With a last slow sigh, she knelt down before the light, gently closed her eyes and started to pray: for Christian's and Jean-Luc's souls, for the many memories, for the happiness that once was… for the final justice that might now be so close…
Suddenly the lights went out.
The quietly murmured prayers caught at the back of her throat. Her eyes flickered open. A sound outside the house, faint rustling, or was she imagining it? She listened harder, but could hear nothing more. Only stillness, silence. Pitch darkness beyond the weak glow of the night-light.
She wondered what had happened with the electricity. Sometimes there were power cuts when there was a storm, but the weather had been fine. She straightened up, deciding to take the night-light with her to investigate.
But barely two paces away, the phone rang, startling her. She turned to pick it up.
Dull grey-green light. It took a second for each shape to become clear.
Brossard moved stealthily away from the garage after switching off the mains. He'd already worked out the geography of the house. Drawing room with an office leading off, centre hallway, then a kitchen and dining room the far end. Bedrooms upstairs.
The woman was in the drawing room, but he didn't want to enter from that side, possibly alarm her while he fumbled to break in. He would go in at the far end. The kitchen window was too small, so he chose the dining room.
Looking through, he could see that the connecting door to the hallway was closed; sound wouldn't travel easily. He took the glass cutter and sucker from his knapsack, cut a neat hole, reached in and turned the window latch. He was in within twenty seconds.
Eyes adjusting, orientating. Objects became clear quickly, but it took a second longer to judge distance. Long table. Six chairs. Cabinet. Side table. Archway through to the kitchen. He focused on the door ahead. The door to the hallway and the drawing room beyond. Only the sound of his own breathing as he moved.
Sudden noise, alarming. Deafeningly loud among the silence and darkness: phone ringing! Beyond the hall — in the drawing room where the woman was, Brossard judged.
It stopped. It had been picked up. Good. She would be talking, he could move into the hallway without worry — and he made the last distance swiftly, turned the handle and went through. And waited again, crouching, listening.
But as he fought to pick out her voice and movements beyond the door, another sound came without warning, drowning it out. A car swinging into the courtyard, its lights flashing briefly across a small window by the front door.
Brossard's nerves tensed. An anticipatory thrill rose up from his spine and bunched the muscles at the back of his neck. His jaw set tight, every nerve end suddenly alive, tingling. This was more like it: two targets and only seconds to decide which to drop first!
The woman's voice beyond the door was staccato, alarmed. '… You mean now?… this minute….'
Car door shutting, footsteps approaching, key in the door…
'… But that's probably Gerome now, I could go straight off with…'
As the door swung open and the figure took a step forward, Brossard took his first clear shot towards the centre of its chest, and saw the figure fall.
Brossard jumped up quickly from his crouch — no time to lose, the woman would have been alerted by the noise — and burst into the drawing room. Quick flash image: the woman, the phone receiver held out slightly in defence, her panicked expression, a night-light beyond searing his eyes slightly…
Five seconds more and he would be finished and away.
'Monique. You're in grave danger. Get out of the house now!' Dominic flashed furiously as a car stayed obstinately in the fast lane. He'd phoned at two minute intervals, and on the third try had finally got through. The pent-up frustration and fear came through in his voice.
'What's happening, Dominic… what's going on?'
'No questions, Monique. Just go!'
'You mean now… this minute?'
'Yes, now!' Dominic screamed. 'Get out quickly and run to the nearest neighbour's house.'
Sound in the background. Car engine, wheels turning. '…But that's probably Gerome now. I could go straight off with him.'
'Whatever, Monique. But just go, get away from there as soon as…'
Another sound then: a dull thud and something dropping, as if Gerome had dropped a heavy kit bag in the hallway.
A sharp intake of breath from Monique, then a shriek as Dominic heard movement in the background, the door bursting open.
'Monique, get out of there… get out!' Dominic's voice was shrill, his throat almost bursting as he screamed into his mobile.
The sound of scuffling and light banging, as if the receiver had been dropped for a second at the other end. Then a man's voice, deeper. Not Gerome's. 'It's too late.'
And in that moment — with searing pain and lights bursting through his head in rhythm with his now almost constant flashing of the road ahead — the hollow, nauseating reality hit Dominic that the voice was right. He was too late to save Monique's life. He knew it even before he heard the gunshot and the sickening thud of the body hitting the floor. Then the line went dead.
Duclos was in a panic. He'd gone down to Vidauban with half an hour of daylight to spare, and had spent the time since scouting vainly for Brossard.
He'd looked first half a mile in each direction along the road leading to the farmhouse. Nothing suspicious, out of place. Then he'd decided to park a few hundred metres along the road leading to the motorway junction — the most likely direction that Brossard would approach.
After a few minutes, he realized that a bend in the road obscured the entrance to the farmhouse, and became concerned just in case Brossard approached from the other direction. He moved closer, to within a hundred metres of the entrance — the closest he dare park. And waited.
The hit had seemed a good idea originally: without Monique Fornier, there was no case! She was the only one who could vouch that the boy had left that day with the coin in his pocket, or that the tapes and transcripts bore any relevance to the life of her son. Without the coin or the tapes and transcripts, the case collapsed.
But now he just felt foolish, standing on a remote Provence lane hoping to stop the hit he'd ordered in the first place. He didn't even know which car Brossard would be driving. Though of the three cars which had so far passed, he'd been able to catch a fleeting glimpse of their drivers. No Brossard yet.
With the last dusk light fading, he realized that even that would be difficult. Another car approached, and he was hardly able to discern anything beyond the glare of its headlamps until it was almost past him.
He shuffled anxiously. Was this how he wanted to spend his last hour in France? He knew that all of this was only because one day he might want to return. He might be happy sitting in South America for a while, but forever? Times changed: the trial would slip from prominence, Corbeix would retire, a new prosecutor might not be so keen, might see through the evidence for the tenuous nonsense that it was.
Faced with no more than a weak, exploratory case against him, he might be tempted to return. But if Monique Fornier was killed, he would never be able to come back.
Another set of headlamps. Glimpse of a young man in profile as the car passed. The car slowed — it was turning into the farmhouse! Probably Fornier's son or a family friend, Duclos thought. With him there, would Brossard still make the hit? Perhaps Brossard would delay till the next night, and he could then reach Brossard tomorrow from Portugal, tell him not to go ahead.