Выбрать главу

"If you honor us by complying with this invitation, be assured, sir, that the Committee on Lectures will take the best care of you throughout your stay, and endeavor to make Zadockprattsville agreeable to you. A carriage will be in attendance at the Stagehouse to convey yourself and luggage to the Inn, under full escort of the Committee on Lectures, with the Chairman at their head.

"Permit me to join my private homage

"To my high official consideration for you, "And to subscribe myself

"Very humbly your servant, "Donald Dundonald."

III

But it was more especially the Lecture invitations coming from venerable, gray-headed metropolitan Societies, and indited by venerable gray-headed Secretaries, which far from elating filled the youthful Pierre with the sincerest sense of humility. Lecture? lecture? such a stripling as I lecture to fifty benches, with ten gray heads on each? five hundred gray heads in all! Shall my one, poor, inexperienced brain presume to lay down the law in a lecture to five hundred life-ripened understandings? It seemed too absurd for thought. Yet the five hundred, through then" spokesman, had voluntarily extended this identical invitation to him. Then how could it be otherwise, than that an incipient Timonism should slide into Pierre, when he considered all the disgraceful inferences to be derived from such a fact. He called to mind, how that once upon a time, during a visit of his to the city, the police were called out to quell a portentous riot, occasioned by the vast press and contention for seats at the first lecture of an illustrious lad of nineteen, the author of "A Week at Coney Island."

It is needless to say that Pierre most conscientiously and respectfully declined all polite overtures of this sort.

Similar disenchantments of his cooler judgment did likewise deprive of their full lusciousness several other equally marked demonstrations of his literary celebrity. Applications for autographs showered in upon him; but in sometimes humorously gratifying the more urgent requests of these singular people Pierre could not but feel a pang of regret, that owing to the very youthful and quite unformed character of his handwriting, his signature did not possess that inflexible uniformity, which-for mere prudential reasons, if nothing more-should always mark the hand of illustrious men. His heart thrilled with sympathetic anguish for posterity, which would be certain to stand hopelessly perplexed before so many contradictory signatures of one supereminent name. Alas! posterity would be sure to conclude that they were forgeries all; that no chirographic relic of the sublime poet Glendinning survived to their miserable times.

From the proprietors of the Magazines whose pages were honored by his effusions, he received very pressing epistolary solicitations for the loan of his portrait in oil, in order to take an engraving therefrom, for a frontispiece to their periodicals. But here again the most melancholy considerations obtruded. It had always been one of the lesser ambitions of Pierre, to sport a flowing beard, which he deemed the most noble corporeal badge of the man, not to speak of the illustrious author. But as yet he was beardless; and no cunning compound of Rowland and Son could force a beard which should arrive at maturity in any reasonable time for the frontispiece. Besides, his boyish features and whole expression were daily changing. Would he lend his authority to this unprincipled imposture upon Posterity? Honor forbade.

These epistolary petitions were generally couched in an elaborately respectful style; thereby intimating with what deep reverence his portrait would be handled, while unavoidably subjected to the discipline indispensable to obtain from it the engraved copy they prayed for. But one or two of the persons who made occasional oral requisitions upon him in this matter of his engraved portrait, seemed less regardful of the inherent respect due to every man's portrait, much more, to that of a genius so celebrated as Pierre. They did not even seem to remember that the portrait of any man generally receives, and indeed is entitled to more reverence than the original man himself; since one may freely clap a celebrated friend on the shoulder, yet would by no means tweak his nose in his portrait. The reason whereof may be this: that the portrait is better entitled to reverence than the man; inasmuch as nothing belittling can be imagined concerning the portrait, whereas many unavoidably belittling things can be fancied as touching the man.

Upon one occasion, happening suddenly to encounter a literary acquaintance-a joint editor of the "Captain Kidd Monthly"-who suddenly popped upon him round a corner, Pierre was startled by a rapid-"Good morning, good morning;-just the man I wanted:-come, step round now with me, and have your Daguerreotype taken;-get it engraved then in no time;-want it for the next issue."

So saying, this chief mate of Captain Kidd seized Pierre's arm, and in the most vigorous manner was walking him off, like an officer a pickpocket, when Pierre civilly said-"Pray, sir, hold, if you please, I shall do no such thing."-"Pooh, pooh-must have it-public property-come along-only a door or two now."-"Public property!" rejoined Pierre, "that may do very well for the 'Captain Kidd Monthly';-it's very Captain Kiddish to say so. But I beg to repeat that I do not intend to accede."-"Don't? Really?" cried the other, amazedly staring Pierre full in the countenance;-"why bless your soul, my portrait is published-long ago published!" — "Can't help that, sir"-said Pierre. "Oh! come along, come along," and the chief mate seized him again with the most uncompunctious familiarity by the arm. Though the sweetest-tempered youth in the world when but decently treated, Pierre had an ugly devil in him sometimes, very apt to be evoked by the personal profaneness of gentlemen of the Captain Kidd school of literature. "Look you, my good fellow," said he, submitting to his impartial inspection a determinately double fist, — "drop my arm now-or I'll drop you. To the devil with you and your Daguerreotype!"

This incident, suggestive as it was at the time, in the sequel had a surprising effect upon Pierre. For he considered with what infinite readiness now, the most faithful portrait of any one could be taken by the Daguerreotype, whereas in former times a faithful portrait was only within the power of the moneyed, or mental aristocrats of the earth. How natural then the inference, that instead of, as in old times, immortalizing a genius, a portrait now only dayalized a dunce. Besides, when every body has his portrait published, true distinction lies in not having yours published at all. For if you are published along with Tom, Dick, and Harry, and wear a coat of their cut, how then are you distinct from Tom, Dick, and Harry? Therefore, even so miserable a motive as downright personal vanity helped to operate in this matter with Pierre.

Some zealous lovers of the general literature of the age, as well as declared devotees to his own great genius, frequently petitioned him for the materials wherewith to frame his biography. They assured him, that life of all things was most insecure. He might feel many years in him yet; time might go lightly by him; but in any sudden and fatal sickness, how would his last hours be embittered by the thought, that he was about to depart forever, leaving the world utterly unprovided with the knowledge of what were the precise texture and hue of the first trowsers he wore. These representations did certainly touch him in a very tender spot, not previously unknown to the schoolmaster. But when Pierre considered, that owing to his extreme youth, his own recollections of the past soon merged into all manner of half-memories and a general vagueness, he could not find it in his conscience to present such materials to the impatient biographers, especially as his chief verifying authority in these matters of his past career, was now eternally departed beyond all human appeal. His excellent nurse Clarissa had been dead four years and more. In vain a young literary friend, the well-known author of two Indexes and one Epic, to whom the subject happened to be mentioned, warmly espoused the cause of the distressed biographers; saying that however unpleasant, one must needs pay the penalty of celebrity; it was no use to stand back; and concluded by taking from the crown of his hat the proof-sheets of his own biography, which, with the most thoughtful consideration for the masses, was shortly to be published in the pamphlet form, price only a shilling.