“But if it is moving that fast, then it can,” said Elsie. “Or else maybe your telescope is wrong or something. Anyway, it’s pretty far off, isn’t it?”
“A hundred and sixty light years. So far away that we see it a hundred and sixty years ago.”
“Then maybe it isn’t moving at all,” said Elsie. “I mean, maybe it quit moving a hundred and fifty years ago and you’re getting all excited about something that doesn’t matter any more because it’s all over with. Still love me?”
“I sure do, honey. Can’t you break that date?”
“’Fraid not, Roger. But I wish I could.”
He had to be content with that. He decided to walk uptown to eat.
It was early evening, and too early to see stars overhead, although the clear blue sky was darkening. When the stars did come out tonight, Roger knew few of the constellations would be recognizable.
As he walked, he thought over Elsie’s comments and decided that they were as intelligent as anything he’d heard at the Cole Observatory. In one way, they’d brought out one angle he’d never thought of before, and that made it more incomprehensible.
All these movements had started the same evening—yet they hadn’t. Centauri must have started moving four years or so ago, and Rigel five hundred and forty years ago when Christopher Columbus was still in short pants, if any, and Vega must have started acting up the year he—Roger, not Vega—was born, twenty-six years ago. Each star out of the hundreds must have started on a date in exact relation to its distance from Earth. Exact relation, to a light-second, for check-ups of all the photographic plates taken night before last indicated that all the new stellar movements had started at four-ten a.m., Greenwich time. What a mess!
Unless this meant that light, after all, had infinite velocity.
If it didn’t have—and it is symptomatic of Roger’s perplexity that he could postulate that incredible “if “—then -then what? Things were just as puzzling as before.
Mostly he felt outraged that such events should be happening.
He went into a restaurant and sat down. A radio was blaring out the latest composition in dissarythm, the new quarter-tone dance music in which chorded woodwinds provided background patterns for the mad melodies pounded on tuned tomtoms. Between each number and the next a frenetic announcer extolled the virtues of a product.
Munching a sandwich, Roger listened appreciatively to the dissarhythm and managed not to hear the commercials. Most intelligent people of the nineties had developed a type of radio deafness which enabled them not to hear a human voice coming from a loudspeaker, although they could hear and enjoy the then infrequent intervals of music between announcements. In an age when advertising competition was so keen that there was scarcely a bare wall or an unbillboarded lot within miles of a population center, discriminating people could retain normal outlooks on life only by carefully-cultivated partial blindness and partial deafness which enabled them to ignore the bulk of that concerted assault upon their senses.
For that reason a good part of the newscast which followed the dissarhythm program went, as it were, into one of Roger’s ears and out the other before it occurred to him that he was not listening to a panegyric on patent breakfast foods.
He thought he recognized the voice, and after a sentence or two he was sure that it was that of Milton Hale, the eminent physicist whose new theory on the principle of indeterminancy had recently occasioned so much scientific controversy. Apparently, Dr. Hale was being interviewed by a radio announcer.
“…a heavenly body, therefore, may have position or velocity, but it may not be said to have both at the same time, with relation to any given space-time frame.”
“Dr. Hale, can you put that into common everyday language?” said the syrupy-smooth voice of the interviewer.
“That is common language, sir. Scientifically expressed, in terms of the Heisenberg contraction principle, then n to the seventh power in parentheses, representing the pseudo-position of a Diedrich quantum-integer in relation to the seventh coefficient of curvature of mass—”
“Thank you, Dr. Hale, but I fear you are just a bit over the heads of our listeners.”
And your own head, thought Roger Phlutter.
“I am sure, Dr. Hale, that the question of greatest interest to our audience is whether these unprecedented stellar movements are real or illusory.”
“Both. They are real with reference to the frame of space but not with reference to the frame of space-time.” “Can you clarify that, Doctor?”
“I believe I can. The difficulty is purely epistemological. In strict causality, the impact of the macroscopic—The slithy roves did gyre and gimble in the wabe, thought Roger Phlutter.
“—upon the parallelism of the entropy-gradient.”
“Bah!” said Roger aloud.
“Did you say something, sir?” asked the waitress. Roger noticed her for the first time. She was small and blonde and cuddly. Roger smiled at her.
“That depends upon the space-time frame from which one regards it,” he said judicially. “The difficulty is epistemological.”
To make up for that, he tipped her more than he should and left.
The world’s most eminent physicist, he realized, knew less of what was happening than did the general public. The public knew that the fixed stars were moving or that they weren’t. Obviously, Dr. Hale didn’t even know that. Under a smoke-screen of qualifications, Hale had hinted that they were doing both.
Roger looked upward but only a few stars, faint in the early evening, were visible through the halation of the myriad neon and spiegel-light signs. Too early yet, he decided.
He had one drink at a nearby bar, hut it didn’t taste quite right to him so he didn’t finish it. He hadn’t realized what was wrong but he was punch-drunk from lack of sleep. He merely knew that he wasn’t sleepy any more and intended to keep on walking until he felt like going to bed. Anyone hitting him over the head with a well-padded blackjack would have been doing him a signal service, but no one took the trouble.
He kept on walking and, after a while, turned into the brilliantly lighted lobby of a cineplus theater. He bought a ticket and took his seat just in time to sec the sticky end of one of the three feature pictures. Followed several advertisements which he managed to look at without seeing.
“We bring you next,” said the screen, “a special visi-cast of the night sky of London, where it is now three o’clock in the morning.”
The screen went black, with hundreds of tiny dots that were stars. Roger leaned forward to watch and listen carefully—this would be a broadcast and visicast of facts, not of verbose nothingness.
“The arrow,” said the screen, as an arrow appeared upon it, “is now pointing to Polaris, the pole star, which is now ten degrees from the celestial pole in the direction of Ursa Major. Ursa Major itself, the Big Dipper, is no longer recognizable as a dipper, but the arrow will now point to the stars that formerly composed it.”
Roger breathlessly followed the arrow and the voice.
“Alkaid and Dubhe,” said the voice. “The fixed stars are no longer fixed, but—” the picture changed abruptly to a scene in a modern kitchen—“the qualities and excellences of Stellar’s Stoves do not change. Foods cooked by the superinduced vibratory method taste as good as ever. Stellar Stoves are unexcelled.”
Leisurely, Roger Phlutter stood up and made his way out into the aisle. He took his pen-knife from his pocket as he walked toward the screen. One easy jump took him up onto the low stage. His slashes into the fabric were not angry ones. They were careful, methodical cuts and intelligently designed to accomplish a maximum of damage with a minimum of expenditure of effort.