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He closed his eyes, put his fingertips to his cheek, explored the damaged skin. If he believed these ruins defined him, they defined him . . . and if he learned to accept a new young body, the same would be true of it. And yet, he couldn't shake the notion that external rejuvenation would entail nothing more than constructing a youthful "mask" . . . while his "true face" continued to exist -- and age -- somewhere. Pure Dorian Gray -- a stupid moralistic fable stuffed with "eternal" verities long obsolete.

And it was good just to feel healthy and vigorous, to be free of the arthritis, the aches and cramps and chills, the shortness of breath he could still remember vividly. Anything more seemed too easy, too arbitrary. Any Copy could become a Hollywood Adonis in an instant. And any Copy could outrace a bullet, lift a building, move a planet from its course.

Thomas opened his eyes, reached out and touched the surface of the mirror, aware that he was avoiding making a decision. But one thing still bothered him.

Why had Durham chosen him? The man might be deluded -- but he was also intelligent and rational on some level. Of all the Copies whose insecurities he might have tried to exploit, why choose one with a watertight setup, secure hardware, a well-managed trust fund? Why choose a target who appeared to have absolutely nothing to fear?

Thomas felt the vertigo returning. It had been sixty-five years. Not one newspaper story or police report had mentioned his name; no database search, however elaborate, could link him to Anna. Nobody alive could know what he'd done -- least of all a fifty-year-old ex-psychiatric patient from the other side of the world.

Even the man who'd committed the crime was dead. Thomas had seen him cremated.

Did he seriously think that Durham's offer of sanctuary was some elaborately coded euphemism for not dredging up the past? Blackmail?

No. That was ludicrous.

So why not make a few calls, and have the poor man seen to? Why not pay for him to be treated by the best Swiss neurosurgeon (who'd verify the procedure in advance, on the most sophisticated set of partial brain models . . .)

Or did he believe there was a chance that Durham was telling the truth? That he could run a second Copy, in a place nobody could reach in a billion years?

The terminal chimed. Thomas said, "Yes?"

Heidrich had taken over from Löhr; sometimes the shifts seemed to change so fast that it made Thomas giddy. "You have a meeting of the Geistbank board in five minutes, sir."

"Thank you, I'll be right down."

Thomas checked his appearance in the mirror. He said, "Comb me." His hair was made passably tidy, his complexion less pale, his eyes clear; certain facial muscles were relaxed, and others tightened. His suit required no attention; as in life, it could not be wrinkled.

He almost laughed, but his newly combed expression discouraged it. Expediency, honesty, complacency, insanity. It was a tightrope walk. He was ninety years old by one measure, eighty-five-and-a-half by another -- and he still didn't know how to live.

On his way out, he picked up his Confidence & Optimism and poured it on the carpet.

9

(Rip, tie, cut toy man)

JUNE 2045

Paul took the stairs down, and circled the block a few times, hoping for nothing more than to forget himself for a while. He was tired of having to think about what he was, every waking moment. The streets around the building were familiar enough, not to let him delude himself, but at least to allow him to take himself for granted.

It was hard to separate fact from rumor, but he'd heard that even the giga-rich tended to live in relatively mundane surroundings, favoring realism over power fantasies. A few models-of-psychotics had reportedly set themselves up as dictators in opulent palaces, waited on hand and foot, but most Copies aimed for an illusion of continuity. If you desperately wanted to convince your-self that you were the same person as your memories suggested, the worst thing to do would be to swan around a virtual antiquity (with mod cons), pretending to be Cleopatra or Ramses II.

Paul didn't believe that he "was" his original. He knew he was nothing but a cloud of ambiguous data. The miracle was that he was capable of believing that he existed at all.

What gave him that sense of identity?

Continuity. Consistency. Thought following thought in a coherent pattern.

But where did that coherence come from?

In a human, or a Copy being run in the usual way, the physics of brain or computer meant that the state of mind at any one moment directly influenced the state of mind that followed. Continuity was a simple matter of cause and effect; what you thought at time A affected what you thought at time B affected what you thought at time C . . .

But when his subjective time was scrambled, the flow of cause and effect within the computer bore no relationship whatsoever to the flow of his experience -- so how could it be an essential part of it? When the program spelled out his life DBCEA, but it still felt exactly like ABCDE . . . then surely the pattern was all, and cause and effect were irrelevant. The whole experience might just as well have arisen by chance.

Suppose an intentionally haywire computer sat for a thousand years or more, twitching from state to state in the sway of nothing but electrical noise. Might it embody consciousness?

In real time, the answer was: probably not -- the probability of any kind of coherence arising at random being so small. Real time, though, was only one possible reference frame; what about all the others? If the states the machine passed through could be rearranged in time arbitrarily, then who could say what kind of elaborate order might emerge from the chaos?

Paul caught himself. Was that fatuous? As absurd as insisting that every room full of monkeys really did type the complete works of Shakespeare -- they just happened to put the letters in a slightly different order? As ludicrous as claiming that every large-enough quantity of rock contained Michelangelo's David, and every warehouse full of paint and canvas contained the complete works of Rembrandt and Picasso -- not in any mere latent form, awaiting some skillful forger to physically rearrange them, but solely by virtue of the potential redefinition of the coordinates of space-time?

For a statue or a painting, yes, it was a joke. Where was the observer who perceived the paint to be in contact with the canvas, who saw the stone figure suitably delineated by air?

If the pattern in question was not an isolated object, though, but a self-contained world, complete with at least one observer to join up the dots from within . . .

There was no doubt that it was possible. He'd done it. In the final trial of the second experiment, he'd assembled himself and his surroundings -- effortlessly -- from the dust of randomly scattered moments, from apparent white noise in real time. True, what the computer had done had been contrived, guaranteed to contain his thoughts and perceptions coded into its seemingly aimless calculations. But given a large enough collection of truly random numbers, there was no reason to believe that it wouldn't include, purely by accident, hidden patterns as complex and coherent as the ones which underlay him.