wagon. They were followed immediately by a second woman carrying a tambourine and a third with a parcel under her arm. The women were concealed in their wraps but their faces were visible. In place of long veils they were wearing short ones embellished with brilliant colors that made them look like the candy bride dolls sold at festivals. And then what?… With yearning eyes and throbbing heart he saw the lute emerging from the door in its red case.

Finally Zanuba appeared. The edge of her wrap was placed far back on her head to reveal a crimson kerchief with little tassels. Beneath it there gleamed laughing black eyes with glances full of merriment and deviltry. She approached the wagon and held out the lute to a woman who took it. Zanuba raised a foot over the wheel. Yasin craned his neck and gulped. He caught a glimpse of her stocking, where it was fastened above her knee, and of a stretch of her bare leg. The pleasantly clear skin showed through the fringes of an orange dress.

"If only this bench would sink into the ground with me about a meter. My Lord, her face is brown, but where it doesn't show, her skin is white, really white. So what do her thighs look like? And her belly? Oh my goodness…"

Zanuba placed her hands on the top of the wagon and braced herself so she could get her knees on the edge. Then she began crawling onto the wagon on all fours.

"Good God, good gracious… Oh, if only I were at the door of her house or even in the shop of Muhammad the fez maker. Look at that son of a bitch staring at her ass with both eyes. After today he ought to call himself Muhammad the Conqueror. O God… O Deliverer".

Her back started to straighten and she stood up on the wagon. She opened her wrap and, taking the two ends in her hands, shook it repeatedly as though she were a bird flapping its wings. She draped the black cloth around her skillfully to reveal the details of her body’s features and articulations. It especially highlighted her full, gleaming rump. Then she sat down at the rear of the wagon. Under the pressure of her weight, her buttocks were compressed and ballooned out to the right and left, making a fine cushion.

Yasin rose and left the coffee shop. He found that the wagon had moved off. He followed after it slowly, gasping and clenching his teeth in his excitement. The wagon proceeded on its way haltingly, dragging and swaying. The women on board were rocking back and forth. The young man trained his eyes on the lute player’s cushion. He followed her motions so closely that after a while he imagined she was dancing. Darkness was engulfing the narrow street. Many of the shops had begun to close their doors. Most of the people in the street were workers returning to their homes, drained of strength. Between the weary crowds and the darkness Yasin found ample opportunity to devote himself to looking and dreaming in peace and quiet.

"O God, may this street never end. May this dancing movement never cease. What a royal rump combining both arrogance and graciousness. A wretch like me can almost feel its softness and its firmness both, merely by looking. This wonderful crack separating the two halves-you can almost hear the cloth covering it talk about it. And what can't be seen is even better… Now I understand why some men pray four prostrations before bedding a bride. Isn't this a dome? Why, yes, and under the dome lies the shaykh in his tomb. I'm certainly a devotee of this shaykh. Hear me, Shaykh Adawi!"

Yasin cleared his throat as the wagon approached Mutawalli Gate, known as Bab al-Zuwayala. Zanuba turned around. He saw her, and she saw him. It seemed to him he could detect the hint of a smile on her lips when she turned her head away. His heart beat violently, and an intoxicating, fiery pleasure penetrated his consciousness. The wagon went through Mutawalli Gate and then turned left. At that point the young man was forced to stop, since nearby he saw telltale decorations, lights, and a cheering crowd. He drew back a little, his eyes never leaving the lute player. He watched her avidly as she descended to the ground. She tossed a playful look his way and headed for the wedding party. She disappeared through the door in a clamor of joyous ululation[10]. He sighed passionately and was overcome by a furious perplexity. He seemed anxious, as though he did not know which way to turn.

"God curse the Australians! Where are you, Ezbekiya, for me to disperse my care and sorrow in you and draw a little patience from you?"

He turned on his heels, muttering, "To the only consolation left… to Costaki". No sooner had he mentioned the name of the Greek grocer than his head began to perspire, longing for the intoxication of drink. Wine and women in his life were inseparable and complementary. It was in the company of a woman that he had first gotten a taste for wine. By force of habit it had become one of the valued ingredients and sources of pleasure for him. All the same, it was not always granted that the two, wine and women, came together. Many nights were devoid of women, and he had no choice but to relieve his anguish with drink. Over the course of time as the habit became established he seemed almost to have fallen in love with wine for its own sake.

He returned by the route he had come and made his way to the grocery store of Costaki at the head of New Street. It was a large saloon. The front was a grocery store and the inner room a bar; a small door connected the two. He stopped at the entrance, mixing with the customers, while examining the street to see if his father was in the vicinity. Then he headed for the small interior door, but he had scarcely taken a step when he noticed in front of him a man standing by the scales while Mr. Costaki himself weighed a large parcel for him. Involuntarily he turned his head toward the man. Yasin’s face immediately became gloomy. A rude tremor shot through his body, making his heart contract with fear and disgust. There was nothing in the man’s appearance to inspire these hostile emotions. He was in his sixth decade and was wearing a loose gown and a turban. His mustache was white and gave him a noble, gentle look. Yasin, however, proceeded on in consternation, as though fleeing before the man’s eyes could fall on him. He pushed open the door of the bar rather forcefully and went in, as the earth seemed to sway beneath his feet.

13

Yasin threw himself down on the first chair he found. His strength seemed to have given out and he looked somber. He called the waiter and ordered a carafe of cognac in a tone that showed his patience was exhausted. The bar was just a room with a large lantern hanging from the ceiling. Wooden tables with rattan chairs were lined up along the sides. The patrons sitting there included rustic types, workers, and gentlemen. In the center of the room directly under the lantern, pots of carnations were grouped together.

It was strange that he had not forgotten the man and had recognized him at first glance. When was the last time he had seen him? He could not be sure, but most probably he had set eyes on him only twice during the past twelve years, the second time being the encounter that had just shaken him. The man had changed. There was no doubt about it. He had turned into a dignified, sedate old man. If God had only forbidden the blind coincidence that had brought them together… His lips curled in disgust and resentment. He felt he was swallowing a bitter humiliation. How degrading and demeaning! He would hardly recover, with pain and perseverance, from his anguish before it was resurrected by some repressed memory or cursed chance encounter like today's. Once again he would be abased, broken… lost. In spite of himself, he thought back over the odious past, with all the force of the strife lying behind it.

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9

qanun — a zitherlike musical instrument

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10

ululation — howl or wail