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Don’t hesitate-just go. Into the black, and it swallows me up, and I’ve never felt such a goddamn thrill before. I inch toward an open doorway I barely see up ahead. Doing that whole hands-out-in-front-of-you thing. Don’t hear her humming or her bracelet clink. I step through this next doorway but something makes me stop. Something says don’t move.

For a moment I just stand here in the dark. Feel the panicanger drunk coursing lush through me. I start forward again.

My foot comes down onto nothing.

Hands out, thrashing. Clutch crazy at some metal rail. Foot finds the ledge. Stand crouched. Breathe. Hands gripping hard. The black, receding and finding shape again, settles on the smoke-thread edging of the handrail, which traces down and down.

A distant sound comes up. Dorothy’s voice. A tune. A taunt.

One foot out to find a step. Next foot out. A creak under my shoe. The lower I go, the warmer it gets. Like the devil forgot heat is supposed to rise. The smell is just this side of rot. Turn at the bottom, eyes scanning the dark for her. Then I hear a sound like air forced through a tiny hole, something breathy and shrill. And a strange scuttling. Oh shit, no.

But the humming. Flat and faraway. And so I walk.

The room just goes and goes, thin and long-what, am I about to get shanghaied, are Kit’s pirates lying in wait? The only light comes down from cracks between the wooden beams overhead. Corridors converge, and I listen, and I turn. Keep going deeper in. Hot sweat down my back. Ceiling just above my head. Walls close. What the hell is this place? Darker now. Nothing but fissures in the wood to let in something feeble and dim silver like moon going through water.

The whole black floor seems to crawl-oh Christ. Something brushes my heel-body jerks. I stumble forward. On and on under the streets of Portland. I’ve lost the way out. All I can do is hold onto Dorothy’s voice and follow. Her Pied Piper song in this Pied Piper black.

Can’t stop, can’t breathe.

Because sometimes panic just turns into more panic, and sometimes stories are true, and sometimes you’re an idiot.

My foot comes down onto something soft.

Sick squirm under my shoe.

I choke in a gasp, stagger back. For a second I’ve lost the floor.

Then, as my shoe comes down again-solid ground-there’s a click and suddenly, light.

I’m in a chamber at the end of the line. Walls full of white Christmas lights. Hanging in swags like the piping of sweet on a birthday cake.

And all up and down and ceiling to floor: pretty jewelry.

At first I can’t make it out, it’s just an enormous, blurred luster. But bring it into focus, and it’s gold and more gold, like an Egyptian tomb-gold all pressed into the walls-gold and silver and the crazy shimmer colors of thousands of jewels. Mosaics of rings, overlapped bracelets, winding chains, strings of pearls. I reach my hand out to touch. Stop.

Directly ahead, Dorothy in her faded housedress and blue velvet hat is hunched, face close to the wall, hands working. Her humming is so low I barely hear it. She has a little tube of glue. She presses something into the wall. Face smattered with beaded light and twinkle, and she turns and looks at me and smiles.

Crooked eyes dip down. To the diamonds in my ears, the drapes of pearls against my chest.

The glint in her hand is my ring.

I don’t hear a sound from behind.

I don’t hear the swift of the baseball bat before it comes down.

LILA BY MEGAN KRUSE

Powell Boulevard

When I saw Lila for the first time it was at the Tik Tok, at a quarter past 2 in the morning. I was there because I had this terrible loneliness in me and I couldn’t stand to be in my apartment, where the cars outside on Foster Road dragged their headlights over the thin walls. There was black mold on the shower curtain and the linoleum was peeling up and there was an ugly stain on the mattress. It didn’t matter; I slept on the sofa anyway.

I slept on the sofa and when I couldn’t sleep I sat in the Tik Tok near Powell Boulevard, watching the rows of clocks on the walls, and then Lila came in, late on a Friday night. She was tall, with rust-colored hair, and she looked like a girl I had known once, the daughter of someone who came to take care of my mother after her accident. The girl was my age and she had a puppy that she carried, with ragged, chewed-up fur, scratching its fleas and burying its head under her arm. I was eleven. I tied a red scarf around my head because I wanted to look like a soldier who had just returned from war. I dreamt the girl would hold a rag to my forehead and whisper carefully in my ear.

While her mother took care of my mother, the girl slept in the room next to mine. When she outgrew one of her dresses it was folded, washed, and put on my bed. It was blue, terry cloth, a summer dress. I wore it until I could hold it in my hands and see right through.

But then my mother was well enough and the woman left and took the girl with her. My mother sometimes stood and walked around, and changed her clothes, but her eyes were blank as marbles and her mouth was slack. Sometimes she sat and played the accordion but it was always the same wheezing note. She kept a fifth of whiskey in the top drawer of her dresser and when she slept on the recliner I would sip from it, lie in her bed, and imagine that girl. Her blue dress like water, like a calm and perfect sea.

Lila came into the Tik Tok that night and I watched her for a long time. She was beautiful. She folded and refolded her napkin, looked around as though she was waiting for someone. After ten minutes a tall man came in and sat at the table and I heard him call her by her name. It was a beautiful name, I thought. He sat there for a bit and they spoke quietly. Then he stood up and left.

I waited awhile and ordered a fried egg so that I could ask her if she wanted some food. Maybe she was hungry, I thought, and didn’t have enough money, or maybe she couldn’t decide what she wanted. I moved into her booth. She didn’t look up.

“Listen,” she said, “I’m not a dyke. I don’t lick pussy so probably you should just go back to your eggs.”

“I don’t have anywhere to go,” I replied. At that moment it seemed true. My apartment seemed like someplace I had resided in during a different lifetime. The job I had checking groceries was suddenly someone else’s, and I felt like I had been in the Tik Tok for days, weeks, the clocks turning their slow circles, the coffee growing cold until another waitress stretched her pale arm across the table toward my cup.

Lila shrugged. She pulled a cigarette from her pack and held it between her long fingers. Her nails were bitten. “Not my fucking problem,” she said. She put some money on the table, stood up, and walked out. I waited a few minutes and then I followed her, watched as she crossed the parking lot to the nearest motel, a ground-floor room marked 42, and let herself in.

From there it was easy. I didn’t have any savings, but the grocery store let me cash out my retirement plan, $470, minus the taxes. I kept the apartment. The motel was closer to my work, and I liked the way it looked.

“Room 43, please,” I said, and the man behind the counter took my money and handed me a key. There was a little table with cigarette burns ringing it like years of a tree, and heavy curtains that could shut out the light even in the middle of the day. The sheets were rough and when I turned against them, their scratching reminded me that I was there, that I was waiting for something. There was even a little refrigerator and I took the 72 bus to the store and bought things that I thought Lila might like-a tin of pink salmon, almonds in a pale candy shell. Above the bed was a painting of a ship tossing in a wild sea.

Every night at 7 the tall man from the Tik Tok drove up in a van and parked outside of the hotel. Lila would leave her room and climb inside. They would be gone until 3 or 4 in the morning, when I heard her unlock the door. She would set down her purse and sit on the bed; there was a click when she dropped her heels by their narrow leather straps to the floor. The water would run; I could imagine her as clearly as if the wall had fallen away-there she was in her slip, her bare feet toeing into the carpet. I slept when she slept.