FOURTEEN
Corky filled the sink and took a whore’s bath, squeezing the washcloth and rinsing it after cleaning her armpits and crotch. She let the water out of the basin and soaked the washcloth a final time under a stream of water from the faucet before wringing it out and hanging it on the towel rack. The sink emptied quietly. Something was wrong with the pipes leading to the bathtub; if you showered for more than a minute, it began to sound like someone was playing the bagpipes.
She opened the door, pausing to see whether the creaking hinges had awakened Wayne. The bedroom was quiet. She reached behind her and turned off the lights, then went on tiptoe down the hall. In the bathroom, she had not been tempted to look in the mirror. She knew that after a long day at the store her hair needed to be washed and her makeup would be smeared. The little bump she had first sensed when she was driving home had by now risen under her bottom lip until it came to a head, hard and tingling.
Some days it seemed to Corky that she and Wayne had been married for years, and other days it seemed that she was living with a stranger whose moods she couldn’t predict and whose emotions were never revealed by his actions — only by what he said. She thought he would be angry about her signing on to work Thursdays and Fridays, but when she came home he had embraced her — almost run to put his arms around her. He had pulled down the bedspread like a triumphant magician, eyes aglow, to reveal the secret of mismatched striped sheets, on which he would have her stretch out. Because he was so clearly delighted to see her and to have sex, she now thought that his silence over the last few days might have been because he was worrying over Will’s arrival. If he suffered because he did not see his son more often, she wasn’t aware of it, yet she didn’t think this indicated anything negative about her future with Wayne. She thought that if she and Wayne had a child of their own, Wayne would love the child and probably relax and be quite demonstrative. He and Will were always a little on guard and awkward when they were together, but she supposed that that was quite normal, given how infrequently they saw each other.
Corky caught herself doing what her mother had so often objected to: making everything all right in her mind. All through her adolescence there had been a running argument — no, only her mother’s harangues; it was never an argument — in which her mother urged Corky to expand her horizons (her mother’s term), to look around her at the damage being done to the environment, the inhumanity of man to man, the awful politics of the AMA, the streets filled with people in need, ignored by a society that did not provide enough affordable medical care, a society that created gas-guzzling cars that fell apart, and that provided its citizens with no reasonable candidates in presidential elections. Corky’s mother would have been pleased to have Jane Fonda as her daughter. Adele Davis’s books were her mother’s bible. Sometimes while she waited for dinner to cook, her mother would step into the pantry to toss a few darts at the Richard Nixon dartboard, a disc so pocked that Nixon was almost unrecognizable.
Corky’s father left when she was ten, after overturning every piece of furniture in the ground-floor apartment and dragging the mattress off the bed and throwing it over the porch rail. Corky and her mother were locked in the bathroom, and at the time her mother was shouting insults at her father, she had her hands over Corky’s ears. To this day, Corky could not wear a hat that was pulled over her ears or sleep on her side with an ear against the pillow. She slept on her back, like a corpse in the morgue, Wayne said. She could still remember her feeling of helplessness as her mother, who had a way of fixating on one thing, insisted, after her husband fled, that she and Corky get the mattress back into the apartment. Her mother became as insane as her father had been during his tirade, yelling at Corky even though Corky was a frail child who couldn’t lift her end of the mattress from the ground. None of the neighbors came out to help, but someone called the police. Her mother then fixated on her hatred of the police, insisting that there had been no shouting, and that she was simply airing the mattress. Into this scene walked Corky’s sister, Vera, eight years old, who had been at a Brownies meeting, sewing a crayon pouch. Vera had a way of being absent from the beginning of things and showing up at the very end. As an older girl, she would show up at the movies when the last show was ending. When Vera was sixteen she ran off with a construction worker named Ricky Lattanzi, and nine months later added twin boys to the family he had already provided her with (two girls, from his first marriage). By the time her mother found her sister, she was, as her mother said, “in deep,” so she never enacted the threats she had made in Vera’s absence: to commit her; to send her to a convent; at the very least to have the marriage annulled. During her mother’s long illness, years later, it was one of Ricky Lattanzi’s daughters who nursed her. That was also the only time she ever let Ricky Lattanzi into her apartment. On her deathbed she still maintained that Ricky was too old a man to be a suitable match for her daughter.