There was nothing important in the outer pockets of the wallet. It was all very orderly, like his whole life, like the drawers of his desk, like his wardrobe, like his notes. There was always order around him, so, naturally, there was order in his wallet too. Maybe it was only his heart that was not completely in order, that did not work in perfect harmony, you know … people who are very particular about external order may be covering up real disorderliness inside. But this was no time for meditation. I burrowed my way through his wallet like a mole through crumbling earth.
In the innermost pocket I found the photographs, including the child’s photograph. The boy was just eight hours old in the picture. He had a lot of hair and, wouldn’t you know it, he was clenching his little fists and raising his arms. He was three kilo eighty and fast asleep … That’s when they took the picture. How long do you think that goes on hurting? As long as we live? That’s what I think.
That was what mattered to me most when I searched through the innermost pocket of that wallet; that and the lilac ribbon.
I took the ribbon out, felt it, and, naturally, sniffed it. It had no smell. It was an old ribbon, dark lilac. It smelled of crocodile skin. It was four centimeters long — I measured it — and one centimeter wide. It had been tidily cut with a pair of scissors.
I was so frightened I had to sit down.
I stayed sitting like that with the ribbon in my hand, my heart still firmly resolved to possess my husband, to conquer him the way Napoleon wanted to conquer England. I sat like that, badly shaken, as if I had just read that my husband had been arrested on the outskirts of town because he had robbed or killed someone. I was like that woman married to the “Monster of Düsseldorf” who discovered one evening that the police had taken her husband away because that hearty fellow, that exemplary father, a man who paid his taxes on the button and who liked to go out for a drink after supper, tended to disembowel people he met on the way. It was like that for me the moment I spotted and took out the lilac ribbon.
You think I was being hysterical? No, darling, I’m a woman: both criminal and master detective, both saint and spy, everything at once when it comes to the man I love. I’m not ashamed of it. That’s the way God made me. That is my mission on earth. The room was spinning around me. There was good reason for it to be spinning — several good reasons, in fact.
One reason was that I knew nothing about the ribbon, had never seen it before. Women just know such things. I’d never worn such a ribbon ever, on any dress or hat of mine. I made a point of not wearing such solemn, funereal colors. That much was certain, no point going on about it: the ribbon had nothing to do with me. It wasn’t a ribbon my husband had snipped off any hat or dress of mine so that he might treasure it as a token of me. More’s the pity, I thought and felt.
Another reason — and this is why I felt pins and needles in both hands and feet — was because the ribbon was not only not mine, it was not my husband’s, either. What I mean is, whatever object, whatever material a man like my husband holds in such high regard that he keeps it in his wallet for years, that he rings home about from the office in excitement — I hardly need say it was the ribbon he was ringing about, since he wouldn’t have felt a burning need for money or calling cards, or proofs of membership, not in the morning, in the factory — that object was more than a souvenir or memento to him. No, this was criminal evidence. Hence my numbness.
What it meant was that my husband was carrying round some kind of token that was of more importance to him than I was. That was what the lilac ribbon meant.
Could it have meant something else? The ribbon hadn’t faded, simply looked a little worn in the peculiar way dead people’s possessions often do. Have you noticed how the hats and handkerchiefs of the dead tend to age, practically from the moment the wearer dies? They lose color somehow, like leaves torn off the branch, and the green begins immediately to fade as green watercolor does … It seems there is a certain electricity that runs not only through people but also through all their belongings; something that radiates the way the sun does.
The lilac ribbon was barely alive in those terms. It was as if it had been worn a very long time ago. The person who’d worn it might already be dead … or at least dead to my husband. That’s what I was hoping. I gazed at it, sniffed it again, rubbed it between my fingers, questioned it … but the ribbon did not give up its secret. It remained obstinately silent, with all the defiance of an inanimate object.
And yet at the same time it was perfectly alive. It was superior, dense with schadenfreude. It was as if a mischievous goblin had stuck out its apoplectic lilac tongue to mock and ridicule me. What it said in goblin language was: “See, I have ventured behind the neat, well-arranged façade of your life. I had an existence then and continue to exist now. I am what is hidden, the secret, the truth.”
Did I understand what it was saying? … I felt so agitated, so cheated, so shaken! Such fury and curiosity burned in me that I would not have balked at rushing into the street to find the woman who had once worn it in her hair or her corset … I was red with fury at being so insulted. See, even now my face is quite hot, flushed and red, just thinking of the lilac ribbon. Wait, lend me a little powder, let me make myself presentable.
There. Thank you, I feel better now. Well, the clerk soon appeared and I tidily put back everything in the wallet: the calling cards, the proofs of identity, the money, and the lilac ribbon that was so important to my husband that he rang home excitedly from the factory in the morning and had to send a clerk for it … And then I stood there, the great decision made in my heart, blazing with indignation, understanding nothing of life.
Or to be more exact, I did know something about it.
My husband was neither an oversensitive youth nor a pathetic, aging lecher. He was a mature man, so his actions were rational and comprehensible. He was not the sort to carry a woman’s lilac ribbon around in his wallet in secret without having a reason for it — that much I understood. If that was the secret, I understood it as perfectly as we do the secrets of our own lives.
So if he does something like this, if he carries a sentimental trifle around for years, there must be a serious, proper reason for it. In which case the person to whom this little rag once belonged must be of supreme importance to him.
More important than I was, for sure. He didn’t carry my photograph around. You might say — I can see you are about to say it even though you’re keeping quiet — that he didn’t need a photograph of me because he saw quite enough of me, day and night. Yes, but that’s never enough. He should see me even if he is not there beside me. And should he reach for his wallet, it should be to take out my photograph rather than some other woman’s lilac ribbon. Don’t you think? … There you are, you see. It’s the least a man can do.
There I was, smoldering, as though someone had set fire to my quiet family home with a careless match. Because whatever lay there behind the façade of our lives, whatever might have happened, it was still a solid and substantial thing, a genuinely mutual form of life, complete with roof and foundation … It was the roof that single burning match had landed on.
He didn’t come home for lunch. We had a dinner invitation. I dressed to kill that night, straining every sinew to be beautiful. I wore a white dress, the one I kept for grand occasions. It was made of silk, like a wedding dress. It was ceremonial and dignified. I spent a whole two hours at the hairdresser in the afternoon. And even then I did not sit on my laurels but went into town to buy a rosette made of lilac ribbon, a ribbon in the shape of a violet, a sweet, idiotic little trifle of the kind quite fashionable that year. You could get it in various shapes and sizes. I pinned the ribbon, the color of which was precisely the same shade as the ribbon my husband carried around in his wallet, to the white dress, just where it opened. I took such care dressing for the evening I might have been an actress at a premiere. By the time my husband arrived home I was in my fur stole. He changed quickly, because he was late. Just this once it was I waiting patiently for him.