Though in the middle of the day many bales and boxes would be trundled along the stores in front of the Apostles'; and along its critically narrow sidewalk, the merchants would now and then hurry to meet their checks ere the banks should close: yet the street, being mostly devoted to mere warehousing purposes, and not used as a general thoroughfare, it was at all times a rather secluded and silent place. But from an hour or two before sundown to ten or eleven o'clock the next morning, it was remarkably silent and depopulated, except by the Apostles themselves; while every Sunday it presented an aspect of surprising and startling quiescence; showing nothing but one long vista of six or seven stories of inexorable iron shutters on both sides of the way. It was pretty much the same with the other street, which, as before said, intersected with the warehousing lane, not very far from the Apostles'. For though that street was indeed a different one from the latter, being full of cheap refectories for clerks, foreign restaurants, and other places of commercial resort; yet the only hum in it was restricted to business hours; by night it was deserted of every occupant but the lamp-posts; and on Sunday, to walk through it, was like walking through an avenue of sphinxes.
Such, then, was the present condition of the ancient Church of the Apostles; buzzing with a few lingering, equivocal lawyers in the basement, and populous with all sorts of poets, painters, paupers and philosophers above. A mysterious professor of the flute was perched in one of the upper stories of the tower; and often, of silent, moonlight nights, his lofty, melodious notes would be warbled forth over the roofs of the ten thousand warehouses around him-as of yore, the bell had pealed over the domestic gables of a long-departed generation.
II
On the third night following the arrival of the party in the city, Pierre sat at twilight by a lofty window in the rear building of the Apostles'. The chamber was meager even to meanness. No carpet on the floor, no picture on the wall; nothing but a low, long, and very curious-looking single bedstead, that might possibly serve for an indigent bachelor's pallet, a large, blue, chintz-covered chest, a rickety, rheumatic, and most ancient mahogany chair, and a wide board of the toughest live-oak, about six feet long, laid upon two upright empty flour-barrels, and loaded with a large bottle of ink, an unfastened bundle of quills, a pen-knife, a folder, and a still unbound ream of foolscap paper, significantly stamped, "Ruled; Blue".
There, on the third night, at twilight, sat Pierre by that lofty window of a beggarly room in the rear building of the Apostles'. He was entirely idle, apparently; there was nothing in his hands; but there might have been something on his heart. Now and then he fixedly gazes at the curious-looking, rusty old bedstead. It seemed powerfully symbolical to him; and most symbolical it was. For it was the ancient dismemberable and portable camp-bedstead of his grandfather, the defiant defender of the Fort, the valiant captain in many an unsuccumbing campaign. On that very camp-bedstead, there, beneath his tent on the field, the glorious old mild-eyed and warrior-hearted General had slept, and but waked to buckle his knight-making sword by his side; for it was noble knight-hood to be slain by grand Pierre; in the other world his foes' ghosts bragged of the hand that had given them their passports.
But has that hard bed of War, descended from an inheritance to the soft body of Peace? In the peaceful time of full barns, and when the noise of the peaceful flail is abroad, and the hum of peaceful commerce resounds, is the grandson of two Generals a warrior too? Oh, not for naught, in the time of this seeming peace, are warrior grandsires given to Pierre! For Pierre is a warrior too; Life his campaign, and three fierce allies, Woe and Scorn and Want, his foes. The wide world is banded against him; for lo you! he holds up the standard of Right, and swears by the Eternal and True! But ah, Pierre, Pierre, when thou goest to that bed, how humbling the thought, that thy most extended length measures not the proud six feet four of thy grand John of Gaunt sire! The stature of the warrior is cut down to the dwindled glory of the fight. For more glorious in real tented field to strike down your valiant foe, than in the conflicts of a noble soul with a dastardly world to chase a vile enemy who ne'er will show front.
There, then, on the third night, at twilight, by the lofty window of that beggarly room, sat Pierre in the rear building of the Apostles'. He is gazing out from the window now. But except the donjon form of the old gray tower, seemingly there is nothing to see but a wilderness of tiles, slate, shingles, and tin;-the desolate hanging wildernesses of tiles, slate, shingles and tin, wherewith we modern Babylonians replace the fair hanging-gardens of the fine old Asiatic times when the excellent Nebuchadnezzar was king.
There he sits, a strange exotic, transplanted from the delectable alcoves of the old manorial mansion, to take root in this niggard soil. No more do the sweet purple airs of the hills round about the green fields of Saddle Meadows come revivingly wafted to his cheek. Like a flower he feels the change; his bloom is gone from his cheek; his cheek is wilted and pale.
From the lofty window of that beggarly room, what is it that Pierre is so intently eying? There is no street at his feet; like a profound black gulf the open area of the quadrangle gapes beneath him. But across it, and at the further end of the steep roof of the ancient church, there looms the gray and grand old tower; emblem to Pierre of an unshakable fortitude, which, deep-rooted in the heart of the earth, defied all the howls of the air.
There is a door in Pierre's room opposite the window of Pierre: and now a soft knock is heard in that direction, accompanied by gentle words, asking whether the speaker might
enter.
"Yes, always, sweet Isabel"-answered Pierre, rising and approaching the door;-"here: let us drag out the old camp-bed for a sofa; come, sit down now, my sister, and let us fancy ourselves anywhere thou wilt."
"Then, my brother, let us fancy ourselves in realms of everlasting twilight and peace, where no bright sun shall rise, because the black night is always its follower. Twilight and peace, my brother, twilight and peace!"
"It is twilight now, my sister; and surely, this part of the city at least seems still."
"Twilight now, but night soon; then a brief sun, and then another long night. Peace now, but sleep and nothingness soon, and then hard work for thee, my brother, till the sweet twilight come again."
"Let us light a candle, my sister; the evening is deepening."
"For what light a candle, dear Pierre? — Sit close to me, my
brother."
He moved nearer to her, and stole one arm around her; her sweet head leaned against his breast; each felt the other's
throbbing.
"Oh, my dear Pierre, why should we always be longing for peace, and then be impatient of peace when it comes? Tell me, my brother! Not two hours ago, thou wert wishing for twilight, and now thou wantest a candle to hurry the twilight's last lingering away."
But Pierre did not seem to hear her; his arm embraced her tighter; his whole frame was invisibly trembling. Then suddenly in a low tone of wonderful intensity he breathed:
"Isabel! Isabel!"
She caught one arm around him, as his was around herself; the tremor ran from him to her; both sat dumb.
He rose, and paced the room.
"Well, Pierre; thou earnest in here to arrange thy matters, thou saidst. Now what hast thou done? Come, we will light a candle now."
The candle was lighted, and then- talk went on.
"How about the papers, my brother? Dost thou find every thing right? Hast thou decided upon what to publish first, while thou art writing the new thing thou didst hint of?"
"Look at that chest, my sister. Seest thou not that the cords are yet untied?"
"Then thou hast not been into it at all as yet?"
"Not at all, Isabel. In ten days I have lived ten thousand years. Forewarned now of the rubbish in that chest, I can not summon the heart to open it. Trash! Dross! Dirt!"