After downing an energy bar from the pantry for breakfast, I dragged my bike from the garage, strapped on my helmet, and tried to tell myself I was being ridiculous. Tommy Sullivan was not back in Eastport to get even with me. Because if he were, he wouldn’t have warned me. Right? He wouldn’t have told me he’d seen me with Eric behind the emergency generator. He’d have just snapped a shot of the two of us together, and e’d it to Seth.
Or maybe to the entire school.
Oh, God. I am so dead.
It was hard to enjoy my ride downtown that day. I mean, really. How could he? Howcould he have taken advantage of me like that, by sweeping me into his arms that way, thenlaughing instead of kissing me? I am no Sidney van der Hoff, it’s true. My mom isn’t a former model, and Rick Stamford didn’t fall in love with me at first sight that very first assembly our freshman year (only to dump me three years later).
But still. No guy hadever laughed instead of kissed me.
Except Tommy Sullivan.
Whom there was obviously something very, very wrong with. I mean, besides the part about having been born Tommy Sullivan.
Comforted by this thought, once downtown, I locked my bike up to one of the bike racks — designed to look like an old-timey hitching post — outside of Eastport Old Towne Photo and went inside the redbrick, decoratively shingled shop.
Inside, Mr. Bird was, as always, unhappy to see me.
“You again,” he said grumpily. Because grumpy is his way.
“Hi, Mr. Bird,” I said, taking off my bike helmet. “Can I see it?”
“You gonna make a payment?” Mr. Bird wanted to know, still sounding grumpy.
“You bet,” I said, opening my backpack and reaching for my wallet. “I got another fifty right here. Oh, and I need to pick up my prints from last week.”
Mr. Bird sighed, then shuffled away from the register, into the back of his shop. A few seconds later he came out carrying an envelope of photographic prints, and a camera.
My camera. The one I’d had on layaway forever.
“Here,” Mr. Bird said with a grunt, and set the envelope — and the camera — down on the glass case in front of me.
I picked up my camera — or the camera that will one day be mine — very gently, and examined it. The Digilux 2, by Leica, was still as gorgeous as the day it had arrived in Mr. Bird’s shop, just waiting for someone to come along who could appreciate its outstanding optics, meticulous fabrication, and high-grade materials.
Someone like me.
“Hello, baby,” I said to the camera. “Don’t worry, Mommy hasn’t forgotten you.”
“Please,” Mr. Bird said tiredly. “Don’t talk to the camera unless you intend to pay for it in full today.”
“Not today,” I said with a sigh, and put the camera down, then opened the envelope he’d brought out.
“What’d you think?” I asked him, as I flipped through the prints he’d made me.
“Give up the sunrises and the seagulls sitting on piers,” he said crankily, “and you just might make something of yourself.”
“Are you kidding me?” I plucked out a photograph I was particularly proud of, a picture of a pelican sitting on a boat prow, cleaning its feathers. “This stuff is gold.”
“Thisstuff,” Mr. Bird said, tapping the photo behind it, which was a picture I’d snapped just for fun, of Shaniqua and Jill having a quahog fritter fight one afternoon during a lull, when Peggy had taken the afternoon deposit to the bank, “is gold.”
“I agree,” said a deep, male voice behind me.
And I couldn’t help from letting out a groan.
Nine
“This,” I said, sounding almost as cranky as Mr. Bird, when I turned around and saw who was standing behind me, “is too much.”
“What?” Tommy asked innocently. He’d swiped the photos from the envelope in front of me, and was flipping rapidly through them. “He’s right. You’ve got a great eye for capturing people. Pelicans? Not so much.”
“S’what I been tellin’ her for years,” Mr. Bird agreed. “Any hack can take a picture of a pelican. Sell it as a postcard for twenty-five cents. Big deal.”
“Whereas this”—Tommy pulled out a picture I’d taken of Liam and my dad tossing a football out on the lawn, my dad’s expression intent, Liam looking a little frightened—“tells an actual story.”
“Are you following me?” I demanded, snatching my photos back from Tommy and then giving him the evil eye. Which wasn’t easy. Giving him the evil eye, I mean.
Because he looked even better today than he had last night, even though he clearly hadn’t put much effort into getting dressed. He was just wearing a pair of baggy cargo shorts, flip-flops, and a Billabong slim tee.
Which was even more annoying given that it was essentially what I was wearing, minus the baggy part.
And he looked much better in it than I did.
“Wow,” Tommy said. “You used to be able to take artistic criticism. What happened?”
“You aren’t my editor anymore,” I snapped, stuffing my photos back in the envelope Mr. Bird had given me. “Now, seriously. Are you so hard up for female companionship that the only way you can get it is to stalk people?”
“What, I can’t shop in downtown Eastport if you’re in the same five-mile radius, or something?” Tommy looked more amused than insulted.
“Right,” I said sarcastically. “You aren’t following me. You just happened to walk into Eastport Old Towne Photo because you needed film.”
“Um, no,” Tommy said. “I noticed your bike parked outside. I was in the pharmacy next door, picking up a prescription for my grandmother.” He held up a white plastic bag that did, indeed, have a prescription bottle inside it.
“You think I don’t have anything better to do,” he asked, “than harass you?”
“Well, what am I supposed to think?” I demanded, flushing. “You show up where I work, you show up here…” I looked over at Mr. Bird. “Do you think that constitutes harassment?”
Mr. Bird shrugged grumpily. “What do I know about it? All I want is my twenty-seven dollars for the prints, and whatever you’re putting down today on the Digilux.”
Still blushing — what is it about this guy that I can’t stop turning red when he’s around? — I reached into my backpack and pulled out my wallet, counted out twenty-seven dollars to pay for my photos, and laid an extra fifty-dollar bill on top.
“Here,” I said to Mr. Bird. “What’s the balance on the Leica?”
Mr. Bird took out his little layaway book (he’s one of the only merchants left in the historic seaport district who’ve yet to computerize his business, or even learned how to use a computer), looked up my page, and carefully calculated my new total.
“Four hundred twenty-eight dollars,” he said. “And seventeen cents.”
Tommy whistled. “Four hundred bucks,” he said. “For acamera?”
“Actually, it’s a two-thousand-dollar camera,” Mr. Bird said, adding, almost as if he were defending me (but then, seeing as how he was Mr. Bird, I knew this wasn’t possible), “She’s paid off almost sixteen hundred dollars of it already.”
Tommy shook his head.
“No wonder you’re going for Quahog Princess,” he said to me, almost pityingly.
Something about the way he was looking at me made evenmore blood rush to my face. It was almost like — I don’t know — he feltsorry for me, or something.
Which is ridiculous, because if there’s anyone on the planet Tommy Sullivan should be feeling sorry for, it’s Tommy Sullivan.
“Thanks, Mr. Bird,” I said, throwing my prints and my wallet into my backpack and zipping it up. “See you next week.”
Then I headed for the exit, ignoring Tommy, who trailed along behind me.