And she was ready when he got home, not as Ilium's Lady of the Manor but as a trim, kittenish girl in denim trousers rolled above her knees. She wore one of Paul's shirts, with its tails knotted below her breasts, white sneakers, and a red bandana about her neck.
"Is this right?"
"Perfect."
"Paul - I don't understand what's going on. I called up the Country Club, and they don't know about any barn dance. And neither do the clubs in Albany, Troy, or Schenectady." Anita, Paul knew, hated surprises, couldn't bear not to be on top of every situation.
"This is a private one," said Paul. "Just for the two of us. You'll see when the time comes."
"I want to know now."
"Where are our anniversary martinis?" The table where the pitcher and glasses awaited him every night was bare.
"You're on the wagon until after the Meadows."
"Don't be ridiculous! Everybody is going to be drinking for two weeks up there."
"Not the captains. Shepherd says they can't afford to drink."
"That shows how much he knows. The drinks are on the house."
Paul mixed martinis, drank more than his usual ration, and changed into a suit of stiff, crackling denim overalls he'd bought in Homestead that afternoon. He was sorry to see that Anita was getting no pleasure from the suspense he'd built up. Instead of happy anticipation, she showed signs of suspicion.
"Ready?" he said brightly.
"Yes - I suppose."
They walked in silence to the garage. With a grand gesture, Paul held the car door open.
"Oh, Paul, not the old car."
"There's a reason."
"There couldn't be a reason good enough to get me in that thing."
"Please, Anita - you'll see soon enough why we've got to take this one."
She got in and sat on the edge of the seat, trying to come in contact with the car as little as possible. "Honestly! I mean really!"
They rode like strangers. On the long grade by the golf course, however, she unbent a trifle. In the beams of the headlights was a pale and hairy man in green shorts, green socks, and a green shirt with the word "Captain" written across it. The man was jogging along the shoulder of the road, now and then breaking his pace to pirouette and shadowbox, then picking up his jogging again.
Paul blasted Shepherd with his automobile horn, and was delighted to see him bound across the ditch to get out of his way.
Anita rolled down her window and cheered.
The captain of the Green Team waved, his face twisted by exertion.
Paul pressed the throttle to the floor, laying down a cloud of burned oil and carbon monoxide.
"That man's got a lot of get up and go," said Anita.
"He fills me full of lie down and die," said Paul.
They were passing the battlements of the Ilium Works now, and one of the guards, recognizing Paul's car from his pillbox, waggled his fifty-caliber machine gun in friendly fashion.
Anita, who had been getting more and more restless, made as though to grab the wheel. "Paul! Where are you going? Are you crazy?"
He brushed her hand away, smiled, and kept on going across the bridge into Homestead.
The bridge was blocked again by Reeks and Wrecks who were painting yellow lines to mark traffic lanes. Paul looked at his watch. They had ten more minutes until time for, as the expression went, knocking off work. Paul wondered if Bud Calhoun had thought up this project. Like most of the R&R projects, it was, to Paul at least, ironic. The fourlane bridge had, before the war, been jammed with the cars of workers going to and from the Ilium Works. Four lanes had been nothing like enough, and a driver stayed within his lane or got the side of his car ground off. Now, at any time of day, a driver could swerve from one side of the bridge to the other with perhaps one chance in ten thousand of hitting another vehicle.
Paul came to a stop. Three men were painting, twelve were directing traffic, and another twelve were resting. Slowly, they opened a lane.
"Hey, Mac, your headlamp's busted."
"Thanks," said Paul.
Anita slid across the seat to get close to him, and he saw that she was scared stiff. "Paul - this is awful. Take me home."
Paul smiled patiently and drove into Homestead. The hydrant in front of the saloon by the end of the bridge was going again, and he had to park down the block. The same dirty boy was making paper boats for the amusement of the crowd. Leaning against a building and smoking nervously was a seedy old man who looked familiar to Paul. Then Paul realized that the man was Luke Lubbock, the indefatigable joiner, who was lost in the limbo of mufti, waiting for the next parade or meeting to start. With mixed emotions he looked around for Lasher and Finnerty, but saw no sign of them. Very probably they were in the saloon's dark, rearmost booth, agreeing on everything.
"Paul - is this your idea of a joke? Take me home, please."
"Nobody's going to hurt you. These people are just your fellow Americans."
"Just because they were born in the same part of the world as I was, that doesn't mean I have to come down here and wallow with them."
Paul had expected this reaction, and remained patient in the face of it. Of all the people on the north side of the river, Anita was the only one whose contempt for those in Homestead was laced with active hatred. She was also the only wife on the north side who had never been to college at all. The usual attitude of the Country Club set toward Homesteaders was contempt, all right, but it had an affectionate and amused undertone, the same sort of sentiment felt by most for creatures of the woods and fields. Anita hated Homesteaders.
If Paul were ever moved to be extremely cruel to her, the cruelest thing he could do, he knew, would be to point out to her why she hated as she did: if he hadn't married her, this was where she'd be, what she'd be.
"We're not getting out," said Paul. "We'll just sit here a few minutes and watch. Then we'll move on."
"Watch what?"
"Whatever there is to see. The line painters, the man running the hydrant, the people watching him, the little boy making boats, the old men in the saloon. Just keep looking around. There's plenty to see."
She didn't look around, but slouched down in the seat and stared at her hands.
Paul had an idea what she was thinking - that for some reason she couldn't understand, he was doing this to humiliate her, to recall her humble origins. Had that been what he wanted to do, he would have been completely successful, because her virulent hate had decayed. She'd fallen silent and tried to make herself small.
"You know why I brought you here?"
Her voice was a whisper. "No. But I want to go home, Paul. Please?"
"Anita - I brought us here because I think it's high time we got a completely new perspective, not on just our relationship to ourselves, but on our relationship to society as a whole." He didn't like the sound of the words as they came out, sententious and inflated. Their impact on Anita was nothing.
He tried again: "In order to get what we've got, Anita, we have, in effect, traded these people out of what was the most important thing on earth to them - the feeling of being needed and useful, the foundation of self-respect." That wasn't much good either. He wasn't getting through to Anita yet. She still seemed certain that she was somehow being punished by him.
He tried once more: "Darling, when I see what we've got, and then see what these people have got, I feel like a horse's ass."
A glimmering of understanding crossed Anita's face. Guardedly, she cheered up a little. "Then you're not mad at me?"
"Lord, no. Why should I be mad at you?"
"I don't know. I thought maybe you thought I nagged too much - or maybe you thought something was going on between Shepherd and me."
This last - this suggestion that he would ever worry about Shepherd - threw Paul completely off the orderly course of re-educating Anita. The notion that he might be jealous of the captain of the Green Team was so ludicrous, showed so poor an understanding, that it commanded his full attention. "I'll be jealous of Shepherd when you're jealous of Katharine Finch," he laughed.