The headache would pass much more easily if Gyöngyike went to the pool.
Stop talking nonsense. The reason I’m not going to the pool is that afterward it’s always worse.
Still, it would be best to get ready, Gyöngyike, because it’s not just opening the window, and I’ll do that for Gyöngyike right away, but I have to start cleaning the apartment. I can’t start anywhere else because the missus hasn’t come out of the bathroom. When she comes out, Gyöngyike can go in. I think that should be the order of things.
And now it was this sentence that remained hovering in the air. As to the daily cleaning, it indeed could not be started anywhere else. Ilona had to begin either in the farthest front room, facing the street, or in the innermost back room, facing the courtyard; this was the basic rule: it could not happen in any other way. No reply came, and no stirring noise either, to indicate that Gyöngyike was finally prepared to crawl out of bed. The telephone, however, stopped ringing.
For a long time nothing was heard except the wind whistling and sounding in other ways as it blew through the hollows, cracks, drainpipes, and various openings of the grand old apartment house.
There was no one on the circular galleries or in the courtyard; the spacious stairwell landings remained empty.
At this hour no one would have come anyway, except the German milk woman from Budakeszi or the Slovak woman from Pilisszentkereszt with her eggs or perhaps the mailman. But they all stayed away because of the awful weather. Ilona had taken her little boy to the kindergarten early that morning; he couldn’t be in her way all day. No other school-age children lived in the building, and by this time of the morning nearly everyone was at work.
The last time this building was full of people was on one of those terrible nights in October 1956* when cannon fire on the boulevard forced total strangers to take shelter anywhere they could. When the limping, hunchbacked, bald concierge opened the heavy oak entrance gate at dawn and looked outside, the wind was already raging on the boulevard. Ever since, people leaving the house would, with no small exertion, carefully close the gate behind them, which a clumsy sign stuck to the oak door asked them to do. The erstwhile elegant carriage entrance still looked like a wind tunnel in hell, with Satan, blowing his horn, about to arrive. The lids of the trash cans were rattling, trembling, knocking ceaselessly. The infernal noise also had a banal explanation. The blast of explosions on that October night in 1956 had knocked out the two panes of glass fitted in the high archway over the gate and since then, the desperate efforts of the concierge notwithstanding, it had been impossible to find such heavy, unbreakable glass anywhere in the capital.
Of course, the eighty-year-old exceptionally eurhythmic building was considered a rarity in the neighborhood because it had survived the ordeals of the last decades almost unscathed. It had done so not only because of good luck. Even in its own day, it was perhaps the neighborhood’s least conspicuous structure. It was meant to be a block of luxury apartments, as were all its ostentatious neighbors, but its modest dimensions gave it the appearance of a private town house, though there was no more substantial building in all of the Terézváros district. It had never taken a direct hit and, since the imperceptible ornaments of its puritan facade also had been made of high-quality material, even air blasts from nearby explosions failed to damage it. A restless, unsociable man from the countryside, or at least someone whose mind did not work on an urban scale, had built this apartment house, which bore no resemblance to the ones around it, and that of course became an advantage. Pundits opined that the style of the almost completely unadorned building might be placed somewhere between classic and eclectic; thus, in the architecture of Budapest, it represented a much needed link; because of an unfortunate development of circumstances, its designer created almost no other freestanding buildings like this thereafter, and the need was still felt in the cityscape.
The architect was the kind of man people referred to as a bad character, even though the areas in which he showed outstanding talents were not few. Perhaps he could not decide whether to be a fighter or an eccentric or whether, to the contrary, to meet every mediocre and foolish demand. In fact, he spent his entire long life struggling with himself; he always found some object that would conceal the raw ravings of his insane egoism. At times he submitted himself to anyone for the asking, as if in sheer self-sacrifice, even lowering himself to the point of outrageously bowing and scraping; at other times, he would play the role of independent, self-willed gentleman. His name was Samu Demén.
He came into the world in the town of Jászberény, the son of a well-to-do Jewish grain merchant, a few years after Hungary’s failed War of Independence in 1848, and he was considered an exceptionally intelligent child. He was the last child in the family after his six sisters; his paternal grandmother and two aunts on his mother’s side, all “poor relations,” also lived with the family. One may imagine how he grew up among all those women, how they must have pampered and spoiled him — and we haven’t even mentioned the girls and women who were household help, or the Misses Le Vau and Papanek, the French and German governesses. The family’s financial situation was secure, its prestige ever more solid, though Jászberény managed to keep out Jewish immigrants for a long time. By the time the boy reached puberty, most of his sisters had been married off, out of town; their father, taking advantage of new real-estate laws concerning Jews, rented an extensive property, which he ran with a firm but also fortuitous hand. This provoked envy and anger among many people in the small town, while others saw the usefulness of his general improvements, though even among the latter only a few could accept that the property belonged to the Jew.
At any rate, the boy chose his way of life and career without any restriction or outside compulsion and by following his own dreams. He studied architecture first in Berlin and then in Vienna; he traveled for a few months in Greece and spent an entire year on a study tour in Italy. According to the logic of his studies, from Italy he should have continued to England, but because he could not acceptably master a single foreign language (a constant cause of uncertainty and anxiety for him), for his last two undergraduate years he reenrolled at the Technical University in Budapest, where he earned his diploma under the tutelage of the already famous and powerful Alajos Hauszmann. The professor thought highly of him, and though one cannot say that he denied his support to this decidedly attractive young man, Demén was not among his favorite students, because these students, despite the professor’s cunning efforts, would not suffer Demén’s company. They found his manners unbearable; at the very least his touchiness and impetuosity seemed strange. He spoke in a thick, irritating dialect he could not shake; he stammered embarrassingly when his peers switched to German, not to mention his bad habit of mixing up the genders of nouns; but mainly they objected to the strident tones in which he frightened off or wore down so many people.