‘Look at me,’ the chief murmured, just loud enough for the recorders to pick up. ‘I want to see what we’re dealing with here. I want to see what sort of person you are. So far I’ve seen nothing; a nonentity in the literal sense of the word. They say you were a cop once. They say you’re a loving husband and father. I don’t see any of those people; they’re all hiding from me. Look at me, Scott.’
‘Mr Skinner!’ Viola Murphy yelled, her voice shrill. ‘I won’t bloody have this! I protest!’
His head moved, very slightly, and his eyes engaged hers. She stared back, and shivered, in spite of herself.
‘No you don’t,’ he told her, in a matter-of-fact voice. ‘You sit there, you stay silent and you do not interfere with my interview. If you raise your voice to me again and use any more abusive language, I will suspend these proceedings and charge you with breach of the peace, and possibly also with obstruction. Then we will wait for another lawyer to arrive to represent both Mr Mann and you.’
‘You’re joking,’ she gasped.
‘I have a long and distinguished record of never joking, Ms Murphy. I advise you not to test me.’ He turned back to Mann who was looking at him once more, astonished. ‘Okay,’ he said. ‘I have your attention again.’
He fell silent once more, then reached inside his jacket, and produced what appeared to be three rectangles of white card. He turned the top one over, to reveal a photograph, of Detective Inspector Charlotte Mann, then laid it in front of her husband.
‘For the tape,’ he said, ‘I am showing the prisoner a photo of his wife, a senior CID officer.’
He turned the second image over and placed it beside the first.
‘For the tape,’ he said, ‘I am showing the prisoner a photo of his son, Jake Mann.’
He turned the third over and put it beside the other, watching Mann recoil in horror as he did so.
‘For the tape,’ he said, ‘I am showing the prisoner a close-up photo of the body of Chief Constable Antonia Field, taken after she was shot three times in the head in the Royal Concert Hall, Glasgow, on Saturday evening.’
He paused, as the shock on the prisoner’s face turned into something else: fear.
‘What I’m asking you now, Mr Mann,’ he continued, ‘is this. How could you betray your wife and compromise her career, how could you condemn your wee boy to the whispers and finger-pointing of his school pals, by being part of the conspiracy that led to Toni Field lying there on the floor with her brains beside her?’ His gaze hardened again; in an instant his eyes became as cold as dry ice. He reached inside his jacket again and produced a fourth image. It was grainy but clear enough.
‘For the tape,’ he said, ‘I am showing the prisoner a photograph of himself in the act of handing a parcel to a second man, identified as Mr Basil Brown, also known as Bazza.’
He glanced at the solicitor. ‘To anticipate what should be Ms Murphy’s next question, we know that Mr Mann was not receiving the package because that image was taken from a CCTV recording that shows the exchange. However, Ms Murphy, your client did receive something from Mr Brown and that is also shown on the video.’
His hand went to his jacket once more, but this time to the right side pocket. He produced a clear evidence bag and slammed it on to the table. ‘For the tape,’ he announced, ‘I am showing Mr Mann an envelope which his wife discovered today in their home and sent to us. It bears the crest of Mr Brown’s taxi firm and contains four hundred and twenty pounds.
‘It hasn’t yet been tested for fingerprints and DNA but when it is we’re confident it will link the two men. We can’t ask Mr Brown about this as he was found dead in Glasgow on Sunday. However, Mr Mann, we don’t need him, or even that evidence. We’ve recovered the paper from the package you handed over and we’ve got your DNA and prints, and his, from that. We can also prove that the package contained two police uniforms, worn as disguises by the men who assassinated Chief Constable Field.’
He stopped, and locked eyes with Mann yet again. His subject, the former detective, and veteran of many interviews, was white as a sheet and trembling.
‘All that means,’ Skinner continued, ‘that we can prove you were an integral part of the plot to murder my predecessor, and it is our duty to charge you with that crime.
‘You’ll be lonely in the dock, Scott; it’ll just be you and Freddy Welsh, the man who supplied the guns. Everybody else in the chain is dead, bar one, the man who gave the order for the hit, recruited the planner and funded the operation.’ He paused. ‘I think we’ve reached the point,’ he went on, ‘where you bury your face in your hands and burst into tears.’
And Mann did exactly that.
Skinner waited, allowing the storm to break, to run its course and then to abate. When the prisoner had regained a semblance of self-control, he asked him, ‘What’s your story, Scott? For I’m sure you have one.’
‘My client,’ Viola Murphy interposed, ‘isn’t obliged to say anything.’
The chief sighed, then smiled. ‘I know that as well as you do,’ he replied. ‘And you know as well as I do that given the evidence we have against him, if your client takes that option and sticks to it, then the best he can hope for is a cell with a sea view.
‘Silence will be no defence, Ms Murphy. The best you will be able to offer will be a plea in mitigation, and by that time it will be too late, because once he’s convicted, the sentence will be mandatory. I’m offering the pair of you the chance to make that plea to me now, and through me to the fiscal, before he’s charged with anything.’
‘He said he was only borrowin’ them,’ Scott Mann blurted out. ‘He said he would give me them back.’
‘Okay,’ the chief responded. ‘Now for the big question. Did he tell you why he was borrowing them?’
‘He said it was for a fancy dress dance, for charity. He told me that he and Cec wanted tae go as polis, and that they wanted it to be authentic.’
Skinner leaned forward. ‘And you seriously believed that?’ he exclaimed.
‘I chose to. The fact is, sir, Ah didn’t want to know what they were really for, because I didn’t have any choice.’
‘What do you mean by that? You had a very simple choice. You could have told your wife that Bazza Brown had asked you to acquire two police uniforms for him, and let her handle his request. Jesus, man, even if your half-arsed story is true, by not telling Lottie and co-operating with Brown, you condemned a woman to death.’
‘I ken that now,’ Mann wailed. ‘But like I said, I didnae have any choice. Bazza’s had a hold on me from way back, since I was a cop. It’s no’ just the drink that’s a problem for me. Ah’m an addictive personality. Anything I do, I do it to the limit and beyond.’
‘Drugs?’
‘Not that: gambling. Horses, mostly, but there was the cards too. Bazza’s old man was ma bookie, and then he died and the brothers took over. Bazza gave me a tab, extended credit, he called it, but what he was really doin’ was lettin’ me pile up debt. One night he introduced me to a poker school. Ah did all right early on, but I think that was rigged, to suck me in. Then I lost it all back, but Ah was beyond stoppin’ by then. Bazza kept on stakin’ me, letting my tab get bigger and bigger. It got completely out of control, until before I knew it I was about seventy-five grand down, on top of twelve and a half that I’d owed him before.’
He paused, and his eyes found Skinner, reversing their earlier roles. ‘That was when I was truly fucked. He pressed me for the money, even though he knew I didnae have it. He got heavy. He threatened me, he threatened Lottie and he even threatened wee Jakey, even though he was only a baby then.
‘I threatened him back, or Ah tried to, told him he was messing wi’ a cop and that I could have him done. He laughed at me; then he put a blade to my throat and told me that it would be the easiest thing in the world for me to be found up a close in an abandoned tenement with a needle hangin’ out my arm and an overdose of heroin in ma bloodstream. And Bazza did not kid about those things. So I agreed tae pay him off in kind.’