Выбрать главу

"And now what shall I do? My knight is pinned."

Who rides so late in the night and the wind?

It is the writer's grief. It is the wild

March wind. It is the father with his child.

Later came minutes, hours, whole days at last,

When she'd be absent from our thoughts, so fast

Did life, the woolly caterpillar run.

We went to Italy. Sprawled in the sun.

On a white beach with other pink or brown

670Americans. Flew back to our small town.

Found that my bunch of essays The Untamed

Seahorse was "universally acclaimed"

(It sold three hundred copies in one year).

Again school started, and on hillsides, where

Wound distant roads, one saw the steady stream

Of carlights all returning to the dream

Of college education. You went on

Translating into French Marvell and Donne.

It was a year of Tempests: Hurricane

680Lolita Swept from Florida to Maine.

Mars glowed. Shahs married. Gloomy Russians spied.

Lang made your portrait. And one night I died.

The Crashaw Club had paid me to discuss

Why Poetry Is Meaningful to Us.

I gave my sermon, a dull thing but short.

As I was leaving in some haste, to thwart

The so-called "question period" at the end,

One of those peevish people who attend

Such talks only to say they disagree

690Stood up and pointed with his pipe at me.

And then it happened - the attack, the trance,

Or one of my old fits. There sat by chance

A doctor in the front row. At his feet

Patly I fell. My heart had stopped to beat,

It seems, and several moments passed before

It heaved and went on trudging to a more

Conclusive destination.

Give me now

Your full attention. I can't tell you how

I knew - but I did know that I had crossed

700The border. Everything I loved was lost

But no aorta could report regret.

A sun of rubber was convulsed and set;

And blood-black nothingness began to spin

A system of cells interlinked within

Cells interlinked within cells interlinked

Within one stem. And dreadfully distinct

Against the dark, a tall white fountain played.

I realized, of course, that it was made

Not of our atoms; that the sense behind

710The scene was not our sense. In life, the mind

Of any man is quick to recognize

Natural shams, and then before his eyes

The reed becomes a bird, the knobby twig

An inchworm, and the cobra head, a big

Wickedly folded moth. But in the case

Of my white fountain what it did replace

Perceptually was something that, I felt,

Could be grasped only by whoever dwelt

In the strange world where I was a mere stray.

720And presently I saw it melt away:

Though still unconscious I was back on earth.

The tale I told provoked my doctor's mirth.

He doubted very much that in the state

He found me in "one could hallucinate

Or dream in any sense. Later, perhaps,

But not during the actual collapse.

No, Mr. Shade." But, Doctor, I was dead!

He smiled. "Not quite: just half a shade," he said.

However, I demurred. In mind I kept

Replaying the whole thing. Again I stepped

730Down from the platform, and felt strange and hot,

And saw that chap stand up, and toppled, not

Because a heckler pointed with his pipe,

But probably because the time was ripe

For just that bump and wobble on the part

Of a limp blimp, an old unstable heart.

My vision reeked with truth. It had the tone,

The quiddity and quaintness of its own

Reality. It was. As time went on.

740Its constant vertical in triumph shone.

Often when troubled by the outer glare

Of street and strife, inward I'd turn, and there,

There in the background of my soul it stood,

Old Faithful! And its presence always would

Console me wonderfully. Then, one day,

I came across what seemed a twin display.

It was a story in a magazine

About a Mrs. Z. whose heart had been

Rubbed back to life by a prompt surgeon's hand.

750She told her interviewer of "The Land

Beyond the Veil" and the account contained

A hint of angels, and a glint of stained

Windows, and some soft music, and a choice

Of hymnal items, and her mother's voice;

But at the end she mentioned a remote

Landscape, a hazy orchard - and I quote:

"Beyond that orchard through a kind of smoke

I glimpsed a tall white fountain - and awoke."

If on some nameless island Captain Schmidt

760Sees a new animal and captures it,

And if, a little later, Captain Smith

Brings back a skin, that island is no myth.

Our fountain was a signpost and a mark

Objectively enduring in the dark,

Strong as a bone, substantial as a tooth,

And almost vulgar in its robust truth!

The article was by Jim Coates. To Jim

Forthwith I wrote. Got her address from him.

Drove west three hundred miles to talk to her.

770Arrived. Was met by an impassioned purr.

Saw that blue hair, those freckled hands, that rapt

Orchideous air - and knew that I was trapped.

"Who'd miss the opportunity to meet

A poet so distinguished?" It was sweet

Of me to come! I desperately tried

To ask my questions. They were brushed aside:

"Perhaps some other time." The journalist

Still had her scribblings. I should not insist.

She plied me with fruit cake, turning it all

780Into an idiotic social call.

"I can't believe," she said, "that it is you!

I loved your poem in the Blue Review.

That one about Mon Blon. I have a niece

Who's climbed the Matterhorn. The other piece

I could not understand. I mean the sense.

Because, of course, the sound - But I'm so dense!"

She was. I might have persevered. I might

Have made her tell me more about the white

Fountain we both had seen "beyond the veil"

790But if (I thought) I mentioned that detail

She'd pounce upon it, as upon a fond

Affinity, a sacramental bond,

Uniting mystically her and me,

And in a jiffy our two souls would be

Brother and sister trembling on the brink

Of tender incest. "Well," I said, "I think

It's getting late..."

I also called on Coates.

He was afraid he had mislaid her notes.

He took his article from a steel file:

800"It's accurate. I have not changed her style.

There's one misprint - not that it matters much:

Mountain, not fountain. The majestic touch."

Life Everlasting - based on a misprint!

I mused as I drove homeward: take the hint,

And stop investigating my abyss?

But all at once it dawned on me that this

Was the real point, the contrapuntal theme;

Just this: not text, but texture; not the dream

But a topsy-turvical coincidence,

810Not flimsy nonsense, but a web of sense.

Yes! It sufficed that I in life could find

Some kind of link-and-bobolink, some kind