“Ah, Chopper Four, this is Base Six, can you take a right-hand circle about half-mile out? I have a New Orleans police report of some roofline movement. I’m looking at Grid Square Lima-thirteen-Tango, I got a cop in that area says he thinks he saw something. My countersniper team in that zone has called it a no-show, but take a look, will you, big guy?”
“That’s a big rog, Alpha Six,” came the voice from the chopper, and Nick heard the thing roar overhead, a black Huey.
“Ah, Base, I’ve got an all clear, your cop must have seen a mirage.”
“Okay, Chopper, good work.”
“I’m out of here, Alpha Six.”
The bird’s roar fluttered and diminished.
Nick was alone again, on the face of the moon.
“Time,” asked Bob, and lost the answer in the roar of the chopper.
When the bird cleared, he asked again.
“Eleven-fifty-six, pal,” came Payne’s answer.
Bob breathed out heavily, a stupid move, because it somewhat jittered his eye’s placement against the scope; he blinked, lost his image, came back to find a black half-moon of eye-relief error cutting into the cone of his vision because he wasn’t properly aligned. His heart was pumping.
Goddamn! he told himself, be cool, man.
And there it was again, the arch in the steeple, in perfect clarity, its black dullness sealing off his vision, simply a maze of ancient slats. He stared at it as if pouring himself through it, willing what he wanted to be there to be there, so far away, fourteen hundred yards from the target but just within the range of a world-class shooter like T. Solaratov.
Where are you, you bastard?
And then he saw him. He saw the sniper.
It was a subtlety in the light behind the slats, a shifting, a certain tightening, a certain coming together. As his mind raced to put the various-molecules of light and dark together into a picture, he realized that fifteen or so feet back, the sniper, at a bench like any rifle bench, was feeling his way into position. And in the next second or so, the whole thing assembled in his head; for now he saw also the solemn drift of the others in the room, very slow, very steady, but moving ever so slightly, a man on a scope next to the shooter, two men well back from the window. Then he watched as one by one, with the slowness of a glacier’s move, a slat and then another and still a third was removed. The diagonal slash in the arch was three inches wide. Behind it, he saw something move or tighten.
Very quietly, Bob said, “Payne, he’s there, I got his ass, he’s minute or so from shooting, send the boys in, now goddammit, send ’em in, he’s there, he’s there.”
“Ginger Dragon, we’ve got him, go, go, go, go,” said Payne.
“You got him,” yelled Timmons, the cop, “you got him.”
“Send those damn boys fast,” said Bob, “he’s set.”
Christ, he wished he had a rifle. It was his shot. It was a shot that kept him alive all these years – to have the motherfucker there, the man who did Donny Fenn, the man who blew out his hip and ended the life he was born to live, to have him right where the Remington wanted to go, right where he could put it. His trigger finger began to constrict and he imagined the buck of the rifle as he fired. He could take the trigger slack all the way down and ship a.308 hollowpoint out there and send that fuck straight to hell, drive his heart and spine all over New Orl -
“Goddamn, where are they, get ’em in there. He’s going to – ”
“All elements, move in, Ginger Dragon, go, go, go,” he heard Payne on the radio.
Where were they? There should be a chopper overhead, FBI SWAT guys in black rappelling down it, men moving in from all the hidden parts of the universe, men with guns and purpose, moving swiftly to stop -
“Where are they?”
Bob saw the spurt of flame as Solaratov fired.
“Bob?”
He turned and Payne shot him in the chest from a range of six feet.
Nick yawned and -
He heard the sound of a shot.
It froze him. The universe seemed to halt and his heart turned to stone.
Then the radio exploded.
“My God, Flashlight is down!”
He sat up; swallowed again.
The shot came from close by.
“We are under fire on the podium, Flashlight is hit and down, my God!”
“Alpha Actual, Alpha Actual, all units, Alpha Actual.”
Actual was the code word; it meant somebody was shooting at or had shot the president.
“Medics, vector in those medics, get these people out of here!”
“Medevac, this is Alpha Four, we need you ASAP, the man is down and hit, oh, Christ, oh, Jesus, get him fast, there’s some other people up here hit, oh, Christ!”
“Off the air, Alpha Four, your medevac is vectored in, are you still under fire?”
“Negative, Alpha Six, I think it was two, maybe three shots, I don’t, oh, God, there’s blood all over – ”
“This is Base Six, all units are cleared to fire if you have targets, this means you, countersnipers.”
“Where’s that fuckin’ medevac, we have blood everywhere, guys are down.”
Nick listened in horrified fascination.
“Do we have an isolation on the shot?”
“It was a long one, Phil, a sniper, I think it came from someplace out there beyond Rampart, in those fuckin’ houses, maybe that tall one.”
“SWAT people, let’s get going.”
“Negative that, this is Base, goddammit, we’ve got to get that chopper in and get the Man out of here.”
But me, Nick thought. I have to move. I have to move. He was out of the car, hating himself for the five seconds or so he’d lost.
Without willing it, the Smith came up into his hand from the pancake. His big thumb snaked out and pushed the safety up and off.
He ran toward the sound of the shot, which was on the left, the big house at 415 St. Ann.
Payne dragged him into another room. He felt the blood on his chest, warm like urine, so much of it. It felt like the last time.
In the blaze of light, as his head lolled and his limbs went limp, he could see a shooting bench, rigged together of cement blocks and weathered pieces of wood, and on it, there lay a rifle, slightly atilt on a brace of sandbags, a heavy-barreled Remington 700 with a Leupold 10× Ultra scope.
The New Orleans cop was talking urgently into his radio unit.
“Base Six, this is Victor Seven-twenty, I have shot suspect white male with rifle at five-one-four Saint Ann, please send assistance, I say again, Base Six, this is Victor Seven-twenty, I have shot suspect in the attic of five-one-four Saint Ann, please send assistance.”
Then Bob looked at the rifle.
It was his rifle.
“I have wounded suspect,” said Timmons. “Get people here fast. Get me ambulance, get me paramedics, get ’ em here ASAP!”
“Okay, dump him,” said the colonel, stepping out of the shadows as Bob slid off into stillness, “and let’s get the hell out of here.”
Bob sat there, feeling again what he had felt on the ridge line when the bullet tore through his hip: shock, hatred, pain, but mostly rage at his own stupidity.
It was winding down on him. His breathing came with the slow, rough transit of a train that had run off its tracks and now rumbled over the cobblestones. His systems were shutting down, the wave of hydrostatic shock that had blown through him with the bullet’s passage upsetting all the little gyros in his organs. He felt the blood in his lungs; there was no pain quite yet but only the queer sensation of loss, of blur, of things slipping away.
Then something cracked in him.
No you aren’t going let it happen
You been shot before
You can fight through it
You be a Marine
He took a deep breath, and in the rage and pride he found what would pass for energy and without exactly willing it, he stood up, again surprised that there was no pain at all, and with a strange, determined gait began to move toward the door.