The soldier finished his tune with a flourish of notes, each higher and brighter than the last. He laughed, as if delighted at his own cleverness, and lowered the fiddle from under his chin.
“It is dull,” he said, tapping the bow against his boot. “To play all alone. It is much better to have someone to dance to the music.” Once more, he touched the bow to the strings and began to play. It was a schottiche he played, merry and sprightly, a song about swinging around and leaping up high and holding hands while you both spun together about the floor. It broke Elsa’s heart to hear it in the wilderness where there was no one to dance to such a pretty thing, but she held herself still.
The red shoes came.
They crashed through the bracken, loud and clumsy. Once, they might have been shining leather with embroidered toes and gilded heels, but now they were black with blood. It spilled out of the horrible stumps of Karen’s lost feet, severed so cleanly above the ankle. Elsa had thought Karen’s feet would be worn away to bones by now, but they were not. The blood poured like a flood of tears, running down onto the forest floor so that the shoes and Karen’s feet must dance in her own blood, without stopping and without rest, while the soldier played his merry tune about lovers spinning around the floor. The schottiche finished, and then came a polka, and a waltz tune, a reel from England, and a jig from Ireland. All the dances of the world were drawn down by the soldier and poured out so that the shoes must dance.
Elsa thought and thought. It was hard, because the soldier’s tune kept pushing into her mind and filling it up so that her thoughts had to crowd around the edges of the music and could not come together to make ideas. She held Clarissa tighter and tighter. She watched the soldier’s fingers fly on his fiddle strings and the bow dart back and forth. She watched the red shoes dance. The soldier laughed louder than the crows even, and there was so much blood.
You must give him something he wants as much as the dance, the old woman had said. Something he wants as much as the dance.
Then, an idea came to Elsa. She bent her head and whispered to Clarissa, who listened in silence, as she always did.
“Give us rest!” cried the shoes, the voice muffled by blood and torn by exhaustion. “Give us rest!”
The soldier laughed, and Elsa saw that his eyes were as shiny and black as his tall boots. “You shall have no rest until I grow weary, and I never grow weary while I watch you dance!”
Elsa thrust her doll through the split in the fallen tree trunk and in the high voice she used to make Clarissa speak in all her games, she cried out. “Soldier! Soldier! Give me the red shoes!”
The soldier turned toward her, and she saw his black eyes shining with a merriment that cut through the air like lightning. He did not hesitate, not for an instant, in his playing. The tune changed seamlessly from one lively reel to the next.
“Little Clarissa! Little Clarissa!” The soldier called out. “Give me a dance!”
The doll twitched in Elsa’s hand, and Elsa dropped her swiftly. Instead of falling to the ground in a heap as she was used to, Clarissa landed neatly on her own two white cloth feet. She lifted up the hem of her lace dress and skipped as merrily to the center of the clearing as if she were on her way to a birthday party. The doll danced up to the red shoes and back again, bowing politely and circling ’round them, her white feet treading in the fresh blood and soaking it up, becoming red themselves. Elsa wondered whether they ever be clean again.
But she had no time to mourn her doll. Now she had both hands free, and she could creep from the hollow tree and ease herself around the clearing’s edge. The soldier played faster, and the little doll and the bloody red shoes danced together to his laughter and his music. His bow flashed and his fingers flew. He attended to nothing but the show in front of him as Elsa crept behind.
Then, quick as a cat, Elsa snatched the bow from the soldier’s hand and ran back to the fallen tree. The soldier stared at his knobby hand for a moment, as if he could not believe what had just happened. In the middle of the meadow, the shoes hesitated, turning this way and that on their toes, and Clarissa stood, smiling, holding her hems in her hand, waiting patiently, as she always did.
“Soldier! Soldier!” cried Elsa holding the bow high. “Give me the red shoes or I will break this bow over my knee!”
To her surprise, the soldier threw back his head and laughed so hard it seemed he’d split stone and tree with the noise.
“You are too late, little Elsa,” he cried when his laughter was done. “Karen has given herself to God, and God has taken her away.” He snapped his bony fingers and pointed to the middle of the air. It seemed as if the world split open, and Elsa saw the streets of her city. She saw a wagon drawn by a single black horse wearing a black plume. All her brothers and sisters walked behind. In the wagon was a coffin. She knew without knowing how that this was a true thing she saw, and her heart broke in two. The hand that clutched the bow trembled a little
“It was all for nothing, you silly child,” said the soldier while the tears began to run down Elsa’s face. “Give me my bow, and take your doll.” He snapped his fingers again, and Clarissa fell to the ground, nothing more than a doll in a pink dress and ribbons, her feet horribly stained by her naughty mistress who let her go play where she should not. “Go home. Pray on your knees for things that you can understand, and leave the red shoes to me. If you are a good girl, you will never have to see them again.”
Suddenly Elsa felt smaller than she ever had. The music had brought all the world and time into this clearing, and they watched her with the bow held high in a silly game. The red shoes still stood beneath their coating of gore with the hideous stumps of Karen’s abandoned feet thrusting out of them. Karen had not lost her feet. She’d given them away with all her pride. Given them to God, and God had taken them. The old soldier was only doing his duty, like the executioner. She had not understood, because she was a little girl and nothing more. Her hand trembled again.
“No!” she said, stubbornly. “It is not right! It is not a proper story! Give me the red shoes or I will break this bow over my knee.”
“Elsa, Elsa.” The soldier folded his arms and shook his head, just as her father did when he thought she was being silly. “Do you think I need a bow to make music?” He snapped his fingers once more, and the fiddle’s strings trembled, though the instrument lay on the ground. They trembled and they shivered and the music began again. It swirled and looped, catching at Elsa’s mind and tugging at her heels. Beside her, the red shoes began to dance again, hopping and gliding, all the blood making a scarlet train behind them.
Elsa’s arm fell to her side and the bow slipped from her fingers. The music snatched and pushed at her, and she did not know what to do. She looked down at Clarissa with her red stained feet, and felt tears prickle again at her eyes. She had come all this way, and done all these things, and she did not know what to do anymore.
You will put on the shoes, and you will dance, the old woman had said. Elsa swallowed. Her throat was dry as dust. It was the only thing she had not done yet. The only thing, the last thing.