Hegarty wasn’t sure Weasel knew the meaning of those words, but said nothing.
‘What you reckon?’
‘I’ll need time.’
‘How much?’
‘You want a pukka job? No possibility of any comeback?’
Weasel nodded. ‘Totally.’
‘Then I’ll need around two months.’
Weasel winced. ‘That long? You can’t do it any quicker?’
‘Not if you want two Caravaggio originals for the price of one.’ He raised his eyebrows.
‘Why so long?’
‘Well I’ve got loads of work on. Then I’ve got to source that canvas. Once I get it over here, I need to remove the painting on it. Then I paint lead white over the canvas which has a dual effect – first it’s what Caravaggio would have used, and secondly it has the big advantage of blocking any X-rays that might be done. Then I’ve got to obtain some period clothing fibres from the kind of apron Caravaggio might have worn back in 1605 – I’ve a couple of contacts, one in the Brighton Museum who might be able to help. Then I’ll need time to do the painting – and weave a few of the period fibres into it. When I’m done with that, making sure I’ve got Caravaggio’s brushstroke technique correct, I’ll need to leave it by a wood-burning stove for at least a couple of weeks to get the craquelure. Then I’ll take it to my mate Billy the Brush’s house – he’s another forger and he smokes sixty fags a day – and leave it there for a while to get a good patina. After that I’ve got to work on the back, faking the markings that are on the original. Then we need a suitable frame – that’s the easy bit.’ He shrugged.
‘Yeah, should be OK, those building works are going to take a while. Yeah.’ Then Weasel hesitated, looking anxious. ‘I need a gasper.’ He stood up, went out through the patio doors and sparked up a cigarette.
Hegarty remained at the table for some moments. He stuffed the thick bundles of banknotes into his pocket, then continued studying the painting. It was a challenge, but hey, he’d copied Caravaggio before. He stood up and went through into his studio, where he had a stacked shelf of books on the pigments the old masters used.
One of the easiest ways a forgery could be detected was through spectroscopic analysis of materials. Modern oil paints would easily be picked up this way, which was why, when he was making a forgery he intended to be undetectable, he mixed his paints using the original pigments the artist would have used in that period.
He smiled. This Caravaggio would be no problem. And potentially a very nice earner.
Just as he went back into the living room, Weasel came in from the balcony, reeking of fresh smoke. ‘What do you think, mate? Do we have a deal?’
Hegarty nodded, feeling the satisfying bulge of the banknotes in his pocket. ‘We do.’
17
Tuesday, 24 September
Basic physics. But not something they’d ever taught him at school. Two people sleeping in a closed room create warm air. As it hits the cold glass, condensation forms. Archie Goff had learned over the years that once there was heavy condensation on the glass, it was a pretty reliable indicator the occupants of the bedroom were soundly asleep.
And now, as he watched through his night-vision binoculars, sure enough, his buddy Mr Condensation was there. By midnight, the bay window was getting a little wet. He got the jitters, as he always did at this moment. Pulling on his tight-fitting, unlined leather gloves, then gripping his torch in his teeth, he reached into the sack and pulled out the cardboard box. Opening the lid carefully, he lifted out the now dozy bird and, with a quick movement, snapped its neck.
Then, dead crow in one hand, sack in the other, he walked in his sneakers, softly, softly, towards the lower bay window, the drawing room, where on a previous survey he’d seen the tell-tale flashing red light of an alarm sensor high up on the wall.
Held his breath.
Listened.
Sweet silence.
He swung the weighted sack back, then hard forward against the large pane of glass, shattering it. Immediately, he hurled the crow through the gap, straight up towards the blinking red light.
An instant later he heard the wailing siren of the alarm.
Yes!
He retreated across the lawn, took up his position behind a Japanese cloud tree, and raised his binoculars. Some moments later he blinked as a light downstairs flared in the green glow of the night-vision lenses. He watched old man Fry in pyjamas appear close to the window, holding a shotgun, then look down at the crow. Archie could see him mouth the words, lip-reading him.
Fucking stupid bird.
Fry leaned down, picked it up by its feet and lobbed it back out through the broken window, onto the lawn.
Archie knew the Frys had the kind of complex burglar alarm system, favoured by wealthy homeowners, which would require resetting by an engineer. He was betting Martin Fry wouldn’t bother with that now and would wait until morning.
Sure enough, the old man turned and called out to – presumably – his wife. ‘A ruddy bird! Flown through the bloody window! I’ll let the alarm company know.’
The old man faffed around for some minutes, disappearing briefly then returning and taping what looked like a square of cardboard over the busted frame. Then the light went off.
Archie tossed the brick into a dense bush and waited. Half an hour. With the empty sack tucked down his front, he made his way over to the bay window. He pushed away the temporary cardboard and reached down his gloved hand for the latch, hoping there wasn’t a window lock, but not a problem if there was. He had a glass cutter on his tool belt.
The latch lifted and the window opened silently. He hoisted himself up on the frame, ignoring the pain from his arthritic joints, found a purchase for his hands inside, and swung himself in, dropping silently to his feet on the carpet.
First rule, before he began work on any job, was to find a backup exit. He shot his torch beam around the large room, divided by two marble columns, and could see it was a treasure trove. Silver ornaments on every surface, on tables, on shelves, and in a number of fine antique display cabinets. Then out into the hall, with more silver on every surface, which he eyed greedily.
Along, past a grand staircase and through a doorway into a warm kitchen with patio doors on the far side. As he had expected from the plans on his phone.
Perfect.
Softly, he made his way across the conservatory, past the large, cushioned wicker chairs and sofa, to the doors. His escape route!
He kneeled and slid the bottom bolt then reached up and released the top one. He tested the handle and pushed one door a fraction. It opened easily. He left it ajar. Now he had two escape routes, should he need them.
Grabbing all the kitchen towels he could see, he returned to the hall, and began scooping up every silver object, wrapping each in a towel, then dropping them into his sack. On some jobs he would have checked for a hallmark, to make sure he wasn’t wasting time with silver-plate, but here he knew it was all going to be pukka.
Next, he turned right through a door which, from his memory of the plans, should be the dining room. It was. And more ornate silver, some of it quite large. Two pairs of small candelabras sat on the table. He laid them in his sack, too.
He checked the drawers of a large cherrywood sideboard, after lifting all the silver from the top of it, starting bottom upwards, so there was no need to close a drawer before opening the next. But there were just plates and linen in these.
His sack was already heavy. And he was heady with excitement. He’d no idea how much value he’d taken already, but if his source was right, he must be well into thousands of pounds, if not more. Perhaps way, way more. The Frys had single pieces worth upwards of £20,000 each and some way higher than that. Most of what he was taking would end up in the melt, which was the safest way to dispose of it. No trace. He was in a treasure trove, and he was on a roll!