Maria, who had shut her mouth like a trap, glared back at Mr. Reece and muttered incomprehensibly. The household was then dismissed.
“I don’t like your chances,” said Ben Ruby. “They’ll talk.”
“They will behave themselves. With the possible exception of the woman.”
“She certainly didn’t sound cooperative.”
“Jealous.”
“Ah!” said Signor Lattienzo. “The classic situation: mistress and abigail. No doubt Bella confides extensively.”
“No doubt.”
“Well, she can’t do so for the moment. The recitazione is still in full swing.”
Ben Ruby opened the door. From beyond the back of the hall and the wall of the concert chamber but seeming to come from nowhere in particular, there was singing: disembodied as if heard through the wrong end of some auditory telescope. Above three unremarkable voices there soared an incomparable fourth.
“Yes,” said Signor Lattienzo. “It is the recitazione and they are only at the quartet: a third of the way through. They will break for luncheon at one-thirty and it is now twenty minutes past noon. For the time being we are safe.”
“I wouldn’t bet on that one, either,” said Ben Ruby. “She likes to have Maria on tap at rehearsals.”
“If you don’t mind,” Alleyn said, “I think I’ll just take a look at the terrain.”
The three men stared at him and for a moment said nothing. And then Mr. Reece stood up. “You surely cannot for a moment believe—” he said.
“Oh, no, no. But it strikes me that one might find something that would confirm the theory of the naughty boy.”
“Ah.”
“What, for instance?” asked Ben Ruby.
“This or that,” Alleyn said airily. “You never know. The unexpected has a way of turning up. Sometimes. Like you, I wouldn’t bet on it.”
And before any of them had thought of anything else to say, he let himself out and gently closed the door.
He went out of the house by the main entrance, turned left and walked along the graveled front until he came to a path that skirted the western facade. He followed it and as he did so the sound of music and of singing, broken by discussion and the repetition of short passages, grew louder. Presently he came to the windows of the concert chamber and saw that one of them, the first, was still open. It was at the end farthest removed from the stage, which was screened from it by a curtain that operated on a hinged bracket.
He drew nearer. There, quite close, was the spot in the auditorium where the Sommita had stood with her arms folded, directing the singers.
And there, still in her same chair, still crouched over her sketching block, with her short hair tousled and her shoulders hunched, was his wife. She was still hard at work. Her subject was out of sight haranguing the orchestra, but her image leaped up under Troy’s grubby hand. She was using a conté crayon, and the lines she made, sometimes broadly emphatic, sometimes floating into extreme delicacy, made one think of the bowing of an accomplished fiddler.
She put the drawing on the floor, pushed it away with her foot, and stared at it, sucking her knuckles and scowling. Then she looked up and saw her husband. He pulled a face at her, laid a finger across his lips, and ducked out of sight.
He had been careful not to tread on the narrow strip of earth that separated the path from the wall and now, squatting, was able to examine it. It had been recently trampled by a number of persons. To hell with the search party, thought Alleyn.
He moved farther along the path, passing a garden seat and keeping as far away as was possible from the windows. The thicket of fern and underbrush on his right was broken here and there by forays, he supposed, of the hunt, successfully ruining any signs there might have been of an intruder taking cover. Presently the path branched away from the house into the bush to emerge, finally, at the hangar.
Inside the hangar there was ample evidence of Marco’s proceedings. The earthy shortcut he had taken had evidently been damp, and Alleyn could trace his progress on the asphalt floor exactly as he had described it.
Alleyn crossed the landing ground, scorching under the noonday sun. Sounds from the concert chamber had faded. There was no bird song. He found the path through the bush to the lakeside and followed it: dark green closed about him and the now familiar conservatory smell of wet earth and moss.
It was only a short distance to the lake, and soon the bush began to thin out, admitting shafts of sunlight. It must have been about here that Marco said he had spotted the protective cap from the camera. Alleyn came out into the open and there, as he remembered them from his morning walk, were the lake and overhead power lines reaching away to the far shore.
Alleyn stood for a time out there by the lakeside. The sun that beat down on his head spread a kind of blankness over the landscape, draining it of color. He absentmindedly reached into his pocket for his pipe and touched a small hard object. It was the lens cap, wrapped in his handkerchief. He took it out and uncovered it, being careful not to touch the surface: a futile precaution, he thought, after Marco’s handling of the thing.
It was from a well-known make of camera, which produced self-developing instant results. The trade name was stamped on the top.
He folded it up and returned it to his pocket. In a general way he did not go much for “inspiration” in detective work, but if ever he had been visited by such a bonus, it was at that moment down by the lake.
Chapter four
Performance
i
Early in the morning of the following day there came a change in the weather. A wind came up from the northwest, not a strong wind and not steady, but rather it was a matter of occasional brushes of cooler air on the face and a vague stirring among the trees around the house. The sky was invaded by oncoming masses of cloud, turrets and castles that mounted and changed and multiplied. The Lake was no longer glassy but wrinkled. Tiny wavelets slapped gently at the shore.
At intervals throughout the morning new guests would arrive: some by chartered plane to the nearest airport and thence by helicopter to the island, others by train and car and a contingent of indigenous musical intelligentsia by bus. The launch would be very active.
A piano tuner arrived and could be heard dabbing away at single notes and, to the unmusical ear, effecting no change in their pitch.
Sir David Baumgartner, the distinguished musicologist and critic, was to stay overnight at the Lodge, together with a Dr. Carmichael, a celebrated consultant who was also president of the New Zealand Philharmonic Society. The remainder faced many dark hours in launch, bus and cars and in midmorning would be returned wan and bemused to their homes in Canterbury.
The general idea, as far as the Sommita had concerned herself with their reaction to these formidable exertions, was that the guests would be so enraptured by their entertainment as to be perfectly oblivious of all physical discomfort. In the meantime she issued a command that the entire house party was to assemble outside the house for Mr. Ben Ruby to take a mass photograph. They did so in chilly discomfort under a lowering sky.