'Hello,' Poldarn said; quiet, ordinary speech, in a pleasant tone of voice, because few things are as conspicuous as whispering. 'Why did you steal my horse?'
Carey had the sense to stay very still. 'I'm sorry,' he said.
'It was Eyvind's decision. Just happened to be my turn to go, is all.'
'I understand,' Poldarn replied. 'I don't blame you, it's not your fault. Where's the horse now?'
'In the stable,' Carey replied. 'Fifth stall on your right from the door.'
'Thanks,' Poldarn said. 'Out of interest, why did Eyvind decide to steal my horse?'
Carey sighed. 'He didn't want to,' he said. 'But Melsha-you know, Orin's daughter; Orin, the man Boarci killed-Melsha was making trouble, said it was wrong how he'd put aside Orin's death without a settlement, when he hadn't been doing anything wrong. She kept nagging Eyvind to do something, Eyvind said no, she said there had to be a settlement, even if it was just a gesture, and they decided on taking a horse. Nobody's happy about it. Eyvind reckoned it'd cause trouble, and he doesn't want that.'
Poldarn frowned. 'He should have thought of that when he turned me out of my house,' he replied, and drew the edge of the axe firmly across Carey's jugular vein.
Chapter Twenty-Six
The spurt of blood splashed him before he could duck out of the way. It was humiliating, like being laughed at by the rest of the class for getting the exercise wrong. He felt a fool as he wiped the warm, thick stuff out of his eyes.
Now then, he thought, looking down at the dead body (lying on its face half in and half out of the water, which was brown with disturbed silt and red with blood; here we are again, back at the beginning): what did I go and do that for? It was a good thing that the face was mostly submerged, because he'd known Carey, though only for a short while, and now he was gone, his life had broken out of its pen and escaped, and there was no chance of catching up with it and bringing it back. There were things he'd have liked to have asked him, and he couldn't now.
Then he remembered; of course, Eyvind and the stolen horse and the stolen house, the broken settlement, the act of war that he was obliged to take notice of. He hadn't really had any choice in the matter, once he'd been told about it and the sharp facts had embedded themselves in his memory, in over the barbs and up to the socket. You can't ignore stuff like that when you're the head of a house, or what would the world come to?
Pity, though; he'd neither liked nor disliked the man, but now Carey was firmly planted in his memory, a fixture in his mind for ever, or until his own life flew the coop. He wondered which bloody fool it was who'd put such a vulnerable thing as the jugular vein in such an exposed position on the neck, where any vicious bastard with a sharp edge could just reach out and snip through it, easy as picking apples. If it was the work of some god, he wasn't impressed. To him it suggested carelessness or outright malice, and either of those was good grounds for contempt.
Well; it wasn't very smart to stand out here in the open, at midday, a known enemy of the house, with a dead man at his feet and blood all over his face. If he'd done that back at Deymeson, they'd have made him stand in the corner for the rest of the lesson.
First, it'd be a good idea to get rid of the blood. He dropped to his knees and plunged his hands in the water, tearing apart his own reflection (which was fine by him, it wasn't something he wanted to see at that precise moment). It didn't take him long to scrub the blood out of his eye sockets with his balled fists, and that would have to do to be going on with. A quick scout round in case anybody was watching, then a brisk but relaxed walk across the open ground between the pool and the trap-house; brief pause for another look round, then across the yard to the rat-house and the sanctuary of his nest of leaning poles.
Time to think sensibly about the next step. If he was going to do this thing properly, he ought really to go over to the stable and retrieve his stolen horse. That would be the right thing to do, and if he didn't, killing poor old Carey would begin to seem less like a tactical necessity and more like cold-blooded irrational murder. By the same token, stealing the horse was the most effective way he could think of to sign his name to the killing; and then there'd be retribution, and the cycle would gather speed, the pattern repeating, until one side or the other was wiped out. If he were to sneak quietly away without being seen, that might not happen; sure, Eyvind would suspect him and his house, he couldn't help but do so, but he'd have no proof and so wouldn't be obliged, or able, to take the matter further. That was all very well; but he'd come here to deliver a message. He'd done that, but did a message really count as having been delivered if you whispered it in the other man's ear while he was asleep?
Furthermore, he thought, if I show up at Poldarn's Forge with the missing horse, and a day or so later Eyvind's men arrive, my people will know for sure that it was me who killed Carey-and I'm not entirely sure I want them to. They're the ones who stand to suffer most if this turns into a regular killing feud, simply because there's so many more of Eyvind's lot than there are of us.
At times like this, duty to those one leads and to those who are under one's protection must be the overriding consideration. Otherwise, what would become of us all?
He frowned; and then he knew what to do. It came into his mind by intuition, or he remembered having been at this point before; it was like suddenly remembering how to do the forge-weld, or how to use a scythe properly.
But that was some way in the future. Right now, there wasn't really all that much he could usefully do here-and besides, it was his unshirkable duty to keep from getting caught and killed, because who else was there who could run things at the Forge? Better that he should go home, keep his face shut and quietly figure out a defence strategy that'd give his side even a remote chance of surviving if Eyvind saw past his anonymous act and took the next step. After that, of course, he knew exactly what had to be done, so there was no need for detailed planning.
Forget the horse, then, and concentrate on getting out of there in one unobserved piece. That was a tough enough assignment to pose a worthwhile challenge for anybody.
Just strolling along with a bucket had been enough to get him in, but he had an uncomfortable feeling that it couldn't be relied on to get him out again. On the way in, he hadn't done anything wrong yet, and so the worst he could have suffered was embarrassment. If he was stopped and detained now, they'd find the body and that'd be that: worst possible outcome.
A diversion, then, so they'd all be looking the other way. That was the classic approach; unlikely that he'd be able to better it by figuring out something from scratch. Quickest, easiest and best value in terms of effect would be to set fire to one of the buildings-but he knew for a stone-cold certainty that if he tried that, he'd be a quarter of an hour trying to get a spark to catch in the tinder, and even then it'd smoke feebly for a few seconds and then go out. Even with charcoal and a big set of bellows it was still always a pleasant surprise when he managed to get a fire going in the forge. Out here, in these circumstances, with the materials available to him-forget it.
Not a fire, then. He could go over to the stables and turn out all the horses; but that'd leave him exposed, in the middle of all the confusion, and someone would be bound to see him. He could chop through the rafters of the barn roof and collapse it, but that'd take too long, and the roof would probably fall on him. He could yell 'Fire!' and hope someone believed him. He could kill someone else, to divert attention from the first killing…