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What chatty Madam Shpolyanski mentioned had conjured up Mira's image with unusual force. This was disturbing. Only in the detachment of an incurable complaint, in the sanity of near death, could one cope with this for a moment. In order to exist rationally, Pnin had taught himself, during the last ten years, never to remember Mira Belochkin--not because, in itself, the evocation of a youthful love affair, banal and brief, threatened his peace of mind (alas, recollections of his marriage to Liza were imperious enough to crowd out any former romance), but because, if one were quite sincere with oneself, no conscience, and hence no consciousness, could be expected to subsist in a world where such things as Mira's death were possible. One had to forget--because one could not live with the thought that this graceful, fragile, tender young woman with those eyes, that smile, those gardens and snows in the background, had been brought in a cattle car to an extermination camp and killed by an injection of phenol into the heart, into the gentle heart one had heard beating under one's lips in the dusk of the past. And since the exact form of her death had not been recorded, Mira kept dying a great number of deaths in one's mind, and undergoing a great number of resurrections, only to die again and again, led away by a trained nurse, inoculated with filth, tetanus bacilli, broken glass, gassed in a sham shower-bath with prussic acid, burned alive in a pit on a gasoline-soaked pile of beechwood. According to the investigator Pnin had happened to talk to in Washington, the only certain thing was that being too weak to work (though still smiling, still able to help other Jewish women), she was selected to die and was cremated only a few days after her arrival in Buchenwald, in the beautifully wooded Grosser Ettersberg, as the region is resoundingly called. It is an hour's stroll from Weimar, where walked Goethe, Herder, Schiller, Wieland, the inimitable Kotzebue and others. 'Aber warum--but why--' Dr Hagen, the gentlest of souls alive, would wail, 'why had one to put that horrid camp so near!' for indeed, it was near--only five miles from the cultural heart of Germany--'that nation of universities,' as the President of Waindell College, renowned for his use of the mot juste, had so elegantly phrased it when reviewing the European situation in a recent Commencement speech, along with the compliment he paid another torture house, 'Russia--the country of Tolstoy, Stanislavski, Raskolnikov, and other great and good men.'

Pnin slowly walked under the solemn pines. The sky was dying.' He did not believe in an autocratic God. He did believe, dimly, in a democracy of ghosts. The souls of the dead, perhaps, formed committees, and these, in continuous session, attended to the destinies of the quick.

The mosquitoes were getting bothersome. Time for tea. Time for a game of chess with Chateau. That strange spasm was over, one could breathe again. On the distant crest of the knoll, at the exact spot where Gramineev's easel had stood a few hours before, two dark figures in profile were silhouetted against the ember-red sky. They stood there closely, facing each other. One could not make out from the road whether it was the Poroshin girl and her beau, or Nina Bolotov and young Poroshin, or merely an emblematic couple placed with easy art on the last page of Pnin's fading day.

Chapter Six

1

The 1954 Fall Term had begun. Again the marble neck of a homely Venus in the vestibule of Humanities Hall received the vermilion imprint, in applied lipstick, of a mimicked kiss. Again the Waindell Recorder discussed the Parking Problem. Again in the margins of library books earnest freshmen inscribed such helpful glosses as 'Description of Nature', or 'Irony'; and in a pretty edition of Mallarmй's poems an especially able scholiast had already underlined in violet ink the difficult word oiseaux and scrawled above it 'birds'. Again autumn gales plastered dead leaves against one side of the latticed gallery leading from Humanities to Frieze Hall. Again, on serene afternoons, huge amber-brown Monarch butterflies flapped over asphalt and lawn as they lazily drifted south, their incompletely retracted black legs hanging rather low beneath their polka-dotted bodies.

And still the College creaked on. Hard-working graduates, with pregnant wives, still wrote dissertations on Dostoyevsky and Simone de Beauvoir. Literary departments still laboured under the impression that Stendhal, Galsworthy, Dreiser, and Mann were great writers. Word plastics like 'conflict' and 'pattern' were still in vogue. As usual, sterile instructors successfully endeavoured to 'produce' by reviewing the books of more fertile colleagues, and, as usual, a crop of lucky faculty members were enjoying or about to enjoy various awards received earlier in the year. Thus, an amusing little grant was affording the versatile Starr couple--baby-faced Christopher Starr and his child-wife Louise--of the Fine Arts Department the unique opportunity of recording post-war folk-songs in East Germany, into which these amazing young people had somehow obtained permission to penetrate. Tristram W. Thomas ('Tom' to his friends), Professor of Anthropology, had obtained ten thousand dollars from the Mandoville Foundation for a study of the eating habits of Cuban fishermen and palm climbers. Another charitable institution had come to the assistance of Dr Bodo von Falternfels, to enable him to complete' a bibliography concerned with such published and manuscript material as has been devoted in recent years to a critical apprai5al of the influence of Nietzsche's disciples on Modem Thought'. And, last but not least, the bestowal of a particularly generous grant was allowing the renowned Waindell psychiatrist, Dr Rudolph Aura, to apply to ten thousand elementary school pupils the so-called Fingerbowl Test, in which the child is asked to dip his index in cups of coloured fluids whereupon the proportion between length of digit and wetted part is measured and plotted in all kinds of fascinating graphs.

The Fall Term had begun, and Dr Hagen was faced with a complicated situation. During the summer, he had been informally approached by an old friend about whether he might consider accepting next year a delightfully lucrative professorship at Seaboard, a far more important university than Waindell. This part of the problem was comparatively easy to solve. On the other hand, there remained the chilling fact that the department he had so lovingly built, with which Blorenge's French Department, although far richer in funds, could not vie in cultural impact, would be relinquished into the claws of treacherous Falternfels, whom he, Hagen, had obtained from Austria and who had turned against him--had actually managed to appropriate by underhand methods the direction of Europa Nova, an influential quarterly Hagen had founded in 1945. Hagen's proposed departure--of which, as yet, he had divulged nothing to his colleagues--would have a still more heart-rending consequence: Assistant Professor Pnin must be left in the lurch. There had never been any regular Russian Department at Waindell and my poor friend's academic existence had always depended on his being employed by the eclectic German Department in a kind of Comparative Literature extension of one of its branches. Out of pure spite, Bodo was sure to lop off that limb, and Pnin, who had no life tenure at Waindell, would be forced to leave--unless some other literature-and-language Department agreed to adopt him. The only departments that seemed flexible enough to do so were those of English and French. But Jack Cockerell, Chairman of English, disapproved of everything Hagen did, considered Pnin a joke, and was, in fact, unofficially but hopefully haggling for the services of a prominent Anglo-Russian writer who, if necessary, could teach all the courses that Pnin must keep in order to survive. As a last resort, Hagen turned to Blorenge.