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There was only the soft sound of Dr. Holcombe’s palms rubbing the sides of his scotch glass.

“That’s a pretty sturdy motive, Gordon,” Dix told him. “Your ex-lover spilled the beans, starting a scandal that might get you fired from your prestigious job, and giving parents an excellent reason to yank their kids out of Stanislaus. I could arrest you right this minute.”

Gordon nearly knocked over his glass. He grabbed it, righted it. His breath was coming hard and fast. “I didn’t do it, Dix, I swear to you. I couldn’t kill Helen. I loved her, in my way.”

“What is your way, sir?” Ruth asked.

“She was my anchor. She knew people, understood them in ways I couldn’t begin to; she gave me comfort and advice. I’ll never forget how I was interested in this viola student, and Helen told me she wasn’t stable, that she’d cause scenes and probably hurt me, so I stayed away from her. A couple of months later, she accused a boy from town of rape.”

“I remember that,” Dix said. “Kenny Pollard, but he had a rock-solid alibi. Seems clear to me now, Gordon, that Helen actually helped you seduce your own students.”

He shook his head back and forth, obviously shaken.

“When you realized she had told us about you, you killed Helen for revenge, didn’t you? That, and you couldn’t stand the world knowing you’re a philandering old fool.” Savich’s voice was so hard, so brutal that Gordon froze like a deer in headlights. Savich sat forward, grabbed Gordon’s wrist and squeezed. “

You will tell me the truth, you perverted old man. Why did you kill Erin Bushnell? Did she of all the music students see through you? Did she threaten to tell the world what you are, want to see you humiliated and run off campus, stripped of your power and prestige?”

Suddenly, the man who’d hunched over his drink, desperate and pleading, was gone. In his place was Dr. Gordon Holcombe, director of Stanislaus, back in all his dignity, his patrician face set in arrogant lines again. He looked at each of them in turn with disdain and a superior’s patience. “I will tell you the truth about Erin. I first became involved with her on Halloween when she showed up at my house to trick-or-treat, dressed like Titania from Midsummer Night’s Dream. She called me her Oberon later that night.”

The expression on Ruth’s face never changed, although Dix fancied he saw her shudder.

“Erin was the most talented violinist I’ve heard in a very long time. Gloria Stanford was convinced she’d be known the world over someday. She had glorious technique, could make you weep listening to her play. The three violin sonatas composed for Joseph Joachim by Brahms—she was transcendent. I was blessed by her company, I reveled in it. But I did not kill her, there was no reason. I didn’t kill Helen Rafferty, either. I loved both of them, in different ways.

“Whatever you may believe about my personal ethics and behavior, none of it concerns you unless I did something criminal, which I did not. Dix, you are the sheriff of Maestro. Everyone says we are lucky to have you. Well, prove it. Find out for all of us who killed two citizens of our town in under a week.”

“You forgot Walt McGuffey, that kind old man who never harmed a soul in his life.”

“I heard about him. You want to lay the old man’s death at my door, too? Fact is, I didn’t know him well, he meant nothing to me. Why would I kill him?”

“His house is on the way to Lone Tree Hill and the other entrance to Winkel’s Cave. Ruth’s car was hidden in his shed. That’s why someone murdered him.”

“I don’t know anything about her car! I haven’t seen Walt in months.”

Dix said, “When did you last see Erin alive?”

“On Thursday afternoon, at Stanislaus. She was working hard rehearsing for the upcoming concert, and we had no plans to see each other over the weekend.”

“But you did see her on Friday, didn’t you, Gordon? You took her to Winkel’s Cave, to murder her.”

Gordon looked like he might faint. He paled, and his eyes nearly rolled back in his head. Ruth stuck her coffee cup under his nose. “Drink.”

Gordon was babbling now, waving his hands at them like a drunk conductor. “I didn’t, really, there’s no way I could do anything like that. I didn’t—”

Dix splayed his hands on his seat cushion and leaned toward his uncle. “Let me tell you what you’re going to do for us, Gordon. You’re going to give us written permission to search your home, your office, and your studio. If you cooperate, we’ll do it discreetly as part of the investigation. If not, we’ll get search warrants and post flyers on every tree on campus about the women you slept with, then subpoena each of them to come back to Stanislaus and talk to us—and the board of directors.

“You know now that you can’t expect to keep your affair with Erin under wraps for long, but they might let you keep your job, or help you get another one somewhere, if you tell them yourself. Think about it.

“And you’re going to tell us all about your other affairs—the names of the students and how we can reach them. We can turn the records at Stanislaus upside down to find them if we have to. Don’t make us do that, Gordon.”

Ruth pulled out a pen and a small notebook. “All right, I’m ready, Dr. Holcombe. Tell us about your talented Lolitas.”

“It wasn’t like that! You make them sound like teenagers, and they weren’t. They were all accomplished musicians. No, it was never like that. I loved all of them, in their time.”

“In their time,” Savich repeated slowly, his eyes steady on Gordon’s face. “Who lasted longest, Dr. Holcombe?”

Gordon froze. “I don’t want to talk about this. Dix, make them stop. I haven’t done anything.”

“Ruth has her pen ready, Gordon. Give her names. Who was before Erin Bushnell?”

There was a moment of tense silence. Gordon drew in a deep breath and said to Ruth, “Before Erin, there was Lucy Hendler, pianist, lovely long reach, incredible technique and passion, perfect pitch.”

A litany of attributes, nothing about Lucy Hendler the woman, the individual. “What were the dates?”

“What do you mean, dates?”

Ruth said, “Dr. Holcombe, surely Lucy wasn’t all that long ago.”

“She performed Scarlatti exquisitely in a recital a year ago February. She got a standing ovation, difficult to do, let me tell you, in an audience of accomplished musicians. She told me later she actually hated Scarlatti, that he was dated and boring, far too predictable. I thought it amusing and sweet, her lack of historical context. I mean, how could anyone dismiss Domenico Scarlatti, for God’s sake? She was only twenty-one. What did she know?”

Ruth said, “So you booted her because she wasn’t a Scarlatti aficionada?”

“No, of course not. Our relationship deepened. I remember we got a little cross with each other before she graduated. It was May Day and we had a Maypole on campus. I thought it would be lovely if we had a choral group seated around the Maypole singing Irish folk songs, and other students could dance around the pole, dressed up in peasant costumes. She laughed at me. Can you imagine that?”

“Where is Lucy Hendler, Dr. Holcombe?”

“She graduated in June. She was accepted into our performing graduate program, but she didn’t stay.”

“Let me guess, she changed her mind after the Maypole.”

“No, I’m sure that had nothing to do with her decision to leave Stanislaus. She had a friend up in New York she went to visit and decided to stay. Last I heard she was enrolled at Juilliard.”

Ruth nodded. “And do you feel responsible for Stanislaus losing a graduate student?”

Dix kept his mouth shut. Ruth was handling this like a pro, reeling Gordon in, getting him to spill information Dix doubted he’d ever be able to get out of him.