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In the last few years, she’d seen less of Roger than she’d seen of her hairdresser. And, unlike many of the society women she knew, she didn’t spend that much time with her hairdresser. Though she’d given up her own career to more easily accommodate her schedule to that of her husband, she had a life, a good mind. But when Roger was free, she didn’t want her own activities to fill that precious time and keep them apart. She wanted to be able to be with him, talk to him, enjoy his presence. She wanted to be able to drop everything and accompany him on his frequent business trips, if he wanted her along.

But lately, he’d been so busy that, no matter how flexible she was, she still rarely saw him. She’d tried to fill her time with volunteer activities and subsist on the moments they spent together, but those moments were now often in the middle of the night, as she watched him sleep after he’d come in so exhausted he could barely manage to say hello before he crashed. Her life was hollow, empty, lacking in purpose.

Roger had his work.

She had nothing, not even Roger.

It was too much. She’d used this time at her sister’s house to do some hard thinking. For her own survival, she had to change things. One of them had to give. Roger had to make more time for her, for them, or she’d have to make a life on her own.

As she took the phone from her sister, she took a deep breath. “Roger?”

“How are you, Ashley? I’ve missed you.”

Trite words, perhaps, but Ashley could tell he meant them. As she rejoiced in the sound of his voice, she wondered how long it had been since he’d spoken to her like this, since he had really listened to her. Too long. It hurt to think about exactly how long. “I’m surprised you even noticed I was gone,” she said.

“Believe me, I noticed,” he said. “You’re not at the breakfast table. 1 start every day missing you, and it gets worse from there.” Roger sounded so tired.

“Since when do you eat breakfast at home?” Ashley asked quietly. “Usually, you’re out of the house before seven, grabbing something on the way to the office.”

There was a silence on the other end of the line as Roger digested that. Knowing him, he’d want to deny it; then, because he was a fair man, he’d start counting back in his head. Roger’s memory was legendary, photographic. At this moment, he’d probably gotten to the hundredth muffin he’d consumed at his desk, and he was now starting to count back through fruit plates and toasted bagels. The silence stretched on, a little strained.

“You’re right.” The admission undoubtedly hurt him like fire.

“I know I am.”

“It was never because I didn’t love you.” Roger swallowed. The sound carried clearly over the line. “No matter what I’m doing, I’d always rather be spending time with you.”

“Then why don’t you? How many meals have we shared in the past six months?”

Again, silence. Finally, the answer. “Thirty-eight?”

“Subtract banquets, political functions, work-related functions, and parties.” Ashley knew this wasn’t fair, but she was fighting for time and life with the man she loved. “By my reckoning, the answer comes to eighteen — three meals a month.”

“I know it’s hard for you, but it’s been tough for me, too.” Roger stopped for a moment, clearly picking his words with care. “I don’t always have the freedom to make my own choices.”

“Why not? You own the company.”

“Lately, with the ground stations going in, I’ve been so embroiled with politics worldwide that my time isn’t my own. Once this stage is over, things should get better.”

“And how many times have you told yourself — and me — that before? Will they really get better, or will you just launch into the next big project once you get some breathing room?” Ashley wanted to cry, could hear in her voice the sound of tears too close to the surface. She could only hope that Roger was too preoccupied with his own pain to notice.

“I know I’ve said it before, but this time I mean it.”

“Roger,” Ashley said, “you mean it every time. I probably don’t tell you this enough, but I am so proud of you — of who you are and what you’ve done. I know that everything you’ve accomplished out in the world makes a huge difference to people everywhere. I know that it’s your calling, something you have to do. What I don’t know is if I’m strong enough to wait until you’re done.”

“Ashley, all the success in the world doesn’t matter to me if you’re not by my side to share it.”

“Do you mean that?” Ashley felt that faint, terrible thread of hope. Maybe, just maybe, they could work this out. “Can you come up here, spend some time with me, maybe go to a therapist with me until we find some common ground?”

There was a long pause. Again she could hear Roger swallow, take a deep breath. “Honey, work is in a real uproar right now. There are global consequences if I leave at this exact moment… maybe in a week or two?”

“And in a week or two some new hot spot will erupt, and you’ll be called in to deal with it — because you’re the best.” The tears she’d kept at bay through the whole conversation finally overflowed. “You’re the best,” she sobbed, “and I don’t know what I can do about it. I love you. Good-bye.” Before she could change her mind, she pushed the Disconnect button on the phone. Then she put her head in her hands and sobbed as though there were no tomorrow. Because for her and Roger, that might just be the case.

THIRTY-ONE

BROOKLYN, NEW YORK JANUARY 26, 2000

Anton Zachary was a solid believer in routine. In structure and regimentation. Without it, he felt, the minutes and hours of the day turned to sludge, the significance of actions paled, diligence turned to sloth, nothing meant anything, and everything fell apart. For him, life without margins was a valueless blur of inconsequential events.

He hadn’t always held this outlook; it had grown and developed over many years, and more or less in tandem with his professional responsibilities. Zachary was a busy man, a man Nick Roma frequently called upon to perform impossible tasks within unimaginable deadlines. This was not done out of disrespect, not really, but, as with most overlords, Roma’s mind lacked the fine appreciation, so to speak, that would allow him to understand the hard work, the painstaking discipline and attention to detail, that went into the creation of a convincing fake, a successful lie, a counterfeit passport, visa, marriage license, or birth certificate that would deceive even the most careful and discerning eye. To Roma, Zachary was little more than a forger of papers, a duplicator of documents, a living stamp pad, a photocopy machine that happened to be made of flesh and blood, a tinkerer who did what anyone else could do if only he had the spare time. By Roma, craftsmanship was appreciated only insofar as it translated into instant results; fail to meet his demands just once and you were labeled incompetent, inept, a fool who could not perform a task that could have been assigned to any dilettante, perhaps even some drunk who had been dragged out of the gutter by his collar.

Zachary knew and accepted this as the lot of the artist. What incomprehensible pressures must Michelangelo have faced under the demands of his patrons? Or Shakespeare? Paint that ceiling now! Finish that play by tonight and give us some damn good lines! Make us laugh, cry, gasp with awe and excitement, and hurry, hurry, hurry! Ah, how they must have despaired. Yet where would they have been without those financial supporters? What would they have done for a livelihood? The tension between art and commerce was a vital if maddening constant. The fuel of productivity. The yin and yang — yes, yes! — the yin and yang of the creative process.