Gottlieb and Sanchez went out and poked through the cabin in the rear and came back and said nothing to anyone. They ignored Forester when he tried to give them his theory again. Hollowell discovered a couple of clear latents off the handles of the overnight bag, and another off the window frame in the storeroom; the prints did not belong to Perrins. He told Lydell, and Gottlieb and Sanchez, that he would run them through the state and FBI files as soon as they got back to Kehoe City.
Brackeen stood it as long as he could, and then he went to Lydell and respectfully told him that he thought it was about time he returned to Cuenca Seco. Lydell, preoccupied, looking important, agreed that that was a good idea and dismissed him perfunctorily. No one paid any attention to Brackeen when he left.
He drove back to Cuenca Seco and parked the cruiser in front of the substation. The small perversity was with him again. He entered, told Bradshaw he was taking his lunch break, and walked down to Sullivan’s. He drank the first beer to Forester and the second to Lydell and the third to Hollowell and the fourth to Gottlieb and Sanchez and the fifth to crime.
He felt lousy.
And for the first time in a long time, he felt curiously empty.
Ten
The sun is fire above, and the rocks are fire below. The heat drains moisture from the tissues of Lennox’s body, drying him out like a strip of old leather, swelling his tongue, causing his breathing to fluctuate. It is almost three o’clock now, and the floor of the desert wavers with heat and mirage; midafternoon is the hottest part of the day out here, temperatures soaring to 150 degrees and above, and there is no sound.
The mind wanders.
He is nine years old, walking home from school, and in his right hand he holds clenched two dozen baseball cards which he has traded for that afternoon. He has several Dodgers and this particularly delights him, the Dodgers are his favorite team — Pee Wee Reese and Billy Cox and Carl Furillo; and he has a rare Bob Feller, too.
He walks quickly, because he wants to get home and arrange these cards with the others he has, he is very close to the complete set, perhaps he even has it now with these new acquisitions. He turns the corner, and Tommy Franklin is there, hands on pudgy hips, scowling.
A tremor of fear rushes through him and he stops. “Hey, Lennox,” Franklin yells at him, and advances several steps. “You got my baseball cards.”
“These are mine,” he shouts back. “I traded for them.”
“No, they’re mine, I was supposed to get ‘em first and you butted in and now I want ’em.”
“It’s not fair, it’s not fair...”
“You better give me my cards, Lennox. I’ll beat you up if you don’t give me my cards.”
He tries to stand his ground. He tries to tell himself he can lick Tommy Franklin. But the fear is too strong within him. He chokes back the sob that rises in his throat and flings the cards down on the sidewalk — Pee Wee Reese and Billy Cox and Carl Furillo and the rare Bob Feller, scattered out like bright leaves.
And he turns and flees, with Tommy Franklin’s derisive laughter ringing in his ears.
He runs all the way home.
How many hours has it been now? Five, six, a dozen? He does not know. He knows only that the skin of his neck and face and arms is painfully blistered, knows only that a burning thirst rages in his throat, knows only that the sun has swollen his eyelids to mere slits and the dusty sweat streaming in is like an acid-based astringent blurring and distorting his vision.
He has no idea where he is, the terrain all looks the same to him, he could be wandering in endless circles and yet he has been following the sun, angling toward it until it climbed to the center of the amethyst sky, and then moving away from it, keeping it at his left shoulder, as it began its descent. East, he knows he has been moving that way even though he has never been much good at directions — east, not in a circle, he is not lost.
And yet — where are the roads? Where is the town? He should have come upon them by now, he should have found help by now, maybe he is lost, oh God, maybe he’ll never find his way out, maybe he’ll die out here with the juices of his life sucked out of him by that monstrous sphere overhead—
The panic rears up inside him again, a flashing burst of it, and he cries out softly between lips that have long ago cracked and bled and dried and cracked and bled again. But the exhaustion, the dehydration of his flesh prevent him from plunging into headlong flight. He stumbles sideways, into a long shadow cast by a protuberance of granite, and clings to the hot stone with clawed fingers until the fear ebbs and leaves him weak and breathless.
The desert shimmers, shimmers, and a memory dances once more across the surface of his mind.
He is seventeen and very drunk. He and some of his friends are drinking beer in the prewar Ford which his father has bought him, road-racing in an abandoned development known as Happy Acres north of town. The radio is playing Presley and Jerry Lee Lewis and Fats Domino, and empty bottles fly periodically out of the open windows, and scrawny little Pete Tamazzi is telling this story about how he got into Nancy Collins the week before, Nancy Collins being a very proper Catholic girl and president of the Student Body and obviously a virgin and obviously intending to stay that way, Pete being full of bullshit as usual and as usual the others urging him on to more and more graphic lies.
He sends the Ford into a sliding curve, and over his shoulder he shouts to Hal Younger, “Crack me another one, bartender.”
Hal opens a bottle and starts to pass it forward, and suddenly the interior of the car is filled with eerily fiashing red light. He looks up at the rear-view mirror, and laughter dies on his lips and the beer turns sour in his stomach. “Oh Christ!” he says.
The others are looking out through the rear window, and Pete says “Cops” and begins to hiccup.
“Well,” Hal says, “we’re screwed, guys.”
He knows he should stop. The police car is not far behind them, coming fast, the red light swirling hellish shadows over the black weed-tossed development, turning the faces of the boys in the car into demonic caricatures, visions in a nightmare.
He knows he should stop — and yet his beer-numbed thoughts are those of blue uniforms with shiny brass buttons, and small barred cells, and his mother crying and his father shouting. His hands grip the wheel and his foot bears down on the accelerator. The Ford has been modified, bored and stroked, three jugs, Mallory ignition, but it is no match for the new Chryslers the local police are using and he knows it. Still, he can’t stop himself, he can’t slow down, and now there is the sound of a siren to splinter the night around them, feeding his need to escape, to be free of these sudden pursuers.
He fights the wheel into a turn, gearing down, switching off the headlights. There is a pale moon, but it does not shed enough light by which to see sufficiently. But he knows the crosshatched roads in Happy Acres, he has been here many times with Cassy Sunderland and Karen Akers and with Hal and Pete and the others...