Moonlight glimmered faintly on the great curve of the river below. Beyond the water the Old Town buildings were picked out in lights. He could make out the needle-like spires of the Týn Church thrust upwards into the belly of the night sky. Behind him the wall at the back of the esplanade seemed huge, the bastion of a fortress. It was up there that the great monument had once stood, the largest group sculpture in Europe – a gaggle of workers, farm labourers and soldiers all pushing and shoving behind the solemn figure of Joseph Vissaryonovich Dzhugashvili, better known as Stalin, who stood at the front and looked thoughtfully over the city. With bitter irony they nicknamed it fronta na maso, the meat queue. Constructed of seventeen thousand tons of reinforced concrete and clad with thirty thousand blocks of granite, it was an exercise in posthumous sycophancy, because by the time it was finished Stalin had already been dead two years. On the orders of Moscow the grandiose monument was demolished in 1962.
How do you demolish such a monstrosity without getting egg on your face? You first attempt to hide the whole construction behind wooden fencing before blowing it up with a total of one thousand eight hundred pounds of high explosive and hoping that no one notices. As it was built in the most prominent place in the entire city, that is rather difficult.
It is said that President Novotný wept when the monument vanished in a cloud of concrete bits and granite chippings. What is certain is that the original designer of the thing did not shed a tear over its disappearance – he was long dead, having committed suicide a month before it was officially unveiled.
And now? Now there was nothing. Elsewhere in the night sky there were stars, but not there. It was as though the vanished presence of Uncle Joe still cast a kind of shadow, a void that seemed vaster and more frightening than any material monument to the man.
Sam stood close to the wall, feeling happier with his back to the stones. It was like standing on an ill-lit stage, waiting for the lights to come up and the performance to begin. There were others already there, mere blots in the uncertain light: a couple sitting, apparently wrapped in each other’s arms, on the low wall that would be the apron of the stage; a solitary male figure standing apart, smoking. Was that Egorkin?
Shadows played tricks with perspective. Doubts crowded in. This was idiotic. What the hell did the Russian want? He thought of Lenka back in the flat, typing away at her fejeton and thinking of bed. He thought of the bed itself, a place that only had meaning with her couched within it.
Meanwhile on the esplanade a second figure joined the solitary one. The two exchanged a few words and went off together into the shadows. Sam almost laughed out loud. Queers. A world of secrecy and evasion existing below the surface of everyday life just as surely as the world of spies and traitors. Was this, he wondered, Egorkin’s idea of a joke? He lit a cigarette and glanced at his watch. The luminous minute hand crept on. A cigarette seemed as good a measure of time as anything. He’d finish this cigarette and then go.
He took a last drag, dropped the butt on the ground and stamped it out. As he was about to walk away the fused couple on the wall divided amoeba-like into two individuals. One of them walked across the esplanade towards him, leaving the other seated, watching, her face a smudge of white against the shadows.
‘I’m sorry to have kept you,’ Egorkin said. It was hard to make out his expression – just shadows, an abstract combination of dark and light. But his voice was unsteady, as though there was a fracture somewhere deep within it.
‘What the hell’s going on?’
‘It’s… there’s been a problem.’ He glanced behind him at the lonely figure. ‘We are in trouble.’
‘Trouble?’ It sounded ridiculous, the kind of euphemism used to cover teenage pregnancy.
‘We’re being sent back to Moscow. Our programme for the next week has been cancelled. Tomorrow, that’s what I’ve been told.’ His hand darted across the shadows and grabbed Sam’s wrist. ‘We have no time, that’s the truth. We must go now.’
‘Now?’
‘I’m asking you for help. We are. Both of us. Now.’
‘Are you serious?’
‘This is not the moment for jokes, is it? We need to be taken to the British embassy.’
Sam had a moment’s vision of the chaos and confusion were he to knock on the embassy gate at eleven-thirty at night on Friday night with a couple of renegade Russians in tow.
‘Look, I haven’t spoken with anyone yet. Haven’t had the opportunity, and now it’s the weekend. I can’t just turn up with you. They’d have to get the ambassador out of bed. I’m in his bad books already this evening. Me trying to deliver the two of you into his care would be the last straw.’
‘But there is no time. They will soon see that we are both missing. It won’t take them long to realise we have left the hotel.’
‘And if I do get you into the embassy, the story will be in Moscow by lunchtime tomorrow. You’ll end up trapped there with no way of getting you out and Mr Brezhnev demanding satisfaction from the Czechoslovak government.’
‘You have no secrecy?’
‘Locally employed people. Maids, stewards, even some secretaries in the consulate. They all report to the StB.’
‘So what do you suggest?’
It was ridiculous. The whole situation was ridiculous. He could, of course, offer his apologies and walk away. That would be the safer option, at least for Sam Wareham, First Secretary at the British Embassy; not for Gennady Egorkin and Nadezhda Pankova, though. ‘I’ll take you to my flat,’ he said, ‘at least for tonight. Then we’ll see.’
The girl came over, a small figure with the stolid face of a Russian peasant. Very different from the slight, fierce figure he had seen in concert. ‘Nadezhda Nikolayevna,’ she said, shaking his hand. She seemed sullen rather than frightened. What, Sam wondered, was her particular talent as far as Egorkin was concerned? But then the man took the girl’s hand and she looked up to give him a sudden, fleeting smile and Sam thought maybe, just maybe, it was love.
‘Don’t you have a suitcase or anything?’ he asked. ‘Clothes? Washing things?’
‘Nothing. Not even Nadia’s violin. It would have been suspicious. We were rehearsing for our recital tomorrow and we stepped out of the hotel for some fresh air. That’s it.’
The sheer idiocy of their action crowded in on Sam. No planning, no preparation, just acting on the spur of the moment. Like children. Here I am, please sort it out. Was this the artistic nature Egorkin had talked about? You are a functionary, he had said accusingly. But at least functionaries plan ahead.
They made their way to the car, walking slowly – that was what Sam suggested – as though strolling through the park in the evening was the most normal thing to be doing. Ahead where the campfire flickered through the trees there was something else flickering – the blue light of a police car. Egorkin stopped.
‘It’s just kids being moved on,’ Sam said.
They walked forward until the patrol car was visible. Familiar white door panels and the letter VB in black; the blue light sparking on the roof; a cluster of figures gathered round it, arguing. The kids argued with the police these days. As big a change as you could imagine. Egorkin and the violinist followed Sam past the scene and a few moments later they were climbing into the Mercedes and feeling safer. Not safe but safer. As he started the engine Sam wondered a dozen things but the most immediate was, what the hell was he going to do about these people? What would Eric Whittaker say? What would the ambassador say? What the fuck would the Foreign Office say when one of their officers had picked up a couple of stray Russian musicians and offered them sanctuary? Embarrassment, that was the great fear. If you want to make it to the top, a senior diplomat had once told him, never, ever embarrass the Office. Embarrassment is the one unforgivable crime.