Rosemary, who was an exquisite dancer, longed to tread the measure of the csàrdàs, the Hungarian national dance, which begins with a dreamy, languorous slow movement, and then suddenly breaks into a wild, mad whirl, wherein the dancer's eyes glow with excitement, their cheeks burn like fire, and their breath comes and goes through quivering, parted lips. Surely the merriest, maddest, most intoxicating dance devised by a passionate people-probably for the letting off of some inward steam that must find vent in such rapturous movements from time, or it would consume them with its glow.
"I think Lady Tarkington is quite splendid," Maurus Imrey said to Jasper, in the intervals of beating time with hand and foot to the ever-quickening measure of the dance. "Hey, you confounded gipsy!" he cried, shouting to the swarthy, perspiring leader of the band. "Quicker! Quicker! Can't you hear me speak? Do you think you are playing a funeral march?"
"I think," Jasper put in, with his quiet smile, "if the musicians put on anymore speed, Rosemary for one will be crying 'Mercy!'"
But for the moment Rosemary showed no sign of crying any such thing. Her nimble feet had quickly caught the quaint, syncopated rhythm, and Philip was a magnificent teacher. Perhaps there was some truth in saying that he had inherited a strain of gipsy blood, for indeed when he danced the csàrdàs there was something barbaric about his movements. They were full of grace and perfect in rhythm, but all the time they gave the impression of wild roamings through desert lands, of a will that brooked to fetters and was a law unto itself. Rosemary gave herself wholly to the pleasure of being whirled round, turned and twisted, sometimes lifted off her feet. All intellectuality fell away from her for the time being: she was just like a young and beautiful animal in enjoyment of the senses kind Nature had given her, the sound of that intoxicating music, the feeling of unfettered movement, the scent of dying roses in huge vases, that sent their sweet indefinable fragrance through the heat-laden air.
Faster, ever faster! Little hoarse cries escaped her throat as Philip seized her with one arm round the waist, and, lifting her off her feet, twirled her round and round till the golden lights of the shaded candles swam like the trail of comets before her eyes.
Faster! Always faster! She could hardly see now out of her eyes; all that she saw was Philip's dark, curly hair waving around his forehead. The music seemed now a part of the universe, not played by one band of musicians, but the very atmosphere itself vibrating and resounding, forcing her to tread the measure and not to leave off, to go on-and on-and on-always hearing the music-always lifted off her feet and whirled round and round—
Then suddenly everything ceased all at once. The music, the movement, everything. Rosemary would have fallen, giddy, dazed, but for the fact that Jasper, quick as lightening, had caught her in his arms. Her instinct was to laugh.
"What happened?" she asked, rather wildly.
Then only did she look about her. First she saw Jasper's face bending over her, but he was not looking at her: he was gazing straight across the room. Rosemary's eyes followed his gaze. And all at once she gave a gasp, which she smothered instantly by clapping her hand to her mouth. The whole aspect of the room had changed. The gipsies seemed to have shrunk into a dark corner, with their instruments tucked hastily under their arms; they seemed to be trying to make themselves invisible. Two of them had crawled under the piano; only their feet, in shabby, down-at-heel shoes, protruded under the folds of rich brocade that covered the instrument.
And in the centre of the room there was a group of men, some half-dozen, in the uniform of the Roumanian army. One of them had his hand on Philip's shoulder. Philip stood in the midst of them; his dark face was still flushed with the dance, his curly hair clung to his streaming forehead. He was still panting with the movement and excitement of a moment ago, and his eyes, dark and glowing, wandered ceaselessly from one soldier's face to another.
Under the lintel of the great double doors that gave on the hall a couple of men servants stood, scared.
Rosemary's ears were buzzing and she saw everything through a veil; the room had not yet quite ceased whirling about her, but through the din in her ears and the hammering in her head she heard the ominous words: "Resistance will do you no good. You had best come quietly." They were spoken in Roumanian, which Rosemary understood.
Then there came a cry like that of a wounded beast, and Maurus Imrey jumped to his feet. With head down he charged into the soldiers just like an infuriated bull. Of course, he was seized at once, dragged back, forced down into a chair, where, with arms gripped by the soldiers, he launched forth a torrent of invective and abuse, and now and then, when he succeeded in freeing one of his arms, he hit out to right and left with his fist.
One of the soldiers, who appeared to be in command, spoke to him with cold deliberation:
"You are behaving like a fool, M. le Comte," he said. "For let me tell you that if you interfere with my men in the execution of their duty I will take you along, too."
Maurus's answer to this sound piece of advice was a fresh torrent of vituperation. He shook himself free from the hands that held him down, raised a menacing fist, and cried hoarsely:
"If you dare to touch me, you miserable—"
But suddenly stronger arms than those of the soldiers were thrown around him and forced him back into the chair. They were his wife's arms. Elza Imrey throughout all this had thought of nothing but the danger to Philip. The humiliation of this descent upon her house, the insolent attitude of the soldiers, this bringing home the fact of alien occupation and alien government, hardly affected her. Her one thought was Philip. The danger to Philip doubled and trebled by his father's ungoverned temper. And, my God, if he should strike one of the soldiers! So she held Maurus down, held her hand across his mouth; and Rosemary could hear her whispering in a thick, choked voice:
"Maurus, in God's name! Maurus, keep quiet! Maurus, for Philip's sake, hold your tongue!"
He struggled desperately, but she held him as only a mother can hold that which threatens her child. The soldier looked on with a sardonic smile. When Maurus at last was forced into silence, he shrugged his shoulders and said dryly:
"You are very wise, madame, to keep M. le Comte's temper in check for him. My orders are that if any resistance is offered to take all three of you along. I need not tell you that after that you two will be sent packing out of the country, and your son—"
A cry from Elza broke into his complacent speech. At once she became humble, cringing, all the pride of the aristocrat was submerged in the devastating anxiety of the mother. She still held Maurus down, for she dared not loosen her hold on him, but she turned a tear-stained face, pathetic-looking in its expression of appeal, toward the Roumanian.
"You must not take any notice of his lordship, captain," she said, trying in vain to speak lightly and to steady her voice. "You-you have known him for years, haven't you? You remember-he was always a little excitable-you used to amuse yourselves-you and your brother officers-by making him angry with one of the peasants, and seeing the men's terror of him? You remember," she reiterated, with the same pathetic effort at conciliation, "when we were at Tusnàd and you were in garrison at Sinaia, you used to motor over for luncheons and balls and—"
"It is not a part of a soldier's duty, madame," the young soldier broke in curtly, "to remember such incidents." If M. le Comte will cease to insult my men, we will leave him in peace. Otherwise you both come with me."