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Peter's joy was to sail on the Gulf of Finland between St. Petersburg and Kronstadt. In fine weather, out on the water, with the deep blue of the sky above him, the bright sun beating down, the gentle murmur of the waves slapping against the side of the boat and his own hand on the tiller, the Tsar was at peace. Sailing alone, he had a fine view of the coastline, of wooded hills climbing back from the water and, on the crest, the summer palaces beginning to rise. Returning across the gulf to Petersburg, he saw first the river mouth and surrounding forests; then, rising above the treetops, the spires and steeples of the churches, covered with tin and brass and, occasionally, with gilt, then the palaces and buildings along the embankments. After such a day, Peter always stepped ashore and returned to everyday life with a reluctant sigh.

As much as Peter loved simplicity, Catherine loved luxury. During the later years, Peter established for his wife a brilliant court that offered a striking contrast to his own style of living. The Tsaritsa was fond of dresses and jewels, perhaps to drown in glitter the memories of her humble origins. Catherine's household included pages in green uniforms faced with red and trimmed with gold lace and a private orchestra in green uniforms. The Empress' favorite companion, surprisingly, was Matrena Balk, a sister of Anna Mons, Peter's German mistress in the years before he met Catherine. Her court also included a daughter of the Pastor Gluck, who had sheltered Catherine as an orphan; Barbara Arseneeva, sister of Darya Arseneeva, who was Menshikov's wife and Catherine's early friend; Anisya Tolstoya, who had known Catherine since she first met Peter; Princess Cantemir of Moldavia; Countess Osterman, wife of the Vice Chancellor; Countess Anna Golovkina, daughter of the Chancellor, who became the second wife of Yaguzhinsky; the daughter of Anthony Devier, the Police Commissioner of St. Petersburg; and Marie Hamilton, a relation of the Scottish wife of Andrei Matveev.

The most outspoken of these ladies was Catherine's inseparable friend, the old Princess Anastasia Golitsyna, who accompanied the Tsaritsa to Copenhagen and Amsterdam, was implicated in the affair of the Tsarevich Alexis and publicly whipped, and soon after regained her position at court. One of her letters to the Tsar from Reval in 1714 gives a glimpse of Catherine's court:

Sire: I desire your presence here quickly. If Your Majesty delays, really, Sire, my life will be hard. The Tsaritsa is never willing to go to sleep before three o'clock in the morning and I have to sit constantly by her while Kyrilovna dozes as she stands by the bed. The lady Tsaritsa deigns to say, "Aunt, are you dozing?" and she replies, "No, I am not dozing. I am looking at my slippers," while Marie Hamilton walks about the room with a mattress which she spreads in the middle of the floor, arid Matrena Balk walks through the rooms and scolds everybody. With your presence,.I shall get freedom from bedroom service.

In April 1719, fate dealt Peter and Catherine a devastating blow. The death of the Tsarevich Alexis had clarified, albeit grimly, the problem of the succession. There remained two young males in Peter's line: Peter Petrovich, his son by Catherine; and Peter Alexeevich, his grandson, the son of Alexis and Princess Charlotte. But the uncle, Peter Petrovich, was never as healthy as his nephew, who was four weeks older. The child was the apple of his parents' eyes, and careful efforts were made with his health and education. He appeared from time to time at court celebrations riding a tiny pony, but he was backward and often ill. In every aspect of childhood development, he fell further and further behind his active, aggressive nephew, the little Grand Duke Peter Alexeevich.

In February 1718, when Peter Petrovich was two, Alexis was stripped of the succession, and the nobility and clergy of Russia swore allegiance to Peter's and Catherine's little son as heir to the throne. Fourteen months later, this little boy, only three and a half, followed his half-brother Alexis to the grave.

The death of this favorite child, in whom Peter had placed his hopes for the future of the dynasty, overwhelmed him. He rammed his head against a wall so hard that he went into a convulsion; then for three days and nights, he shut himself up in his room and refused to come out or even to speak to anyone through the door. During all this time, he remained stretched on his couch without eating. The business of government came to a halt, the war with Sweden was ignored, messages and letters went unanswered. Catherine, overcoming her own grief, became alarmed at her husband's obsessive despondency and knocked at his door and called to him, but no answer came, and she retired, weeping, to beg for help from Prince Jacob Dolgoruky. The aged First Senator calmed the frightened Tsaritsa and summoned the entire Senate to meet outside Peter's door. Dolgoruky knocked. There was no answer. Knocking again, Dolgoruky called out to the Tsar that he was there with the entire Senate, that the country needed its Tsar, and that if Peter did not open the door immediately, he would be obliged to break it down and carry the sovereign away by force as the only means of saving the crown.

The door opened and a pale and haggard Peter stood before them. "What is the matter?" he asked. "Why do you come to disturb my repose?"

"Because your retirement and your excessive and useless sorrow are the cause of the disorder that prevails in the country," replied Dolgoruky.

Peter bowed his head. "You are right," he said, and went with them to Catherine. He embraced her gently and said, "We have afflicted ourselves too long. Let us no longer murmur against the will of God."

The death of little Peter Petrovich left Peter and Catherine with

three children living, all daughters. In 1721, Anne and Elizabeth were thirteen and twelve respectively, and Natalya was three. The two older girls already were attracting favorable notice from foreign diplomats, always on the lookout for a useful match. "Princess Anne," said Bergholz, whose master, the Duke of Holstein, was eventually to marry this daughter, "is a brunette and as pretty as an angel with a charming complexion, arms and a figure very much like her father and rather tall for a girl, even a little inclined to be thin and not as lively as her younger sister Elizabeth, who was dressed like her. The dresses of the two princesses were without gold or silver, of pretty, two-colored material, their heads ornamented with pearls and precious stones in the latest French fashion, in a way which would have done honor to the best French hairdresser."

Three years later, when Anne was sixteen, her charms were praised by Baron Mardefelt, the Prussian minister and a skillful painter of miniatures who had done portraits on ivory of all members of the Russian imperial family. Of Anne, he wrote: "I do not believe that there is today in Europe a Princess who can dispute the palm with her majestic beauty. She is taller in figure than any lady in her court, but her waist is so slender, so graceful, her features so perfect, that the antique sculptors would have had nothing left to desire. Her bearing is without affectation, equable, serene. Above all amusements, she prefers the reading of historical and philosophical works."

As for Elizabeth at fifteen, "She is a beauty the like of which I have never seen," said the Spanish ambassador, the Duke of Liria. "An amazing complexion, glowing eyes, a perfect mouth, a throat and bosom of rare whiteness. She is tall in stature and her temperament is very lively. One senses in her a great deal of intelligence and affability, but also a certain ambition."