7
After I woke up a few nights, hearing those feet come at me from behind, I got out the .36 I took from the fellow in Sacramento. But I wouldn’t have kept it if it hadn’t been for the fellow in Scholl & Roberts where I went to exchange it for a .44, and get me some caps and paper cartridges. He listened, then asked me what I expected to shoot. “Nobody, if I can help it. Otherwise, anybody looking for trouble.”
“But not no elephants?”
“They got elephants here?”
“Not that I know of.”
“Then why do you ask?”
“Mister, my job is to sell guns, and if you want a .44 I’ve got a .44. But short of a elephant, I’d like you to tell me something a .44 will kill that a .36 won’t, and do it better.”
“Dead is dead. What’s better?”
“Better is quicker.”
“You take this awful serious.”
“Don’t you?”
I kind of shut up then and let him talk: “There’s four main points to shooting, and only four: the draw, the aim, the fire, and the recoil. But they’re all important, equally important.”
“I begin to get the idea there’s no unimportant points.”
“That is correct, but you’d be surprised how many unimportant things men get their minds on, like how pretty they look, how much noise they make, how loud their artillery entitles them to talk — all good points on Sunday morning in church, where they got the Ten Commandments. But on Sunday night in the saloon, where all they got is the Golden Rule, do unto others as they would do to you, only do it first, only important things are going to do you any good. First now, consider the draw. A .44, you’ve got to carry it on a belt holster, no matter whether you sling it on your right hip, your left hip, or across your belly. You’ve got to strap that holster end to one leg, and its uncomfortable, and there’s always the chance that when you draw, that was when you had the thing hitched around a bit, to ease it, and the gun jams with unfortunate, not to say fatal, consequences. The .36 fits comfortable into an armpit holster, the only way to carry arms, and specially this .36 does. That’s a navy gun, my friend, made in the Colt London factory; if you look at the engraving on that cylinder, you’ll see it’s a battle at sea. And it’s one of the few models that were made with a short barrel, so it really does tuck under your arm there nice and snug and inconspicuous. Try it there. See how natural it is for your hand to go to it? Just like going to your heart. Your arm coddles the holster, so there’s no sticking, fouling, or jamming. And when it comes out, it’s about two feet closer to the line of vision than a gun coming out of a belt holster and that’s a fraction of a second saved, but it could be the difference between yes and no or, as we say, perpendicular or planted.”
“Did you learn all this by heart?”
“And I hope you will.”
“The aim comes next.”
“On that point there’s also a great deal of unreliable stuff told. You’ll hear about hip and fan shooting, and undoubtedly there’s been some, with monuments commemorating the results. But I’m telling you there wasn’t any proper cause and effect. It was simply accident, or you could say luck. There’s only one way to aim a gun. Bring the sights in line with the target and your eye. Do it as quick as you can, but do it, or you’re liable to wish you had. Noting once more that you can level a nice handy gun like this one quicker than a big one, I pass to the subject of fire. Here the same principle is still guiding us. A .44 is simply too big. Even if you aim it, by the time the heavy trigger pull is taken into consideration, you’ve twitched your weapon out of line, and accurate shooting is impossible. Naturally any gun, no matter what caliber, needs some work to bring the trigger pull to where it’s exactly right for you. I don’t mean hair trigger, you understand. A hair trigger is nothing but a fool’s way to get his thumb shot off, or whatever shot off that happened to be in the way, and with a belt holster it might not be his thumb. But get a whetstone and stone your notch, so the gun is as much a part of you as your hand is. And even on that point the lighter gun is better. And now I come to the point so seldom thought of, the lack of whose proper appreciation has had so many, many sad but final consequences. A .44, I don’t care if you’ve got the arm of a grizzly bear, is simply going to yank your hand up three feet in the air, and you’re not going to shoot it again, to hit anything, until you’ve pulled it down, aimed it, and fired it. But a .36—”
“Is this holster for sale?”
“It is, but I’ve got a better one.”
“It sounds expensive.”
“It is, but you’ll thank me.”
It was a beauty all right, all hand-stitched in limp, tanned buckskin, with straps to hold it in place and a set to it that fitted the gun under your coat so most people would hardly notice it. I took it, and some ammunition, and thanked him for his lesson, and next night, around sundown, sneaked down Six-Mile Canyon to a gully where there was nobody around, stuck a playing card up on the timbers of an old drift, and went to work. Every thing he told me, I found out, was true, and specially what a fine gun I was using. I bought a stone and took it down, and worked on spring and hammer and pins and everything else in there, and wiped everything with machine oil and dried it, so every night it was better and then one night it was right. And then came the night when I could shoot. At ten feet I’d put up a six spot of hearts and knock holes in the spots as fast as I could pull the trigger. At fifteen feet I could hit three but stay on the card, and at twenty I could hit the card. I taught myself to keep shooting whether I hit the target or not. Because another important thing, I figured, was to get the habit of doing it a certain way, because when the time came, if your hand didn’t do it before your head woke up, why probably it wouldn’t wake up.
My real practice came by accident, one night when I was ready to go home. I heard something behind me, and before I knew it I had wheeled and fired and a jack rabbit went straight up in the air and when he lit he was dead. Then I noticed the moon coming up, and all around rabbits were coming out and starting to play. I stayed there and practiced what I needed most, which was to wheel and shoot at anything coming from behind. I brought so many rabbits home to Mrs. Finn, who ran the boarding house I lived in, that the other boarders began to complain. A jackass rabbit is not like a cottontail. He’s long, lean, and tough.
All that time I saw a lot of Paddy, because even if he wished I hadn’t cut the union, we were friends and took walks and talked. Then one Sunday he said: “Is wrong, Rodrigo, how they mine, in a Dakota.”