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"My dear John," I replied gently and urgently, "do not worry about trifles. Once transmuted by you into poetry, the stuff will be true, and the people will come alive. A poet's purified truth can cause no pain, no offense. True art is above false honor."

"Sure, sure," said Shade. "One can harness words like performing fleas and make them drive other fleas. Oh, sure."

"And moreover," I continued as we walked down the road right into a vast sunset, "as soon as your poem is ready, as soon as the glory of Zembla merges with the glory of your verse, I intend to divulge to you an ultimate truth, an extraordinary secret, that will put your mind completely at rest."

Line 469: his gun

Gradus, as he drove back to Geneva, wondered when he would be able to use it, that gun. The afternoon was unbearably hot. The lake had developed a scaling of silver and a touch of reflected thunderhead. As many old glaziers, he could deduce rather accurately water temperature from certain indices of brilliancy and motion, and now judged it to be at least 23°. As soon as he got back to his hotel he made a long- distance call to headquarters. It proved a terrible experience. Under the assumption that it would attract less attention than a BIC language, the conspirators conducted telephone conversations in English - broken English, to be exact, with one tense, no articles, and two pronunciations, both wrong. Furthermore, by their following the crafty system (invented in the chief BIC country) of using two different sets of code words - headquarters, for instance, saying "bureau" for "king," and Gradus saying "letter," they enormously increased the difficulty of communication. Each side, finally, had forgotten the meaning of certain phrases pertaining to the other's vocabulary so that in result, their tangled and expensive talk combined charades with an obstacle race in the dark. Headquarters thought it understood that letters from the King divulging his whereabouts could be obtained by breaking into Villa Disa and rifling the Queen's bureau; Gradus, who had said nothing of the sort, but had merely tried to convey the results of his Lex visit, was chagrined to learn that instead of looking for the King in Nice he was expected to wait for a consignment of canned salmon in Geneva. One thing, though, came out clearly: next time he should not telephone, but wire or write.

Line 470: Negro

We were talking one day about Prejudice. Earlier, at lunch in the Faculty Club, Prof. H's guest, a decrepit emeritus from Boston - whom his host described with deep respect as "a true Patrician, a real blue-blooded Brahmin" (the Brahmin's grandsire sold braces in Belfast) - had happened to say quite naturally and debonairly, in allusion to the origins of a not very engaging new man in the College Library, "one of the Chosen People, I understand" (enunciated with a small snort of comfortable relish); upon which Assistant Professor Misha Gordon, a red-haired musician, had roundly remarked that "of course, God might choose His people but man should choose his expressions."

As we strolled back, my friend and I, to our adjacent castles, under the sort of light April rain that in one of his lyrical poems he calls: A rapid pencil sketch of Spring Shade said that more than anything on earth he loathed Vulgarity and Brutality, and that one found these two ideally united in racial prejudice. He said that, as a man of letters, he could not help preferring "is a Jew" to "is Jewish" and "is a Negro" to "is colored"; but immediately added that this way of alluding to two kinds of bias in one breath was a good example of careless, or demagogic, lumping (much exploited by Left-Wingers) since it erased the distinction between two historical hells: diabolical persecution and the barbarous traditions of slavery. On the other hand (he admitted) the tears of all ill-treated human beings, throughout the hopelessness of all time, mathematically equaled each other; and perhaps (he thought) one did not err too much in tracing a family likeness (tensing of simian nostrils, sickening dulling of eyes) between the jasmine-belt lyncher and the mystical anti-Semite when under the influence of their pet obsessions. I said that a young Negro gardener (see note to line 998) whom I had recently hired - soon after the dismissal of an unforgettable roomer (see Foreword) - invariably used the word "colored." As a dealer in old and new words (observed Shade) he strongly objected to that epithet not only because it was artistically misleading, but also because its sense depended too much upon application and applier. Many competent Negroes (he agreed) considered it to be the only dignified word, emotionally neutral and ethically inoffensive; their endorsement obliged decent non-Negroes to follow their lead, and poets do not like to be led; but the genteel adore endorsements and now use "colored man" for "Negro" as they do "nude" for "naked" or "perspiration" for "sweat"; although of course (he conceded) there might be times when the poet welcomed the dimple of a marble haunch in "nude" or an appropriate beadiness in "perspiration." One also heard it used (he continued) by the prejudiced as a jocular euphemism in a darky anecdote when something funny is said or done by the "colored gentleman" (a sudden brother here of "the Hebrew gentleman" in Victorian novelettes).

I had not quite understood his artistic objection to "colored." He explained it thus: Figures in the first scientific works on flowers, birds, butterflies and so forth were hand-painted by diligent aquarellists. In defective or premature publications the figures on some plates remained blank. The juxtaposition of the phrases "a white" and "a colored man" always reminded my poet, so imperiously as to dispel their accepted sense, of those outlines one longed to fill with their lawful colors - the green and purple of an exotic plant, the solid blue of a plumage, the geranium bar of a scalloped wing. "And moreover [he said] we, whites, are not white at all, we are mauve at birth, then tea-rose, and later all kinds of repulsive colors."

Line 475: A watchman, Father Time

The reader should notice the nice response to line 312.

Line 490: Exe

Exe obviously stands for Exton, a factory town on the south shore of Omega Lake. It has a rather famous natural history museum with many showcases containing birds collected and mounted by Samuel Shade.

Line 493: She took her poor young life

The following note is not an apology of suicide - it is the simple and sober description of a spiritual situation.

The more lucid and overwhelming one's belief in Providence, the greater the temptation to get it over with, this business of life, but the greater too one's fear of the terrible sin implicit in self-destruction. Let us first consider the temptation. As more thoroughly discussed elsewhere in this commentary (see note to line 550), a serious conception of any form of afterlife inevitably and necessarily presupposes some degree of belief in Providence; and, conversely, deep Christian faith presupposes some belief in some sort of spiritual survival. The vision of that survival need not be a rational one, i. e., need not present the precise features of personal fancies or the general atmosphere of a subtropical Oriental park. In fact, a good Zemblan Christian is taught that True faith is not there to supply pictures or maps, but that it should quietly content itself with a warm haze of pleasurable anticipation. To take a homely example: little Christopher's family is about to migrate to a distant colony where his father has been assigned to a lifetime post. Little Christopher, a frail lad of nine or ten, relies completely (so completely, in fact, as to blot out the very awareness of this reliance) on his elders' arranging all the details of departure, passage and arrival. He cannot imagine, nor does he try to imagine, the particular aspects of the new place awaiting him but he is dimly and comfortably convinced that it will be even better than his homestead, with the big oak, and the mountain, and his pony, and the park, and the stable, and Grimm, the old groom, who has a way of fondling him whenever nobody is around.