Point of Origin

'The cut to her face is shallower than the others,' I noted, gently spreading open the wound with my gloved fingers. 'Deepest at her jaw, and then tapering off as it travels up her cheek.'

I stepped back and looked at the pajamas again.

'It's interesting that none of the buttons or snaps are missing,' I said. 'And no tears, such as you might expect after a struggle like this when the assailant grabs the victim and tries to control her.'

'I think control is the important word here,' Benton said.

'Or lack of it,' said McGovern.

'Exactly,' Benton agreed. 'This is a blitz attack. Something set this guy off and he went berserk. I seriously doubt he intended for this to go down anything like it did, which is also evidenced by the fire. It appears he lost control of that, too.'

'In my mind, the guy didn't hang around very long after he killed her,' McGovern said. 'He torched the place on his way out, thinking it would cover up his dirty work. But you're absolutely right. He didn't do a good job. And added to that, when the lady's fire alarm went off at one-fifty-eight A.M., trucks got there in less than five minutes. So the damage was minimal.'

Kellie Shephard had second-degree burns to her back and feet, and that was all.

'What about a burglar alarm?' I asked.

'Wasn't armed,' McGovern replied.

She opened the manila envelope and began spreading scene photographs over a desk. Benton, Gerde, and I took our time studying them. The victim in her bloody pajamas was facedown in the bathroom doorway, one arm under her body, the other straight out in front of her as if she had been reaching for something. Her legs were straight and close together, her feet almost reaching the toilet. Sooty water on the floor made it impossible to find bloody drag marks, had they existed, but close-ups of the door frame and surrounding wall showed obvious cuts to the wood that appeared fresh.

'The fire's point of origin,' McGovern said, 'is right here.'

She pointed to a photograph of the interior of the scorched bathroom.

'This corner near the tub where there's an open window with a curtain,' she said. 'And in that area, as you can see, are burned remnants of wooden furniture and pillows from a couch.'

She tapped the photograph.

'So we've got an open door and an open window, or a flue and a chimney, so to speak. Just like a fireplace,' she went on. 'The fire starts here on the tile floor, and involves the curtains. But the flames didn't quite have the energy this time to fully engage the ceiling.'

'Why do you suppose that is?' I asked.

'Can only be one good reason,' she replied. 'The damn thing wasn't built right. I mean, it's clear as day the killer piled furniture, couch cushions, and whatever into the bathroom to build his fire. But it just never got going the way it needed to. The initial fire was unable to involve the piled fuel load because of the open window and the flame bending toward it. He also didn't stand around and watch, either, or he would have realized he screwed up. This time his fire didn't do much more than lick over the body like a dragon's tongue.'

Benton was so silent and still he looked like a statue as his eyes traveled over photographs. I could tell he had much on his mind, but typically, he was guarded in his words. He had never worked with McGovern before, and he did not know Dr Abraham Gerde.

'We're going to be a long time,' I said to him.

'I'm heading out to the scene,' he replied.

His face was stony, the way it got when he felt evil like a cold draft. I gave him my eyes, and his met mine.

'You can follow me,' McGovern offered him.

'Thanks.'

'One other thing,' McGovern said. 'The back door was unlocked, and there was an empty cat pan in the grass by the steps.'

'So you think she went outside to empty the cat pan?' Gerde asked both of them. 'And this guy was waiting for her?'

'It's just a theory,' said McGovern.

'I don't know,' Wesley said.

'Then the killer knew she had a cat?' I said dubiously. 'And that she eventually was going to let it out that night or clean out the cat pan?'

'We don't know that she didn't empty the litter box earlier that evening and leave it in the yard to air out,' Wesley pointed out as he ripped off his gown. 'She may have turned off her alarm and opened the door late that night or in the early morning hours for some other reason.'

'And the cat?' I asked. 'Has it shown up?'

'Not yet,' McGovern said, and she and Benton left.

'I'm going to start swabbing,' I said to Gerde.

He reached for a camera and started shooting as I adjusted a light. I studied the cut to her face, and collected several fibers from it, and a wavy brown hair, four and a half inches long, that I suspected was her own. But there were other hairs, red and short, and I could tell they had been recently dyed because one-sixteenth of an inch at the root was dark. Of course, cat fur was everywhere, most likely transferred to bloody surfaces of the body when the victim was on the floor.

'A Persian, maybe?' Gerde asked. 'Long, very fine fur?'

'Sounds good to me,' I said.

15

THE TASK OF collecting trace evidence was overwhelming and had to be done before anything else. People generally have no idea what a microscopic pigpen they carry with them until someone like me starts scouring clothing and bodies for barely visible debris. I found splinters of wood, likely from the floor and walls, and cat litter, dirt, bits and pieces of insects and plants, and the expected ash and trash from the fire. But the most telling discovery came from the tremendous injury to her neck. Through a lens, I found two shiny, metallic specks. I collected them with the tip of my little finger, and delicately transferred them to a square of clean white cotton cloth.

There was a dissecting microscope on top of an old metal desk, and I set the magnification to twenty and adjusted the illuminator. I could scarcely believe it when I saw the tiny flattened and twisted silvery shavings in the bright circle of light.

'This is very important,' I started talking fast. 'I'm going to pack them in cotton inside an evidence container, and we need to make double sure there's no other debris like this in any of the other wounds. To the naked eye, it flashes like a piece of silver glitter.'

'Transferred from the weapon?'

Gerde was excited, too, and he came over to take a look.

'They were embedded deep inside the wound to her neck. So yes, I'd say that was a transfer, similar to what I found in the Warrenton case,' I answered him.

'And we know what about that?'

'A magnesium turning,' I answered. 'And we don't mention anything about this to anyone. We don't want this leaking to the press. I'll let Benton and McGovern know.'

'You got it,' he said with feeling.

There were twenty-seven wounds, and after a painful scrutinizing of all of them, we found no other bits of the shiny metal, and this struck me as a little puzzling since I had assumed the throat had been cut last. If that were the case, why wasn't the turning transferred to an earlier wound? I believed it would have been, especially in those instances when the knife had penetrated up to the guard and was swiped clean by muscular and elastic tissue as the blade is withdrawn.

'Not impossible but inconsistent,' I said to Gerde as I began measuring the cut to the throat. 'Six and three-quarters inches long,' I said, jotting it down on a body diagram. 'Shallow up around the right ear, then deep, through the strap muscles and trachea, then shallow again higher on the opposite side of the neck. Consistent with the knife drawn across the neck from behind, by a left-handed assailant.'