Lyatoshinsky, Boris, (i)
Lysenko, Trofim, (i), (ii)
Lyubetsky, Lev, (i)
Lyublinsky, Vladimir, (i), (ii), (iii), (iv)
Makarova, Shura, (i)
Malevich, Kazimir, (i)
Malko, Nikolai, (i), (ii), (iii)
Mandelstam, Nadezhda, (i)
Mandelstam, Osip, (i), (ii), (iii), (iv), (v)
Marburg School, (i)
Mariinsky Theatre, (i), (ii)
Markiz, Lev, (i)
Marshak, Samuil, (i), (ii), (iii)
Mashirov, Alexei, (i), (ii)
Maslakovets, Alla, (i), (ii), (iii), (iv)
Maslakovets, Pyotr, (i), (ii)
Masonic orders, (i)
Matsov, Roman, (i), (ii)
Matveyev, Mikhail, (i)
Mayakovsky, Vladimir, (i)
Medtner, Nikolai, (i)
Medvezhya Gora (gulag), (i)
Meier, Alexander, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Melodiya Studios, (i), (ii), (iii), (iv), (v), (vi)
Men’, Father Alexander, (i)
Mendelssohn, Felix, (i)
Mendelssohn, Mira, (i)
Merezhkovsky, Dmitri, (i)
Merzhanov, Viktor, (i), (ii)
Messiaen, Olivier, (i), (ii), (iii), (iv), (v)
Meyereovich, Mikhail, (i), (ii)
Meyerhold, Vsevolod, (i), (ii), (iii), (iv), (v), (vi)
Migai, Sergei, (i), (ii)
Mikeladze, Yevgeni, (i), (ii)
Mikhailov, Lev, (i)
Mikhoels, Solomon, (i), (ii), (iii)
Miklashevskaya, Irina, (i)
Mirsky, Dmitri, (i)
Mitropoulos, Dmitri, (i)
Moholy-Nagy, Làszlò, (i)
Mokreyeva, Galina, (i), (ii)
Molotov, Vyacheslav, (i), (ii)
Molotov-Ribbentrop pact, (i)
Moscow Chamber Orchestra, (i)
Moscow Conservatoire, (i), (ii), (iii), (iv), (v), (vi)
Moscow Radio Orchestra, (i)
Mozart, Wolfgang Amadeus, (i), (ii)
Mravinsky, Yevgeni, (i), (ii), (iii), (iv)
Muradeli, Vano, (i)
Muromtsev, Yuri, (i)
Musgiz (music publisher), (i), (ii)
Music Technikum, (i)
Myaskovsky, Nikolai, (i), (ii), (iii), (iv), (v)
Nalchik (city), (i)
‘Name-Worshippers’ (religious sect), (i)
Narkompros (Commissariat for Enlightenment), (i)
Nasedkin, Alexei, (i)n
Naumov, Lev, (i)
Nazarov, Yasha, (i)
Nest’ev, Israel, (i)
Neuhaus, Heinrich, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
Neuhaus, Stanislav, (i), (ii), (iii)
Neusykhin, Alexander, (i)
Nevel’, Russia, (i), (ii), (iii); massacre of Jews, (i)
New Viennese School, (i)
New York City Ballet, (i)
New York Philharmonic, (i)
Nikitina, Olga, (i)
Nikolayev, Leonid, (i), (ii), (iii), (iv), (v)
Nikolayeva, Tatiana, (i), (ii), (iii)
Nixon, Richard, (i)
Nono, Luigi, (i)
Novosibirsk (city), (i)
Nusinov, Isaak, (i)
OBERIU (Leningrad absurdist group), (i)
Oborin, Lev, (i), (ii), (iii), (iv), (v)
OGPU (secret police), (i), (ii)
Oistrakh, David, (i), (ii), (iii), (iv), (v), (vi), (vii)
Orlov, Alexander, (i)
Ormandy, Eugene, (i)
Ossovsky, Alexander, (i), (ii), (iii), (iv)
Pale of Settlement, (i)
Pärt, Arvo, (i), (ii)
Pasternak, Boris: Dr Zhivago, (i), (ii), (iii), (iv); first encounter with MVY, (i); friendship with Heinrich Neuhaus, (i); friendship with MVY, (i), (ii), (iii); meets Leonard Bernstein, (i); and MVY’s Schubert lieder project, (i), (ii); death and funeral, (i)
Pavlovskaya-Borovik, Vera, (i)
Peiko, Nikolai, (i)
Perelman, Natan, (i)
Peshkova, Yekaterina Pavlovna, (i), (ii), (iii), (iv), (v), (vi)
Petersburg Religious Philosophical Society, (i)
Petrograd (St Petersburg), during the Civil War, (i)
Petrograd Conservatoire, (i), (ii)
Petrograd University, (i)
Petrograd/Leningrad Philharmonic, (i), (ii)
Petrogradsky Trial (1922), (i)
Petrov-Vodkin, Kuzma, (i)
Petrovykh, Iosif, (i)
Petrozhitsky, Lev, (i)
Pieck, Wilhelm, (i)
Pigulevskaya, Nina, (i)
Pikayzen, Viktor, (i), (ii), (iii)
Platonov, Sergei, (i)
Pollock, Jackson, (i)
Polovtseva, Kseniya, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
PomPolit (association), (i), (ii), (iii), (iv)
Ponkizovkin, Yuri, (i)
Popov, Gavriil, (i), (ii), (iii), (iv)
Popov, Konstantin, (i)
Popova, Lyubov, (i)
Poret, Alisa, (i), (ii), (iii)
Preobrazhensky, Alexander, (i)
Prezent, Isaac, (i)
Prieberg, Fred, (i), (ii)
Privshin, Mikhail, (i)
Prokhorova, Vera, (i), (ii)
Prokofiev, Sergei: Second Piano Concerto, (i), (ii), (iii), (iv), (v), (vi), (vii); Romeo and Juliet, (i); collaboration with Meyerhold, (i); evacuated during the war, (i); music censored, (i); provides accommodation to MVY, (i); War and Peace, (i), (ii); death, (i)
Protopopov, Sergei, (i), (ii), (iii), (iv), (v)
Pumpyansky, Lev Vasilyevich, (i), (ii), (iii), (iv), (v), (vi), (vii)
purges, (i); in education, (i)
Pyast, Vladimir, (i)
Rabinovich, Isaak, (i)
Rabinovich, Nikolai, (i)
Rachmaninov, Sergei, (i), (ii)
Radlov, Sergei, (i)
Raikh, Zinaida, (i)
Raisky, Nazary, (i)
Rakhlin, Nathan, (i), (ii)
Ramin, Günther, (i)
Rank, Otto, (i)
RAPM (Russian Association of Proletarian Music), (i), (ii)
religious music, Soviet banning of, (i)
Renzin, Isai, (i)
Resolution (1946), condemning ideological impurity, (i), (ii)
Richter, Sviatoslav, (i), (ii), (iii), (iv), (v), (vi)
Rilke, Rainer Maria, (i)
Rimsky-Korsakov, Andrei, (i)
Rodchenko, Alexander, (i), (ii)
Rolland, Romain, (i)
Rosenstock, Joseph, (i)
Rosicrucian Order, (i)
Rostropovich, Mstislav, (i), (ii), (iii), (iv)
Rozhdestvenskaya, Natalia, (i), (ii)
Rozhdestvensky, Alexander, (i)
Rozhdestvensky, Gennadi, (i), (ii), (iii), (iv), (v)
Ruben, Dominic, (i)
Rubinstein, Anton, (i)
Rubinstein, Nikolai, (i)
Rubinstein Prize, (i)
Ruchevskaya, Yekaterina, (i)
Rudneva, Lyubov, (i)
Rugevich, Anna Sergeyevna, (i)
Rugevich, Vladimir, (i)
Russian Orthodox Church, (i), (ii)
Saltykov, Kirill, (i)
Saltykova, Yelena Nikolayevna, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)
samizdat, (i), (ii)
Sanderling, Kurt, (i)n, (ii), (iii), (iv), (v)
Savyolovo, (i)
Scherchen, Hermann, (i), (ii)
Schillinger, Joseph, (i)
Schmitt, Florent, (i)
Schnabel, Artur, (i)
Schoenberg, Arnold, (i)
Schubert, Franz, (i), (ii), (iii)
Schweitzer, Albert, (i)
Scriabin Memorial Museum, (i), (ii)
Sébastien, Georges, (i), (ii)
Second World War, (i)
Selyu, Yulian, (i), (ii)
Serebryakov, Pavel, (i)
Serocki, Karimierz, (i)
Shakhovskaya, Natalia, (i)
Shakty Trials, (i)
Shapiro, Raisa, (i)
Shaporin, Yuri, (i), (ii), (iii), (iv)
Shaporina, Lyubov, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)
Shatsky, Stanislav, (i)
Shcherbachov, Vladimir, (i), (ii), (iii), (iv), (v)
Shebalin, Vissarion, (i), (ii), (iii)
Shervinsky, Sergei, (i)
Shirinsky, Sergei, (i), (ii)
Shishmarev, V.F., (i)
Shostakovich, Dmitri: studies at Petrograd Conservatoire, (i); at MVY’s graduation performance, (i); on MVY’s influence, (i); on Nikolai Malko, (i); Bach’s influence on, (i); at Prokofiev’s performance of his Second Piano Concerto, (i); composition lessons from Yavorsky, (i); music censored, (i), (ii), (iii), (iv); support for MVY, (i); at Bach’s bicentenary celebrations in Leipzig, (i); 24 Preludes and Fugues, (i); Ninth Symphony, (i); Second Piano Sonata, (i); Seventh Symphony, (i), (ii), (iii); Tenth Symphony, (i); Thirteenth Symphony, (i)
Shostakovich, Sofia Vasilyevna, (i)
Shotinov, Konstantin, (i)
show trials, (i)
Shpiller, Father Vsevolod, (i), (ii)
Shtarkman, Naum, (i)
Silver Age, Russian, (i)
Silvestrov, Valentin, (i)
Simonovich-Yefimova, Nina, (i), (ii)
Sinyavsky, Andrei, (i)
Skoblò, Valentin, (i)