Do I look stupid to you, you hulking heap of hyperthyroidic heft, you bumbling bearish behemoth bedbug!
Hey!
Shut up!
Boss.
Shut up!
You don’t have a brain in your head. It just can’t be you. Somebody’s up to no good around here.
Harley came to the window and peered out. I was plastered back-flat against the wall. It was broad daylight. I was just hoping no one would see me when someone saw me. It was Coco or Cecily or whatever her name was, the lovely night nurse on her way to her shift, and she was strolling across the green in her white clogs, shaking her tiny bottom, the late afternoon sun making her appear alluring, ghostlike. She saw me and she waved, not to or at me, but to Harley, who was calling out and making what he took to be alluring animal sounds and perhaps were. She observed me as clear as the ass on Harley’s face but did not give me up or away or however that goes. Soon she was gone and I slunk off back to my rooms.
There I sat alone and fretted about what retaliatory measures Harley might take. It seemed clear to me that he suspected me and my comrades, but I was not certain of this and decided to not give myself or us away by either acting rashly or seeming nervous or wary. I read. I read Schopenhauer, perhaps as a kind of perverse self-punishment for something, I did not know what, but more for his sheer analysis of will and motivation. My friends and I had not articulated our final move, our finale, so to speak, but it was all too clear to us how everything must go. I turned a page and heard an administrator, oh those administrators, shouting at Harley for leaving open the pharmaceutical cabinet, Yet again! I heard this and smiled to myself and then bored myself into a deep and beautiful sleep by reading Zola’s Thérèse Raquin. I dreamed troubled and dysfunctional French dreams about first cousins marrying and about controlling and narcissistic aunt, uncle, father, and mothers and about artists who cannot find their own pathetic and pitiful voices amid the noise of family struggle. I dreamed like that and was glad for it as I was bored into deeper and deeper sleep, lower and lower into the abyss of myself, down into the rooted, fathomless, subaqueous heart of my psychosis, my abstruse, mantic core, where I knew there was something to find, but knew I would never find it.
46
The moon was in full gloom outside my window while I watched Harley, Leon, and Tommy tear up my rooms. I remained calm, peaceful even, somewhat impressed by my own steadiness. Perhaps if you tell me what you’re looking for.
Shut up, old man, this from Leon, who was markedly annoyed and choleric, he having been reamed and upbraided by his master. Funny how a good upbraiding can bring you down.
But I just sat there, my book in my lap, enjoying the clumsy display of their bodies. They really were stooges. As I watched them, as my fear of them was absorbed and shrunk by my newly realistic perception not so much of them but of myself. I was coming to understand that none of this was about them, none of our plans was meant to address their menace in our world. Our high and counterfeit hopes that we might save others from their evil drifted out my window into the gathering twilight. Our silly games with them had been fun, but just as the world discounted these ruffians, so would we, so did we, as, to a person, we all realized what precisely was at stake. By ridding ourselves of our keepsakes and so-called valuables before the approaching larceny, we had in fact shown ourselves how little anything material, regardless of sentimental and symbolic import, really meant. I was perhaps the last to know it, I being, if not the least bright, the least wise. I believed at that moment that, whether they could articulate it or not, my nonagenarian comrades had known all along just what it was we were doing, saying. Because finally every action is a statement, just as every utterance is an action.
Any of these books worth anything?
Yes, but in a currency you can’t spend.
Here’s a camera, boss. It’s old.
It’s a piece of shit.
Tommy threw the Leica across the room. It hit the wall.
47
Sheldon Cohen was nonchalant as he browsed through the drugs closet. Usually he was ever so slightly fussy, if not on edge, but now, with me serving as sentry, in this space of vials, phials, ampoules, and bottles, he was completely at ease and in charge. He set the containers onto the counter and I stuffed them into my jacket pockets. Amytal, Seconal, Tuinal. He held a bottle close to his face. Ah, here we have it, Nembutal. And finally, Noveril and temazepam, that’s a nice cocktail for any occasion.
48
The moon was bright. Stealing the van was not difficult. Half the time they were left running in a parking lot down the hill from the central building, perhaps to keep them cool. I never knew. Regardless, the keys were nearly always either in the ignitions or stashed under the mats. Who would steal one of those beasts with a chairlift? Certainly not a joyriding teenager, unless he was highly imaginative. I started the vehicle and moved up the circular drive toward the front of our residence hall. It was more like steering a boat than driving a car, the back end caught in crosscurrents and eddies. I felt as if I were shouting the command to stop to my first officer and he to the helmsman when I stepped on the brake; however, I did manage to come to a halt near enough to the entrance. Mrs. Klink, Maria Cortez, and Sheldon Cohen came slowly out and filed into the van. I got out and went to Emily Kuratowski’s aid. She pushed herself out of her wheelchair and told me she would walk. Well, she couldn’t, but she was so tiny by this time that even at my age I was able to carry her. All seated, we drove off campus and west. And this is where, this is where, this is where, normally, you would get a detailed description of our journey and it might go something like this:
I had never seen the moon so huge. I drove toward it and it grew, as if we were drawing nearer. We sang songs, songs we knew, songs we didn’t. We sang:
My eyes are covered with sleep
I’ve walked through the years just fine.
Oh, I failed once or twice along the way,
But I got up every time.
The lights on the porches are dark
And no smoke from the chimneys rise.
Oh, the last time I checked my aching heart,
It was beating, to my surprise.
They let the dead bury the dead,
But they can’t because they’re decayed and blue.
Oh, the dead they are a lazy lot,
A hopeless, helpless crew.
We will live until we die,
Until then we’ll scribble some lines
About how the dead greet us every day
And remind us of our crimes.
We’ll listen with both ears.
We will watch them with both eyes.
Oh, the day their voices leave us alone
We’ll begin to realize
That puzzles come and go,
That children laugh and cry,
That nature abhors a vacuum
And every truth will spawn a lie.
And then maybe we would have a bus crash and it might sound like this:
Shibocraishcruncruncsqirpopchiksanpcunkicripfissssclnterterchichinkripdanfripbingchinriplashicrackripchikpoptapknicknocslithingkascrippopsicbangabingafrangakripknitficrashshebinbangboombinggingfeshcaripcrazingfacrinkacrashcringsnapsnasnasnasnappingcrumkarumvfuvfuvfuvfuvfuchinkfuck
But none of that here. We made it to Malibu and Point Dume. We even made it to the beach at the base of the promontory. I carried Emily Kuratowski. She seemed even lighter that time. We looked out over Santa Monica Bay, at the lights, at the water, at the moon, but mostly at each other. I might have been the only one who experienced an inkling of reluctance or irresolution, but it was only an inkling and I soon learned how small that unit is as it disappeared with one line from Emily.