“What the bloody hell is going on?”
The children could find no place to look, so bowed their heads.
In three infuriated strides he crossed to his new stereo.
“What the bloody hell have you done?” This spoken under his breath but so that the room could well hear—as (with his infinite sympathy for inanimate objects) he detached the broken needle, revolved it between finger and thumb, and laid it gently down.
He turned, his voice rising in a steady climb to a furious shout: “I’ve just bought this, Gabriel.” This was true, though the money was not his and had been meant for a very different purpose. “And it is not for you to be messing about with. Do you hear? Have you any idea how much these things cost? Have you any bloody idea?”
Only now did he see the ruined record in the boy’s hand: two deep scores the color of sun-bleached bone in the shape of a jagged V.
“You little shit.”
Though Gabriel knew well what was coming, he was caught by the speed of the strike and took the first blow full across the ear. The second caught him awkwardly coming the other way, across the opposite cheek, before he could raise his arm to protect himself. The pain delayed a moment, then rushed at him. Tears surged to the corners of his eyes and he was lost to the torture of fighting them back in front of his friends, face spun toward the wall.
Fury was heaving through Nicholas, gorging and swelling on itself, raging back and forth far beyond this moment, out across his whole life, annihilating all ancillary thought save for the resounding certainty of his own outraged conviction: that this—this night after night of staying in and looking after these bloody children—this had never been part of the bargain, that he had been cheated, that he (and he alone) was the victim of gross and iniquitous injustice. He was visibly swaying. Isabella was standing still in front of him, clasping the replacement record two thirds unsleeved across her chest, her wide eyes looking up at him, unblinking. The effort required not to say what he bloody well wanted to say almost defeated him. Serve the old bastard right And yet… and yet, as always, something—something about Isabella, perhaps, or something in the expressions of the other two, or something residing in the deeper terror of what he would do or become or have to face without the money, without the house, without the daily collateral—something held him back. Instead he cuffed the girl lightly across the top of her head.
“Right, get your bags, get your things—you two, Susan, Dan, you are both going. Right now. Bloody move.”
The friends had been motionless in their terrified tableau vivant since he had come in: the one standing unnaturally upright with hands strictly by his side, a child soldier traumatized to attention in front of the old fireplace; the other on the sofa, aware that her feet had been all this while on the furniture and so awkwardly half crouching as if in the act of disguising this fact. Now, released from the spell, the two gave themselves fully to efficiency and haste, as if unconsciously glad of the emotional cover they provided.
And already Nicholas felt himself tiring. His wretched circumstances at the age of thirty-eight, the thought of his wife out at her self-righteous work all night (“My own money, Nicholas, I make my own money, to spend how I will”), the house itself—all of it pressed in on him now, corralling him back to the more subdued ire of his habitual corner. The torrent was receding. His intelligence was re-emerging, asserting itself. And he could sense the shadow of his rage smirking at the histrionics of its master. Still, he had bound himself into the entire tedious performance—furious parent disciplines disgraceful children for the duration of an entire bloody evening. So he set his face.
“What the hell are you waiting for, Isabella? Get in the bloody car.”
Gabriel sat in the front, the seat belt too high and chafing at his neck. His father was driving—the contortion of face and body far worse for being imagined rather than directly looked upon—driving with undue gesture and haste, braking too hard for the pedestrian crossing, accelerating unnecessarily as he pulled away.
Nicholas swore, then swerved hard into a petrol station. He got out to dribble another teacup’s worth into the tank; he ran the car perpetually on the brink of empty and there was never enough for there and back.
Gabriel shifted for the first time and took the chance to look into the back. His sister’s gaze was fixed on his seat, as if she expected smoke to coil any moment from the point of her stare. The others too were unnaturally stilclass="underline" a grazed knuckle on the armrest of the door, a disco girl’s polka-dot-painted fingernail digging into the fake suede of the upholstery.
“Your dad is mad.” White-faced, Susan mouthed the words and whirled her index finger at her temple.
There was nothing Gabriel could say.
They drove on. And the silence in the car seemed a worse agony than the shouting and the striking that had gone before, seemed to hold them all rigid as surely as if they were each pinned with a hundred tacks through pinches of the skin. And Gabriel felt instinctively, without the restrictive formality of articulation, that it was neither fear nor resentment that kept them all from meeting any other’s eye; it was the shame. The livid, writhing embarrassment of every moment now being lived through: the shame of the blows—witnessed blows—henceforth indelible in their individual histories; the shame of what lay ahead, of what he and Isabella must both face at school, of what would be known about them; and, worst of all, lurking beneath all these like some poisoned underground lake, the shame of the discovery that their father—champion, guarantor, backer—had turned out not to be the idol of their public boast but a public betrayer instead. This the most painful shame. And a shame he felt without the adult luxury of the long view, of independent resource—though immortal all the same for that.
But it was not the ride to Acton that Gabriel remembered most of all when he shut his eyes. It was the rest of the night.
Nothing had been eased and nothing spoken ninety minutes later, when the vast Victorian house reared up in the headlights. His father turned off the engine and stepped out of the car, his distance the shortest to the front door. But Gabriel sat very still, watching his sister walk around the hood while Nicholas fumbled for his key. Without looking back and expecting him to follow, they both disappeared inside, leaving the door ajar and a narrow triangle of light on the frayed gray mat.
But Gabriel did not move. Something held him there.
It was not exactly his conscious intention. But a minute passed and he simply remained motionless.
Then another minute came and went.
And still he did not shift to unbuckle his seat belt. But found himself staring dead ahead: the porch light, at this exact position of parking, somehow revealed the otherwise invisible smears on the windscreen left behind by long-vanished rain.
Three minutes passed in this observation and his attitude did not change—upright, legs together, as if ready for a new journey, selfconsciously breathing through his nose. And though yet without plot or purpose, the more he sat, the harder it was to move. And with each additional second, his resolve seemed to be hardening; yes, the more he sat, the more he knew that he had to go on sitting. And the more he sat, the harder it was to move. And that was all there was to it. Somehow he had become a fugitive from his own decisions—a boy in an adventure story, locked in the basement, stock-still, ear to the door, listening to the baddies decide what they were going to do with him.