In the light from the neighbor’s back porch through our bedroom window, I watch Spider as he sleeps. I don’t know if you’ll understand me when I tell you this, but there are people in this world who’ll do you wrong. No matter what Oprah says, there are people in this world you can’t forgive. There are people who, just the sight of them makes your chest go tight, your throat hot. Even when they’re sleeping, the rise and fall of their chests just fills you with this sudden panic and you think: No one will ever love me. And you think: You tricked me. And you’re right. And then that panic morphs into a quiet kind of a rage that radiates from the center of you and tingles down your arms and into your fingers. It used to frighten me, that feeling. I didn’t know what to do with it. I didn’t know how to make it go away.
I watch the vein on Spider’s neck as it pulses life now. He shifts a little, snores, then shifts again, goes silent, that pale neck at once vulnerable and inviting.
Anger is the enemy of art. Spider said it himself. Smirked when he said it. But there was a lot Spider didn’t know. He tried to make me believe that the anger lived inside of me-like it was something intrinsic I couldn’t exterminate even if I wanted to. He thought he had me, like a fly in a web. Just like Mustang once thought she could pull the wool over my eyes. Just like Birdie. I chuckle, only a little, when I think of Birdie’s stupid face. Did they really think I’d just let it go? Family, I laugh, sigh. I study Spider’s neck and smile. Did he really think I was so stupid? That I’d never figure out how to handle an enemy of art? I feel those Bombay martinis in my very blood now, making things clear. As I reach for Spider’s neck, for that stupid vein, I’m filled with a perfect sense of calm. I think about all the paintings I’ll soon make-all the shows I’ll have at First Thursday and Last Friday and whatnot. I glance up at the picture of Marie Claire on my nightstand and I think: You’ll still feed me, won’t you?
ALZHEIMER’S NOIR BY FLOYD SKLOOT
Oaks Bottom
It was about 10 at night when I saw her walk out the door. Now they’re telling me, No, that’s not what happened, she wasn’t even there.
II don’t buy it. The room was dark, the night was darker, but Dorothy was there. We were in bed and her curved back was against my chest. She wore the pale yellow nightgown I love, with its thin straps loose against the skin of her shoulders. My arm was around her, my hand cupped her breast, we were breathing to the same rhythm. Then she slipped from my grasp and I felt a chill where she’d left the sheets folded back. She drifted like a ghost over the floor, down the hall, and out the front door that’s always supposed to be locked. I saw her fade into the foggy night.
They tell me I’m confused. What else is new? I’m also tired. And I have a nasty cough from forty-six years of Chesterfields, even after two decades without them. And I don’t sleep worth a damn. That’s how I know what I saw in the night. Confused, maybe, but the fact is that Dorothy is gone.
For three, four years now, Dorothy is the one who’s been confused. That’s what we’re doing in this place, this “home.” She has Alzheimer’s. We had to move out of the place where we’d lived together around sixty years.
“Jimmy,” she’d say to me, “you look so much like Charles.”
Well, I am Charles. Jimmy’s our son, gone now forty-two years since he went missing over Cambodia, where he wasn’t even supposed to be.
It broke my heart. Filled me with despair, all of it: Jimmy gone too soon, then Dorothy slowing leaving me, now Jimmy somehow back because of her confusion so I have to lose them both again, night after night.
I miss her. Where is my Dorothy? I saw her walk out the door that’s supposed to be locked. Because Alzheimer’s people wander. They try to get out of the prison they’re in, who can blame them? I feel the same way, myself.
But at eighty-two I still have all my marbles. Thank God for that. Memory? Bush Jr., Clinton, Bush Sr., Reagan, Carter, then what’s-his-name, then Nixon, Jackson, no, Johnson, Kennedy, and I can go all the way back to Coolidge but I don’t want to show off. Or I could do 100, 93, 86, 79, 72, 65, and so on.
I saw her fade into the foggy night. The staff here can’t remember to lock the front door, and I’m supposed to believe them when they say what I saw with my own eyes didn’t happen? It’s a crime, what they did. What they’re doing. Negligence. It’s like they’re accomplices to a kidnapping. Anything happens to Dorothy, I hold them accountable.
Truth is, I’m not sure how long she’s been gone. I thought it was only a few hours, but then I look outside and see the day’s getting away from me. Dark, light, dark again. Makes me weary.
“Let me use the phone,” I say to Milly, the big one, works day shift.
“Sorry, Mr. Wade. I’m not authorized to do that.”
Always the same thing. “Look, Dorothy wandered away! No one here’s doing it, so I need to call the police and file a missing-persons report.”
“What you need is a rest.”
“What I need is a detective.”
Milly shakes her head. “We’ve been through this ten times today.” The phone is in a locked closet. She tests the door on her way to the kitchen.
I saw Dorothy fade into the foggy night. They tell me that’s not what happened, she wasn’t there, but I don’t buy it. Her curved back against my chest, the chill, her long white hair fading as she drifted like a ghost over the floor, down the hall, and out.
Well, okay then, it’s up to me. I’ll have to find her myself. Be the detective myself.
Why not? I’m used to hunting around, discovering lost old things. Forgotten old things. For fifty-plus years, I had my own antiques business here in Southeast Portland, just a short walk from Oaks Bottom. Sellwood, the neighborhood’s called, and that’s just what I did: sold wood. Found my niche with bookcases-Italian walnut, mahogany, inlaid stuff with wavy glass doors-and then with other library furnishings, and rare books eventually. Always liked antiques. I just never planned on turning into one.
Wait a little while longer till it gets dark, till the other residents are in bed and the night staff is “resting” like they do. No doubt with a rum, a beer, whatever they drink. What I’ll do is sit here in the old rocker, a perfect reading chair I found at an estate sale in Estacada, must have been ’48. Dorothy wouldn’t hear of me trying to sell this thing. Nursed Jimmy in it.
I find her at the Dance Pavilion. I knew she’d be there. With her long lean body and long blond hair, she’s easy to spot. Lights reflect off the polished wood floor that’s marred by years of dancing feet. The low ceiling makes for good acoustics, and in the temporary silence I hear Dorothy laugh. I walk right over to her and take her hand.
No, that was 1945, just after the war. I’d met her two weeks before, and she told me where I could find her if I wanted to. Oaks Park, the Dance Pavilion, not far from the railroad tracks and the totem pole. I’m nineteen and it feels like it’s happening right now. Like I’m at the Dance Pavilion with her hand in mine.
I wake up in the rocker, still eighty-two. Stiff in every joint, I creak louder than the old oak itself. What I need is a shot of good Scotch. The kind that’s been aged twelve years, the last two years in port barrels, say, with a hint of chocolate and mint. Nothing peppery. Even when she was going away into Alzheimer’s, Dorothy remembered her stuff about Scotch. I enjoyed kidding her about it. The old dame knew her booze. How I’d love to toast her at this moment, to look across the room and see her gorgeous back exposed by one of those bold dresses she wore in the heyday, see her head turn so those green eyes twinkle at me, her hand rising to return my gesture, the amber liquid in her glass filled with light.