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    Consider this. Arts have their Medium-

    Coloratura, tempera, or stone.

    Through medium of paint the Ideal Form

    Of the Eternal Mother shows herself

    (Though modelled maybe on some worthless wench

    No better than she should be, we may guess).

    Through medium of language the great Poets

    Keep constant the Ideal, as Beatrice

    Speaks still to us, though Dante's flesh is dust.

    So through the Medium of this poor flesh

    With sweats and groanings, nauseas and cries

    Of animal anguish, the sublimest Souls

    Make themselves known to those who sit and wait.

    And through this self-same flesh, they urge the skills

    That light the phosphor-matches, knot the threads

    Or lift the heavy chair from off the rug.

    

    The spirits weave them flesh and robes of air,

    Of air and matter of my grosser breath

    Whose warmth brushes thy brow in this my kiss-

    And if one night they neither come nor weave-

    Why you and I may make their motions felt

    With subtle fingers and the self-same breath

    Lifting the more corporeal veils of flesh . . .

    You catch my meaning?

    

    One night the flute is filled with spirit breath

    Swooningly sweet. The next, my breath, or thine,

    Tutored by them, must body forth their sound

    Since they neglect to whistle, but the notes

    The self-same notes breathe still the self-same sigh

    Of sweet regret and sweeter hope to come-

    Art tells a truth, sweet girl, though all her tales

    Are lies i'the law-court, or the chemist's phial-

    We must be artful for the spirit's truth

    In which we're tutored by them, d'you see?

    You must not stare at me with fair large eyes

    Full of a question and a glittering tear.

    Drink up this cordial glass of wildflower wine-

    'Twill settle you-come near-compose yourself

    And fix your eyes on mine, your hand in mine,

    And feel us breathe together. So. When first

    I mesmerised you, and your youthful soul

    Opened itself to mine, as morning flowers

    Open their cups to the warm Sun, I knew

    You were a being set apart, a Soul

    Responsive to my powers, and ductile too.

    Look up into my eyes, I say. You see

    The love of a good woman there, whate'er

    The spirit lords may else reveal, my dear.

    Draw in the influence fearlessly. Now drowse

    And calm your pulses, whilst my stronger arm

    Supports your softnesses. Here, Géraldine.

    My love is merciless to do you good.

    

    Know you not that we Women have no Power

    In the cold world of objects Reason rules,

    Where all is measured and mechanical?

    There we are chattels, baubles, property,

    Flowers pent in vases with our roots sliced off,

    To shine a day and perish. But you see,

    Here in this secret room, all curtained round

    With vaguest softness, all dimly lit

    With flickerings and twinklings, where all shapes

    Are indistinct, all sounds ambiguous,

    Here we have Power, here the Irrational,

    The Intuition of the Unseen Powers

    Speaks to our women's nerves, galvanic threads

    Which gather up, interpret and transmit

    The unseen Powers and their hidden Will.

    This is our negative world, where the Unseen,

    Unheard, Impalpable, and Unconfined

    Speak to and through us -it is we who hear,

    Our natures that receive their thrilling force.

    Come into this reversed world, Géraldine,

    Where power flows upwards, as in the glass ball,

    Where left is right, and clocks go widdershins,

    And women sit enthroned and wear the robes,

    The wreaths of scented roses and the crowns,

    The jewels in our hair, the sardonyx,

    The moonstones and the rubies and the pearls,

    The royal stones, where we are priestesses

    And powerful Queens, and all swims with our Will.

    

    All mages have been tricksters. We are no

    More and no less than all High Priests have been

    Holding the masses to the faith with shows

    Of firework and magic to impress

    With symbols of Heaven's brightness those dull eyes

    Which won't conceive our meanings from our speech.

    You are calmer now. That's good. That's good. I stroke

    The blue veins in your arms with my ringed hands

    And power flows from me to you. You feel

    The benefit of it. You are calm. Quite calm.

    

    You call yourself my Slave. Not so, my dear.

    Avoid extravagance of phrase or tone

    If you would taste success in this new Sphere.

    You are my Pupil and my dear, dear friend,

    You are, who knows, the next Sybilla Silt,

    But now you must be decorous and show

    Deference to the ladies, gentle tact

    To the rough male-folk, bring them cups of tea

    And smile, and listen, for we need to know

    All that their innocent gossiping reveals.