Poe leaned back, eyes on the foot long blade. And the fever called living is conquered at last. But he didn’t want to die. He had found Rachel again and he didn’t want to die. To love a beautiful woman was to be alive and Poe loved this beautiful woman.
He saw everything around him in precise detaiclass="underline" the tarnished buttons on Sproul’s coat, a glint of sunlight on the bowie knife’s blade, a pitchfork leaning against a horse’s stall, a saddle resting on a bale of hay and he thought that eternity, which he had so often both longed for and dreaded, should not be as ugly as it now appeared to him. Death should not be this ugly.
Sproul, eyes wide, began to feel sick from fear of Jonathan and somewhere in his mind he wished that he had not attempted to cheat him by stealing Justin Coltman’s body, but the die had been cast, the arrow shot and there was no turning back. Kill Poe. Then run to ground again and pray that Jonathan would not find him as he had found the others.
“Stand! Everybody as you are, if you please! First man what moves a bleedin’ hair gets a ball for his trouble!”
Figg crouched at the top of a ladder leading from the hayloft down to the ground floor, two pocket pistols pointed at Sproul, Chopback and the third man, Isaac Bard.
Poe’s eyes quickly went to his deliverer. He saw a small mountain of a man in black top hat, long black coat and boots, with the face of a monstrous and surly bulldog. The face belonged to someone who ate raw meat with the run still in it. But this specimen of prehistoric man had just pulled Poe back from that greatest of unknowns and Poe accepted his deliverance from death gladly.
He stood up and watched Figg start down the ladder, moving carefully, eyes on the men below him. Figg had never seen a knife like Sproul’s before; the blade was large enough to be melted down for cannon if a man had a mind to. The one called Chopback had his axe and the third man showed no weapon, which was not a reason for Figg to play him cheap. The boxer knew that staying alive in the world meant treating all men as capable of removing you from it.
Poe used the sleeve of his greatcoat to wipe the remainder of the tobacco juice from his face. He’d never seen Bulldog Face before and insofar as he could remember had never done him a good turn. So why was he racing to Poe’s rescue?
Sproul continued to chew his tobacco, never taking his eyes from Figg as the boxer slowly made his way down the ladder. “You ain’t the stable boy, I’m thinkin’.”
“Ain’t your Aunt Nelly neither. You would be doin’ yourself a favor if you were to drop that cuttin’ tool you are holdin’. Must be a most heavy burden for such a slight fella as yourself.”
“Does what I tell it.”
“Tell it to lie on the ground. I will not be askin’ you agin.”
Sproul opened his fingers, dropping the huge knife to the ground.
Stopping his descent, Figg said, “Mr. Poe, there is a stable door in front of you direct. Use it, if you please. Outside you will find a worried lookin’ gentleman in a carriage pulled by a rather sad lookin’ bay horse. Introduce yourself and be tellin’ him I sent you.”
Poe bent over to pick up his hat and stick. Removing himself from this society of homicidal imbeciles would be his pleasure; let them all devour one another. Let them bathe in each other’s blood.
Chopback made his move. No one was going to cheat him out of what he’d come here for. He was a small, black-bearded man with the widely spaced, pop eyes of a frog and using his axe on those he hated made him feel as tall as anyone walking the earth. Chopback, who had swung the blade of his axe into the backs of a tidy number of men, thought of his dead cousin Sylvester Pier and the ugly death that had been his thanks to Mr. Poe and Chopback lifted his short-handled axe high over his head.
Figg extended one arm and fired.
Smoke appeared from beneath the hammer and from the barrel of his six-inch pocket pistol and two seconds later, there was a neat, round hole over Chopback’s left eyebrow. Dead on his feet, the frog-eyed little man dropped the axe behind him, falling backwards and on top of it.
That same shot almost killed Pierce James Figg.
The four horses in the stable-like all horses of that time-were not trained to accept gunfire. These horses whinnied, shied, kicked against the stalls and one pulled his bridle free and backed out in a panic; his movements increased the fear and uncertainty among the other three and all crashed against their stall. It was the first one, a black with a shiny coat and white, thunder-boltlike streak running from eyes to nose, who backed out of his stall and into the ladder Figg stood on, sending the boxer flying, causing him to drop both pistols.
Poe’s heart sank as Figg hit the ground, but the boxer leaped to his feet-empty handed-and sidestepped the frightened horse.
All of the horses now backed out of their stalls and milled around the center of the stable where Poe, his would-be killers and would-be rescuer were. To avoid being trampled to death, Poe ducked into an empty stall. There was no back door to the stable and between Poe and the front door were three dangerous men and four terrified horses. It was necessary to absent himself from this precarious ground but how? On his knees, he peeked out of a stall and saw Hamlet Sproul snatch up his bowie knife, then leap backwards to avoid a galloping horse. He saw Isaac Bard pull the axe from under the dead Chopback and he saw the two of them direct their full attentions to Poe’s deliverer, the man with the bulldog’s face.
Isaac Bard was a gray, squat fifty-year-old who was trying to hang on in the dangerous underworld of Five Points and the Bowery, an underworld controlled by the tough, young Irish. Bard was a member of “The Dead Rabbits,” the most vicious Irish gang in Five Points, a gang that wore a red stripe down the side of their pants and carried a dead rabbit into battle stuck on a pike. Isaac Bard hired himself out as often as he could; for a dollar he had agreed to be Hamlet Sproul’s man for as long as it took to deal with Master E. A. Poe. Bard could neither read nor write, so the fact that Master Poe was a man of letters was lost on him. The scribbler was only a day’s work; that work meant taking his life.
Poe’s throat was tight with fear. His rescuer was trapped between a panicked, whinnying horse and two armed men, each holding cold steel. The bulldog had only empty hands, not enough to keep both him and Poe alive.
Poe saw the bulldog quickly crouch, pick up the ladder he’d just fallen from and, gripping it tightly in both hands, charge Sproul and Bard, hitting both men simultaneously, driving them back, back. Both men went down and Figg dropped the ladder on top of them.
Poe watched the violence with total concentration, fascinated by it, attaching himself to it completely and losing himself in it so that he became one with all three men. Violence had always lured him and now he succumbed to it, on his feet so that he could better view the life and death drama being played solely for him. For him.
He watched Isaac Bard die.
Bard, flat on his back, kept his grip on the axe but he was slower than Figg, whose life had been a study of combat. Isaac Bard rolled to his left side, one hand gripping the axe, the other against the ground to push himself to his feet.
His head was waist high when Figg, standing in front of him, placed both hands behind Bard’s head and pulled it down hard into his raised knee. Poe heard Bard sigh as though drifting into sleep. Bard, his nose crushed, panicked at the horrible hurt exploding in his face; he panicked because he could no longer breathe. Poe saw the axe fall, but he also saw that Figg didn’t let go of Bard’s head.