His partner appeared instantly from around the corner. He cried out, “Oh, fuck!”, the vernacular, and the accent, I was distantly aware, both American, and lunged at me. I had no time to get out of the way, but nor the inclination. Instead, I held my position, extending my torso away from him so he was forced to reach for me, and twisted slightly counterclockwise as we came to grips. I extended my left leg, planted the sole of my foot against his right knee, grabbed both his biceps, and used his momentum to spin him counterclockwise in hiza-guruma. He was overbalanced and couldn’t get his legs out to correct because of the way I was blocking his knee. There was an instant of resistance, and then he was sailing past me, perpendicular to the ground, trying to twist away from me and turn his body toward the coming impact. But he was moving too fast for that now, and I was assisting his rapid descent, applying pressure to his shoulders to make them fall faster than his feet, wanting his cranium to bear the brunt.
He hit the pavement with a thud I could feel as well as hear, his shoulders connecting first, then the back of his skull as his head snapped back. I dropped to my knees next to him but he wasn’t out, and even shocked and dazed as he must have been, he managed to turn into me and go for my eyes with his left hand. I grabbed his wrist with my left hand, slamming my elbow into his face on the way, snaked my right arm under his shoulder, secured my own left wrist, extended my body across his chest, and broke his elbow with ude-garami. He shrieked and tried to buck me loose. I scrambled back, reared up, and blasted a palm heel into his nose. The back of his head bounced into the pavement and I hit him again the same way. He rolled away from me, trying to get up, and I launched myself onto his back, throwing my left arm around his neck, catching my right bicep, planting my right hand against the back of his head, and strangling him with classic hadaka-jime. He struggled and thrashed and I kept an eye on his remaining good arm, in case he tried to access a concealed weapon. The choke was deep, though, and his brain was getting no oxygen. In a few seconds he was still and, a few more after that, gone.
I released my grip and came shakily to my feet, my heart hammering. I wiped sweat from my eyes with my sleeve and looked around. No one. Not likely either of them was carrying identification, but I felt I could afford a moment to check.
I knelt and pulled the guy I’d strangled onto his back. He rolled over with liquid ease, his broken arm flopping unnaturally to the pavement next to him. I patted his front pants pockets. A folding knife in the right. Something hard and rectangular in the left—a cell phone? I pulled it out and saw that it was a phone, as I’d hoped. But wait, there was something else in the pocket. I reached back in and felt something metallic. I pulled whatever it was out and stared at it. It took me a moment to realize what I was holding: a small video camera.
Oh, shit.
A wire extended from the unit, disappearing beneath his clothes. I slipped my fingers between the buttons of his shirt and tore it open. The wire ran to one of the buttons. I leaned in—it wasn’t easy to see in the dim light—and looked more closely. Shit, it was no button at all, but a lens. And I was staring right into it.
I tore the wire free and stuffed the camera and phone into my pockets, then scrambled over to where the other guy lay. He was similarly equipped. I pocketed the second phone and camera, too, and walked off, keeping to the quiet streets paralleling Yasukuni-dori. I would take the batteries out of the phones to make sure they were untraceable and examine the cameras as soon as I was safely away from the bodies. If the two giants had been using the equipment only to monitor each other, I would be okay.
But I had a feeling they weren’t just monitoring each other. And if I was right, I was in for another visit, and soon.
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Blake Crouch
THE tattered windsock hangs limp against its pole. Weeds erupt through fissures in the ancient pavement of the runway where she stands, and in the distance, support beams rise from heaps of twisted metal—three hangars, long since toppled upon a half dozen single- and twin-engine airplanes. She watches the Beechcraft that brought her here lift off the ground, props screaming, and climb to clear the pines a quarter mile past the end of the runway. She walks into the field. The midmorning sun blazing down on her bare shoulders. The grass that grazes her sandaled feet still cold with dew. Someone jogs toward her, and beyond them she can see the team already at work, imagines they started the moment the light became worth a damn.
The young man who has come to greet her smiles and tries to take her duffle bag, but she says, “No, I’ve got it, thanks,” and keeps walking, her eyes catching on the colony of white canvas tents standing several football fields away near the northern edge of the forest. Still probably an insufficient distance to avoid the stink when the wind blows out of the south.
“Good flight in?” he asks.
“Little bumpy.”
“It’s so cool to finally meet you. I’ve read all about your work. I’m even using two of your books in my thesis.”
“That’s great. Good luck with it.”
“You know, there’s a few decent bars in town. Maybe we could get together and talk sometime?”
She lifts the strap of her heavy bag, swings it onto the other shoulder, and ducks under the yellow crime scene tape that circumnavigates the pit.
They arrive at the edge.
The young man says, “I’m doing my thesis on—”
“I’m sorry, what’s your name?”
“Matt.”
“I don’t mean to be rude, Matt, but could you give me a minute alone here?”
“Oh, sure. Yeah, of course.”
Matt heads off toward the tents, and she lets her bag slide off her shoulder into the grass, estimating the dimensions of the pit at thirty-five meters by twenty meters, and presently attended to by nine people, seemingly oblivious to the flies and the stench, each in their respective worlds, doing what they walk this earth to do. She sits down and watches them work. Nearby, a man with shoulder-length graying hair buries a pickax into a wall of dirt. A young woman—probably another intern—flits from station to station, filling a bucket with backdirt to be added to the mound of grave fill near the southern edge of the pit. Everywhere that human remains have been exposed, red flags stand thrust into the earth. She stops counting them after thirty. The nearest anthropologist appears on the verge of pedestaling a skeletonized body, down to the detail work now—poking chopsticks between ribs to clear out the dirt. Other skeletons lie partially exposed in the upper layers. The remnants of human beings with whom she will become closely acquainted in the weeks to come. Deeper, the dead are more than likely mummified, possibly even fleshed depending on the water content of the grave. Beside the autopsy tent on the other side, tables have been erected in the grass, and at one of them, a woman she recognizes from a previous UN mission is at work reassembling a small skeleton on a black velvet cloth to be photographed.