The first owner of the house, who was also its designer, had been an elderly oil painter, but his lungs gave out on him and he died the winter before Naoko moved in. That was in 1960, the year Bobby Vee sang "Red Rubber Ball." It had been an awfully rainy winter that year. Snow hardly ever fell in these parts; instead you got a freezing-cold rain. The rain soaked into the ground, stinging the topsoil with a damp chill. But deeper down, it made for a table of sweet groundwater.
Five minutes' walk along the tracks from the station lived a well-digger. There in the dank bottom land by the stream, summers brought hordes of mosquitoes and frogs in around the house. The well-digger was a difficult, ill-natured man of fifty or so, but when it came to digging wells he was a bona fide genius. When hired to dig a well, he'd first spend a couple of days just walking around the site muttering to himself as he sniffed handfuls of dirt he'd scoop up here and there. Then, when he'd found some spot that agreed with him, he'd call in some co-workers, and they'd dig straight down.
That's why people hereabouts could drink sweet well water to their heart's content. The water was cool, and so crystal clear you'd almost swear there wasn't a glass in your hand. Some folks claimed the water came from the melting snows of Mt. Fuji, but that was impossible. No way it could come that far.
The autumn of Naoko's seventeenth year, the well-digger was killed by a train. A driving downpour and cold sake and a hearing problem were to blame. Several thousand chunks of his body were strewn over the fields. Five buckets' worth were collected while seven policemen with spiked prods fended off a pack of hungry dogs. Even so, a whole bucketful of the stuff got spilled into a pond. Fish bait.
The well-digger had two sons, both of whom left the area without following in his footsteps. Nobody went near his house after that, and abandoned, it slowly but surely rotted out. And ever since, sweetwater wells have been hard to come by in the area.
I like wells, though. Every time I see a well, I can't resist tossing a rock in. There's nothing as soothing as the sound of a pebble hitting the water in a deep well.
* * *
It was all her father's doing that Naoko's family moved into the area in 1961. He had been a close friend of the dead painter, not to mention, of course, that her father liked the place.
He apparently had been a well-respected scholar of French literature, when all of a sudden, while Naoko was still in elementary school, he quit the university and thereafter spent his time leisurely translating curious old texts and the like. Fallen angels and debauched priests, diabolists, vampires, tracts on sordid and sundry topics. I don't really know the details. Only once did I come across his photograph, in a magazine. According to Naoko, he'd led something of a colorful and offbeat life in his youth, and the photograph betrayed more than a hint of that style about him. In it he wore a hunting cap and black-rimmed glasses, his piercing gaze focused a few feet above the camera. He must have seen something.
* * *
Back around the time Naoko and her family moved in, something of a colony of these cultured eccentrics had congregated in the area. By all accounts, it had been like one of the Siberian penal colonies for exiled ideological criminals in Imperial Russia.
I've read a little about those penal colonies in Trotsky's memoirs, but for some reason, the only passages I remember clearly had to do with cockroaches and reindeer. So here goes about the reindeer.
It seems Trotsky escaped from a penal colony under cover of night by stealing a reindeer sleigh. The four reindeer raced headlong across the silver expanse of frozen tundra, their breaths turning to white mist in the cold air, their hooves churning up the virgin snow. Two days later when they reached a train station, the reindeer keeled over from exhaustion, never to get up again. Trotsky hugged the dead reindeer and made a vow, tears streaming from his eyes. Whatever it takes, said he, I'll bring justice and ideals, and above all, revolution to the nation.
And to this very day, standing in Red Square is a bronze statue of the four reindeer. One facing east, one north, one west, and one south. Even Stalin couldn't bring himself to tear down these reindeer. Visitors to Moscow should be sure to go to Red Square early Saturday mornings. That's when rosy-cheeked middle school children come out, breaths all white in the cold, and mop down the reindeer.
But to continue about the local colony: The group purposely avoided the more accessible flatland near the station, choosing instead places back in the foothills to build their dream houses. Each and every one of these had incredibly spacious grounds, with ponds and hillocks and whole groves of trees left intact within their boundaries. One estate even had its own brook teeming with real live sweetfish.
These free spirits would wake to the early morning cooing of turtle doves, tread on beechnuts while strolling the gardens, stop to take in the morning light cascading through the leaves.
But times changed, and little by little the exponential sprawl of suburbanization made inroads here. Right around the time of the Tokyo Olympics. The vast acreage of mulberries that once spread out below the hills like a fertile sea was bulldozed into a dark, scarred wasteland, which gradually took the shape of your regular tract town, fanning out from the station.
The new residents were for the most part middleclass commuters. They'd spring up like clockwork at a little after five, have barely enough time to wash their faces before they'd be off to board their train, and return late at night looking half-dead.
Sunday afternoons were the only times they could relax enough to appreciate their new town and homes. Also, as if by consensus, most had dogs. The dogs interbred, and strays were everywhere. That's what Naoko meant when she said there used not to be a dog around for miles.
* * *
One whole hour I waited, and not a dog showed. Ten cigarettes I lit and crushed out. I walked to the middle of the platform, and took a drink of the crisp, cold water from the faucet there. Still no dog.
To the side of the station was a large pond. A long, serpentine pool, as if they'd dammed up a stream. The banks were overgrown with tall marsh grasses, and from time to time a fish broke the surface of the water. Spaced out along the banks sat some men, tightlipped, fishing lines cast into the cloudy water. The lines never so much as twitched; they might as well have been silver needles stuck into the water. Yet there under the lazy rays of the spring sun, a big white dog that one of the men had probably brought along was eagerly sniffing around in the clover.
When the dog came within ten yards of me, I leaned over the station fence and called to it. The dog looked up and gazed at me with the most sorrowful light brown eyes, then wagged its tail a couple of times. I snapped my fingers, and the dog came over, thrust its nose through the fence and licked my hand with its long tongue.